ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar photo-studio portrait, head-to-toe framing, both feet and both shoes completely visible, the woman occupying approximately 65–70% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary subject; preserve her identity 100%, including her exact facial structure, eyes, nose, lips, jawline, recognizable expression, natural skin tone, height and body proportions; do not replace, reinterpret or beautify her into a different woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a stylish young Yangon woman posing for an ordinary professional studio photograph in the mid-1980s; the result must feel like a genuine printed photograph discovered inside an old family album, not a modern cinematic fashion editorial and not a modern photo with a vintage filter. | OUTFIT | Dress her in a vivid coral-red calf-length Western-style dress with modest puffed short sleeves, a gently rounded neckline, a fitted cinched waist, a narrow matching belt, a softly pleated skirt and small fabric-covered buttons; add cream low-heeled pumps, large but tasteful gold-tone circular earrings, a slim vintage wristwatch and a small structured cream handbag; period-appropriate fashionable city-lady styling, not Myanmar traditional clothing and not military clothing. | POSE / ACTION | She stands upright in a simple slightly formal studio pose, body turned gently three-quarter toward the camera, one foot placed naturally in front of the other, one hand holding the handbag beside her thigh and the other resting softly near her waist; calm direct eye contact and a small natural smile, slightly reserved and imperfect like an authentic family photograph. | FACE / HAIR | Preserve the reference face exactly; realistic natural skin pores, moist expressive eyes, subtle cheek highlights, softly powdered 1980s makeup, fine black eyeliner, muted red lipstick and no excessive beauty retouching; voluminous shoulder-length blowout with a deep side part, softly curled ends and gentle height at the crown. | CAMERA | Eye-level full-body studio framing, camera approximately 4 metres from the subject, ordinary 50mm film-camera perspective, centred composition with generous space around the figure, moderate depth of field, slightly soft focus, mild edge softness and no modern ultra-sharp digital appearance. | LIGHTING | Simple frontal studio flash combined with soft fill light, slightly brighter face and upper body, gentle natural shadow behind the subject, mild highlight roll-off, slightly uneven exposure and realistic analogue imperfections. | BACKGROUND | Plain blue-to-grey hand-painted studio backdrop with faint cloud-like brush texture, simple patterned carpet, one small wooden pedestal and a modest potted plant placed to the side; restrained 1980s Yangon studio decoration with no luxury set and no modern objects; slightly faded colour print, fine analogue grain, mild magenta colour shift, subtle dust specks and naturally aged photographic softness, but no severe damage. | NEGATIVE | different woman, changed face, identity drift, face redesign, western supermodel face, modern beauty filter, plastic skin, modern fashion, contemporary dress, Myanmar blouse, htamein, longyi, traditional costume, military uniform, army insignia, miniskirt, stilettos, sneakers, smartphone, digital camera, LED lighting, cinematic colour grading, extreme bokeh, hyper-sharp modern image, heavy sepia, strong orange cast, black-and-white image, badly torn photograph, excessive scratches, exaggerated body shape, cropped head, cropped legs, cropped feet, hidden shoes, duplicate person, background crowd, malformed hands, extra fingers, extra limbs, tattoos, sunglasses, readable text, logo, watermark.

ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar photo-studio portrait, head-to-toe framing, both feet and both shoes completely visible, the woman occupying approximately 65–70% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary subject; preserve her identity 100%, including her exact facial structure, eyes, nose, lips, jawline, recognizable expression, natural skin tone, height and body proportions; do not replace, reinterpret or beautify her into a different woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a stylish young Yangon woman posing for an ordinary professional studio photograph in the mid-1980s; the result must feel like a genuine printed photograph discovered inside an old family album, not a modern cinematic fashion editorial and not a modern photo with a vintage filter. | OUTFIT | Dress her in a vivid coral-red calf-length Western-style dress with modest puffed short sleeves, a gently rounded neckline, a fitted cinched waist, a narrow matching belt, a softly pleated skirt and small fabric-covered buttons; add cream low-heeled pumps, large but tasteful gold-tone circular earrings, a slim vintage wristwatch and a small structured cream handbag; period-appropriate fashionable city-lady styling, not Myanmar traditional clothing and not military clothing. | POSE / ACTION | She stands upright in a simple slightly formal studio pose, body turned gently three-quarter toward the camera, one foot placed naturally in front of the other, one hand holding the handbag beside her thigh and the other resting softly near her waist; calm direct eye contact and a small natural smile, slightly reserved and imperfect like an authentic family photograph. | FACE / HAIR | Preserve the reference face exactly; realistic natural skin pores, moist expressive eyes, subtle cheek highlights, softly powdered 1980s makeup, fine black eyeliner, muted red lipstick and no excessive beauty retouching; voluminous shoulder-length blowout with a deep side part, softly curled ends and gentle height at the crown. | CAMERA | Eye-level full-body studio framing, camera approximately 4 metres from the subject, ordinary 50mm film-camera perspective, centred composition with generous space around the figure, moderate depth of field, slightly soft focus, mild edge softness and no modern ultra-sharp digital appearance. | LIGHTING | Simple frontal studio flash combined with soft fill light, slightly brighter face and upper body, gentle natural shadow behind the subject, mild highlight roll-off, slightly uneven exposure and realistic analogue imperfections. | BACKGROUND | Plain blue-to-grey hand-painted studio backdrop with faint cloud-like brush texture, simple patterned carpet, one small wooden pedestal and a modest potted plant placed to the side; restrained 1980s Yangon studio decoration with no luxury set and no modern objects; slightly faded colour print, fine analogue grain, mild magenta colour shift, subtle dust specks and naturally aged photographic softness, but no severe damage. | NEGATIVE | different woman, changed face, identity drift, face redesign, western supermodel face, modern beauty filter, plastic skin, modern fashion, contemporary dress, Myanmar blouse, htamein, longyi, traditional costume, military uniform, army insignia, miniskirt, stilettos, sneakers, smartphone, digital camera, LED lighting, cinematic colour grading, extreme bokeh, hyper-sharp modern image, heavy sepia, strong orange cast, black-and-white image, badly torn photograph, excessive scratches, exaggerated body shape, cropped head, cropped legs, cropped feet, hidden shoes, duplicate person, background crowd, malformed hands, extra fingers, extra limbs, tattoos, sunglasses, readable text, logo, watermark.