Use the attached photograph as the primary governing reference. Recreate its structure exactly without reinterpreting it.

This is a portrait-photographic dominant-figure cover with a strong secondary typographic installation. One centrally seated woman provides the facial-recognition anchor occupying approximately 80% of canvas height, while a single-line glowing brush-script title physically mounted on the rear curtain wall dominates the upper band. The layout grammar is title-top over image-below with a perfectly centred vertical axis.

Square 1:1 composition, 3000 × 3000 pixels, sRGB. Artwork fills the full canvas edge to edge. No device frame, no mockup, no rounded corners, no border.

Background system constructed bottom upward.

The base layer is a continuous-tone photographic interior. The entire rear wall is covered by a full-height vertically pleated beige-gold curtain with approximately 12–16 major visible fold bands running from top to bottom across the full canvas width. Curtain colour ranges from warm brown-taupe in shadow folds at luminosity 14–24 hex approximately

#755536, through tan-caramel midtones at luminosity 29 hex

#B9895E, to golden-beige illuminated folds at luminosity 46 hex

#E7A85F. The curtain fills 100% of canvas width and 100% of canvas height as the complete environmental backdrop. Apply optical depth-of-field softening to the curtain surface at approximately 1–2.5% canvas width blur radius, suppressing fine fabric weave detail while preserving the broad vertical fold geometry and colour variation.

Apply a warm gold-amber global colour grade at 15–25% strength across the full canvas, pulling all curtain, skin, chair and light sources toward a restricted beige-gold system while preserving the neutral ivory-white of the suit and the near-black of the microphone and boom arm.

Scattered across the curtain background at approximately 0–100% width, 8–94% height are warm amber-yellow fairy-light bokeh points. These are small soft circular warm light glows, point size approximately 0.5–2% canvas width, irregularly distributed and denser near the lateral edges. They are not wired string lights — render them as individual soft warm glowing circular bokeh dots at varying sizes floating against the curtain surface.

On the left side of the frame at approximately 2–14% width, 17–32% height hangs a single exposed Edison-style pendant lamp. It is a warm filament bulb in a clear glass globe suspended on a thin dark vertical cord that exits the top edge of the canvas. The bulb emits a strong warm amber-gold bloom radiating approximately 2–3% canvas width from the filament centre. The pendant lamp is a physical prop in the photographed scene, not a graphic element.

Apply a faint translucent contour-following backing plaque behind the title lettering at approximately 12–89% width, 7–19% height. This is a nearly transparent warm-clear material at approximately 10–20% opacity that slightly separates the lettering from the curtain surface. It is not an opaque panel — the curtain folds remain visible through it.

Apply peripheral luminance falloff vignette at 10–20% strength, strongest at outer 8–12% of each edge. Vignette colour is deep warm brown

#755536 darkening toward

#322D2D at corners. Irregular edge-hugging photographic falloff, not centred radial. Corner luminosity targets: top-left ≈16, top-right ≈14, bottom-left ≈9, bottom-right ≈9. All four corners are approximately equally dark — this is a near-symmetrical dark-corner vignette.

Title typography — render as a physically mounted luminous sign on the rear curtain wall.

The exact text is Go Glow Girl — spelled G-o space G-l-o-w space G-i-r-l — 12 characters including 2 spaces, 10 letters, zero punctuation. Verify this spelling character by character before rendering. The entire title is set on one single horizontal line. Do not break it onto multiple lines.

This is a brush script display lettering treatment rendered as a luminous neon or LED sign, not floating digital type. Classification is brush script, connected display script. Stroke contrast is moderate. Terminals are rounded and softly tapered. Aperture is moderate to wide. Counter shapes are rounded-oval. Width class is normal to extended. Weight is medium to semibold visual mass. Style is right-slanted calligraphic script at approximately 10–15 degrees. Case is title case: capital G begins each word, lowercase letters follow. Tracking is very tight and connected within each word, with moderate inter-word gaps. One single baseline, approximately horizontal. Distinctive letterform properties: three repeated capital G forms with large looping circular bodies establish a strong visual rhythm; long ascending strokes on the l letters; rounded o forms; connected rl terminal sequence in Girl; final l exits with a short upward-rightward finish; all strokes remain soft and rounded, never flat-cut. Metric-similar structural reference: Pacifico or SignPainter-style connected display script — reference only, not a verified font identification.

Title cap-height approximately 7.8% of canvas height. Total core title bounding box approximately 14.5–86.5% width, 9–18% height. Title width approximately 72% of canvas width. Title height approximately 9% of canvas height. Optical centre approximately (50.5%, 13.5%). Alignment optically centred on canvas vertical axis. Top clear margin from canvas top to title core approximately 9%. Gap from title bottom to top of subject's head approximately 2–3% canvas height.

Title core fill: warm ivory, luminosity 98–99, hex

#FFFDF4. Inner warm edge at stroke transitions: pale cream-yellow, luminosity 90–96, hex

#FFF0B6. Surrounding each stroke is a golden-yellow amber outer glow, luminosity 55–70, hex

#F4C45F, spread approximately 1–2% canvas width, strength 40–55%. The curtain wall behind the non-glowing areas has luminosity approximately 23–45. Core-to-median-background luminosity delta approximately 64, verdict HIGH. Inside the strongest halo area the local delta reduces to 40–50, verdict MEDIUM. No conventional contrasting outline — the luminous edge is integral to the sign treatment. No drop shadow, no inner shadow, no extrusion, no bevel, no distress on letters.

Primary visual element — figure.

One seated woman occupies approximately 17–89% width, 20–100% height, optical centre (51%, 61%). Full-colour photographic figure. No cutout, no mask, no silhouette simplification, natural photographic edges throughout. Treatment chain: full-colour photography, warm gold colour grade applied, natural skin tones retained with warm highlight bias, optical background separation maintained. No duotone, no halftone, no painterly rendering, no graphic overlay on figure, no artificial contour glow, no cutout drop shadow.

Pose — exact.

The woman is seated centrally in a low upholstered armchair. Her torso is nearly frontal, shoulders approximately level and square to the camera. Her head is approximately frontal with no significant yaw or tilt. Her eyes are directed toward the camera with a full warm open smile, teeth visible, expression confident and engaging. She is not leaning forward — she sits upright in the chair.

Her right hand wraps around the body of the microphone near chest height, fingers curled around the mic body. Her left hand rests open and relaxed across her lap at approximately 30–50% width, 68–78% height. Her legs are crossed with her right leg crossed over her left at the knee. The lower trouser leg forms a strong diagonal through the lower centre-right of the frame and continues to the bottom edge. She is fully contained inside the frame except for the lower trouser hem which approaches and touches the bottom edge.

She wears a bright warm white tailored blazer suit. The jacket occupies approximately 18–81% width, 39–75% height, warm white ivory

#ECE8E4 in lit areas and

#D0CAC4 in shadow folds, with structured lapels, tailored fit and natural fabric drape. The matching wide-leg trousers are the same white suit fabric, occupying approximately 19–86% width, 69–100% height, crossing into the bottom edge. The suit is the largest high-luminosity contiguous mass in the composition at luminosity 78–86 across broad lit regions. Small gold hoop or stud earrings are visible at the ears. Natural-tone manicured nails are visible on both hands.

Her hair is dark near-black, styled in a sleek low-set soft wave or chignon at the nape, with smooth hair pulled back from the face. Hair mass occupies approximately 30–67% width, 20–45% height. Individual hair contours and wave boundaries are preserved.

Face bounding box approximately 38–61% width, 24–40% height. Face centre approximately (49.5%, 32%). Face height approximately 16% canvas height. Head and hair mass approximately 30–67% width, 20–45% height. Head and hair height approximately 25% canvas height. Visible subject height approximately 80% canvas height.

Microphone and boom arm — exact geometry.

The microphone is a large black cylindrical studio broadcast microphone with a foam or mesh grille head. Colour charcoal near-black

#29272A, matte-satin surface. The microphone is held vertically upright in the subject's right hand at approximately 46–59% width, 46–63% height, optical centre (52.5%, 54.5%). The microphone grille head occupies the upper portion and the body is gripped by the hand. Microphone height approximately 17% canvas height. The boom arm enters the frame from the right edge at approximately 55–100% width, 42–56% height and runs diagonally from the right edge inward and downward toward the microphone. The boom arm is black articulated metal tubular construction and exits the right edge of the canvas. A silver metallic connector joint or clamp is visible near the microphone attachment point.

Armchair.

The armchair occupies approximately 3–97% width, 57–100% height. It is a low-profile upholstered armchair with rounded arms and a squared seat and back mass. Upholstery colour is warm taupe-beige

#B6A18F, textured fabric surface. The chair's metal or gold-toned frame legs may be partially visible at the bottom. The chair bleeds off the left, right and bottom edges.

Surface finish.

The surface carries no added film grain, no digital noise, no paper tooth, no halftone, no scanlines, no distress, no chromatic aberration, and no geometric decorative overlay. Specular highlights appear as small natural photographic accents on skin, gold earrings, microphone hardware and suit fabric — not graphic glow effects.

Secondary typography.

No subtitle, no host name, no episode identifier, no season label, no network credit, no URL, no social handle, and no platform text anywhere on the canvas. The only readable text is Go Glow Girl as fully described above. No additional readable words, letters or marks anywhere.

Closed palette — 12 photographic control colours.

#755536 curtain shadow,

#B9895E curtain midtone,

#E7A85F curtain highlight,

#322D2D deep hair and shadow,

#ECE8E4 suit highlight ivory-white,

#D0CAC4 suit shadow warm-grey,

#B87A57 skin midtone,

#DEA17F skin highlight,

#B6A18F chair upholstery taupe,

#29272A microphone and boom charcoal,

#FFFDF4 title core warm ivory,

#F4C45F title halo golden yellow. Continuous photographic tonal interpolation within these families. No additional hue families introduced. The white suit must not be darkened toward grey. The gold curtain system must not be neutralised. The darkest equipment and hair regions must not be lifted toward mid-grey. Title-to-background luminosity delta must remain approximately 64 at the non-glowing curtain reference.

Layout and reading order.

Compositional primary axis at x≈50%. Title occupies the upper band. Face and white suit occupy the central zone. Crossed white trouser legs and chair fill the lower zone. Reading order: face first driven by facial recognition, full smile, and skin surrounded by high-luminosity white suit; Go Glow Girl second driven by large width, HIGH luminosity delta and isolated upper placement; white suit third as the largest high-luminosity contiguous mass; microphone fourth as a near-black vertical object against the white jacket. Negative space approximately 12–16%, distributed in small pools beside the head and shoulders and between the title and curtain edges. Minimum element-to-edge distance is 0% — background, chair, trouser leg and boom arm touch or bleed all edges. Title top margin approximately 9% from canvas top edge. Title lateral glow margins approximately 12–15% from each side edge. Lower 8% of canvas carries only trouser hem and chair base — no critical identity information placed there.

At 55 pixels wide this cover must read as: a woman in a white suit seated at a black microphone against a warm gold curtain with a glowing cursive light sign across the top. The title collapses to a bright connected warm light-stroke at the top — individual character reading is not required but the single-line luminous script shape must remain distinct from the curtain. The white suit and face form the central portrait silhouette. The black microphone reads as a dark vertical form against the white jacket. All fairy-light bokeh, pendant lamp detail, hair strands, chair texture and earrings may collapse to colour mass at 55 pixels.

Genre register is interview and conversation carried by the large broadcast microphone held by the presenter, the direct camera-facing full smile, and the seated studio chair presentation. Secondary register is culture, lifestyle and personal development carried by the title wording Go Glow Girl, the gold-ivory palette, the fashion-led white tailoring and the warm decorative lighting rather than technical studio furniture. Brand personality is bold-accessible: luminous script dominant, direct open expression, high-luminosity white suit, warm gold curtain field.

Preserve the identity and likeness of the depicted person exactly as shown in the reference photograph. Palette is closed to the 12 colours listed above. The only readable text is Go Glow Girl exactly as specified — no additional words anywhere. Surface is full-colour photographic with no illustrative, graphic, or dimensional conversion. Lower 8% of canvas is kept clear of any critical element.

Use the attached photograph as the primary governing reference. Recreate its structure exactly without reinterpreting it.

This is a portrait-photographic dominant-figure cover with a strong secondary typographic installation. One centrally seated woman provides the facial-recognition anchor occupying approximately 80% of canvas height, while a single-line glowing brush-script title physically mounted on the rear curtain wall dominates the upper band. The layout grammar is title-top over image-below with a perfectly centred vertical axis.

Square 1:1 composition, 3000 × 3000 pixels, sRGB. Artwork fills the full canvas edge to edge. No device frame, no mockup, no rounded corners, no border.

Background system constructed bottom upward.

The base layer is a continuous-tone photographic interior. The entire rear wall is covered by a full-height vertically pleated beige-gold curtain with approximately 12–16 major visible fold bands running from top to bottom across the full canvas width. Curtain colour ranges from warm brown-taupe in shadow folds at luminosity 14–24 hex approximately

#755536, through tan-caramel midtones at luminosity 29 hex

#B9895E, to golden-beige illuminated folds at luminosity 46 hex

#E7A85F. The curtain fills 100% of canvas width and 100% of canvas height as the complete environmental backdrop. Apply optical depth-of-field softening to the curtain surface at approximately 1–2.5% canvas width blur radius, suppressing fine fabric weave detail while preserving the broad vertical fold geometry and colour variation.

Apply a warm gold-amber global colour grade at 15–25% strength across the full canvas, pulling all curtain, skin, chair and light sources toward a restricted beige-gold system while preserving the neutral ivory-white of the suit and the near-black of the microphone and boom arm.

Scattered across the curtain background at approximately 0–100% width, 8–94% height are warm amber-yellow fairy-light bokeh points. These are small soft circular warm light glows, point size approximately 0.5–2% canvas width, irregularly distributed and denser near the lateral edges. They are not wired string lights — render them as individual soft warm glowing circular bokeh dots at varying sizes floating against the curtain surface.

On the left side of the frame at approximately 2–14% width, 17–32% height hangs a single exposed Edison-style pendant lamp. It is a warm filament bulb in a clear glass globe suspended on a thin dark vertical cord that exits the top edge of the canvas. The bulb emits a strong warm amber-gold bloom radiating approximately 2–3% canvas width from the filament centre. The pendant lamp is a physical prop in the photographed scene, not a graphic element.

Apply a faint translucent contour-following backing plaque behind the title lettering at approximately 12–89% width, 7–19% height. This is a nearly transparent warm-clear material at approximately 10–20% opacity that slightly separates the lettering from the curtain surface. It is not an opaque panel — the curtain folds remain visible through it.

Apply peripheral luminance falloff vignette at 10–20% strength, strongest at outer 8–12% of each edge. Vignette colour is deep warm brown

#755536 darkening toward

#322D2D at corners. Irregular edge-hugging photographic falloff, not centred radial. Corner luminosity targets: top-left ≈16, top-right ≈14, bottom-left ≈9, bottom-right ≈9. All four corners are approximately equally dark — this is a near-symmetrical dark-corner vignette.

Title typography — render as a physically mounted luminous sign on the rear curtain wall.

The exact text is Go Glow Girl — spelled G-o space G-l-o-w space G-i-r-l — 12 characters including 2 spaces, 10 letters, zero punctuation. Verify this spelling character by character before rendering. The entire title is set on one single horizontal line. Do not break it onto multiple lines.

This is a brush script display lettering treatment rendered as a luminous neon or LED sign, not floating digital type. Classification is brush script, connected display script. Stroke contrast is moderate. Terminals are rounded and softly tapered. Aperture is moderate to wide. Counter shapes are rounded-oval. Width class is normal to extended. Weight is medium to semibold visual mass. Style is right-slanted calligraphic script at approximately 10–15 degrees. Case is title case: capital G begins each word, lowercase letters follow. Tracking is very tight and connected within each word, with moderate inter-word gaps. One single baseline, approximately horizontal. Distinctive letterform properties: three repeated capital G forms with large looping circular bodies establish a strong visual rhythm; long ascending strokes on the l letters; rounded o forms; connected rl terminal sequence in Girl; final l exits with a short upward-rightward finish; all strokes remain soft and rounded, never flat-cut. Metric-similar structural reference: Pacifico or SignPainter-style connected display script — reference only, not a verified font identification.

Title cap-height approximately 7.8% of canvas height. Total core title bounding box approximately 14.5–86.5% width, 9–18% height. Title width approximately 72% of canvas width. Title height approximately 9% of canvas height. Optical centre approximately (50.5%, 13.5%). Alignment optically centred on canvas vertical axis. Top clear margin from canvas top to title core approximately 9%. Gap from title bottom to top of subject's head approximately 2–3% canvas height.

Title core fill: warm ivory, luminosity 98–99, hex

#FFFDF4. Inner warm edge at stroke transitions: pale cream-yellow, luminosity 90–96, hex

#FFF0B6. Surrounding each stroke is a golden-yellow amber outer glow, luminosity 55–70, hex

#F4C45F, spread approximately 1–2% canvas width, strength 40–55%. The curtain wall behind the non-glowing areas has luminosity approximately 23–45. Core-to-median-background luminosity delta approximately 64, verdict HIGH. Inside the strongest halo area the local delta reduces to 40–50, verdict MEDIUM. No conventional contrasting outline — the luminous edge is integral to the sign treatment. No drop shadow, no inner shadow, no extrusion, no bevel, no distress on letters.

Primary visual element — figure.

One seated woman occupies approximately 17–89% width, 20–100% height, optical centre (51%, 61%). Full-colour photographic figure. No cutout, no mask, no silhouette simplification, natural photographic edges throughout. Treatment chain: full-colour photography, warm gold colour grade applied, natural skin tones retained with warm highlight bias, optical background separation maintained. No duotone, no halftone, no painterly rendering, no graphic overlay on figure, no artificial contour glow, no cutout drop shadow.

Pose — exact.

The woman is seated centrally in a low upholstered armchair. Her torso is nearly frontal, shoulders approximately level and square to the camera. Her head is approximately frontal with no significant yaw or tilt. Her eyes are directed toward the camera with a full warm open smile, teeth visible, expression confident and engaging. She is not leaning forward — she sits upright in the chair.

Her right hand wraps around the body of the microphone near chest height, fingers curled around the mic body. Her left hand rests open and relaxed across her lap at approximately 30–50% width, 68–78% height. Her legs are crossed with her right leg crossed over her left at the knee. The lower trouser leg forms a strong diagonal through the lower centre-right of the frame and continues to the bottom edge. She is fully contained inside the frame except for the lower trouser hem which approaches and touches the bottom edge.

She wears a bright warm white tailored blazer suit. The jacket occupies approximately 18–81% width, 39–75% height, warm white ivory

#ECE8E4 in lit areas and

#D0CAC4 in shadow folds, with structured lapels, tailored fit and natural fabric drape. The matching wide-leg trousers are the same white suit fabric, occupying approximately 19–86% width, 69–100% height, crossing into the bottom edge. The suit is the largest high-luminosity contiguous mass in the composition at luminosity 78–86 across broad lit regions. Small gold hoop or stud earrings are visible at the ears. Natural-tone manicured nails are visible on both hands.

Her hair is dark near-black, styled in a sleek low-set soft wave or chignon at the nape, with smooth hair pulled back from the face. Hair mass occupies approximately 30–67% width, 20–45% height. Individual hair contours and wave boundaries are preserved.

Face bounding box approximately 38–61% width, 24–40% height. Face centre approximately (49.5%, 32%). Face height approximately 16% canvas height. Head and hair mass approximately 30–67% width, 20–45% height. Head and hair height approximately 25% canvas height. Visible subject height approximately 80% canvas height.

Microphone and boom arm — exact geometry.

The microphone is a large black cylindrical studio broadcast microphone with a foam or mesh grille head. Colour charcoal near-black

#29272A, matte-satin surface. The microphone is held vertically upright in the subject's right hand at approximately 46–59% width, 46–63% height, optical centre (52.5%, 54.5%). The microphone grille head occupies the upper portion and the body is gripped by the hand. Microphone height approximately 17% canvas height. The boom arm enters the frame from the right edge at approximately 55–100% width, 42–56% height and runs diagonally from the right edge inward and downward toward the microphone. The boom arm is black articulated metal tubular construction and exits the right edge of the canvas. A silver metallic connector joint or clamp is visible near the microphone attachment point.

Armchair.

The armchair occupies approximately 3–97% width, 57–100% height. It is a low-profile upholstered armchair with rounded arms and a squared seat and back mass. Upholstery colour is warm taupe-beige

#B6A18F, textured fabric surface. The chair's metal or gold-toned frame legs may be partially visible at the bottom. The chair bleeds off the left, right and bottom edges.

Surface finish.

The surface carries no added film grain, no digital noise, no paper tooth, no halftone, no scanlines, no distress, no chromatic aberration, and no geometric decorative overlay. Specular highlights appear as small natural photographic accents on skin, gold earrings, microphone hardware and suit fabric — not graphic glow effects.

Secondary typography.

No subtitle, no host name, no episode identifier, no season label, no network credit, no URL, no social handle, and no platform text anywhere on the canvas. The only readable text is Go Glow Girl as fully described above. No additional readable words, letters or marks anywhere.

Closed palette — 12 photographic control colours.

#755536 curtain shadow,

#B9895E curtain midtone,

#E7A85F curtain highlight,

#322D2D deep hair and shadow,

#ECE8E4 suit highlight ivory-white,

#D0CAC4 suit shadow warm-grey,

#B87A57 skin midtone,

#DEA17F skin highlight,

#B6A18F chair upholstery taupe,

#29272A microphone and boom charcoal,

#FFFDF4 title core warm ivory,

#F4C45F title halo golden yellow. Continuous photographic tonal interpolation within these families. No additional hue families introduced. The white suit must not be darkened toward grey. The gold curtain system must not be neutralised. The darkest equipment and hair regions must not be lifted toward mid-grey. Title-to-background luminosity delta must remain approximately 64 at the non-glowing curtain reference.

Layout and reading order.

Compositional primary axis at x≈50%. Title occupies the upper band. Face and white suit occupy the central zone. Crossed white trouser legs and chair fill the lower zone. Reading order: face first driven by facial recognition, full smile, and skin surrounded by high-luminosity white suit; Go Glow Girl second driven by large width, HIGH luminosity delta and isolated upper placement; white suit third as the largest high-luminosity contiguous mass; microphone fourth as a near-black vertical object against the white jacket. Negative space approximately 12–16%, distributed in small pools beside the head and shoulders and between the title and curtain edges. Minimum element-to-edge distance is 0% — background, chair, trouser leg and boom arm touch or bleed all edges. Title top margin approximately 9% from canvas top edge. Title lateral glow margins approximately 12–15% from each side edge. Lower 8% of canvas carries only trouser hem and chair base — no critical identity information placed there.

At 55 pixels wide this cover must read as: a woman in a white suit seated at a black microphone against a warm gold curtain with a glowing cursive light sign across the top. The title collapses to a bright connected warm light-stroke at the top — individual character reading is not required but the single-line luminous script shape must remain distinct from the curtain. The white suit and face form the central portrait silhouette. The black microphone reads as a dark vertical form against the white jacket. All fairy-light bokeh, pendant lamp detail, hair strands, chair texture and earrings may collapse to colour mass at 55 pixels.

Genre register is interview and conversation carried by the large broadcast microphone held by the presenter, the direct camera-facing full smile, and the seated studio chair presentation. Secondary register is culture, lifestyle and personal development carried by the title wording Go Glow Girl, the gold-ivory palette, the fashion-led white tailoring and the warm decorative lighting rather than technical studio furniture. Brand personality is bold-accessible: luminous script dominant, direct open expression, high-luminosity white suit, warm gold curtain field.

Preserve the identity and likeness of the depicted person exactly as shown in the reference photograph. Palette is closed to the 12 colours listed above. The only readable text is Go Glow Girl exactly as specified — no additional words anywhere. Surface is full-colour photographic with no illustrative, graphic, or dimensional conversion. Lower 8% of canvas is kept clear of any critical element.