Use the uploaded reference image for the woman’s face and identity. Keep the same woman from the reference image while following the scene below. Maintain her recognizable appearance throughout the image.

Create a photorealistic 9:16 vertical vintage fashion-magazine photograph from 1988, presenting the woman as the cover subject of a fictional upscale luxury fashion magazine, using the uploaded reference image exclusively for her exact facial identity and changing everything else; style her in an elegant deep burgundy structured power suit with pronounced but believable 1980s shoulders, a sharply tailored single-breasted blazer worn over a softly ivory silk camisole with a modest elegant neckline, high-waisted matching tailored trousers with a clean straight-leg silhouette, pointed black leather pumps, and restrained gold jewelry including bold sculptural geometric earrings, a slim gold watch, and one delicate bracelet, creating an old-money-meets-1980s-power-dressing impression without looking like costume clothing; add tasteful almond-shaped nails in a muted wine-red manicure with tiny understated gold detailing that complements the suit; give her a dramatic but authentic late-1980s sculpted feathered blowout, with substantial volume at the crown, softly swept layers framing the face, lifted roots and feathered ends extending around the shoulders, while retaining individual strands, slight flyaways and realistic hair movement so it looks like an actual professional salon hairstyle from 1988 rather than an exaggerated modern interpretation; use period-appropriate statement makeup with softly sculpted brows, warm taupe and muted plum eyeshadow, defined upper lashes, restrained eyeliner, softly flushed rose-bronze cheeks and a sophisticated muted berry-rose satin lipstick, keeping genuine skin pores and texture visible and avoiding contemporary contouring, glass skin or beauty-filter perfection; place her against a minimal warm ivory studio backdrop with a subtle tonal gradient and faint physical paper texture, accompanied only by understated period studio elements such as a barely visible neutral seamless-paper edge and a discreet shadow beneath her feet, keeping the background clean enough for an authentic magazine-cover composition; pose her in a strong, elegant, naturally commanding editorial stance, standing three-quarter toward the camera with one shoulder slightly forward, weight relaxed onto one leg, one hand resting naturally at her waist beneath the blazer line while the other lightly holds the opposite blazer lapel, creating confident posture without a rigid runway pose; her chin is subtly lifted and her shoulders are composed but relaxed, with a tiny natural asymmetry in her stance that makes the photograph feel human; give her a quietly confident, intelligent expression with direct eye contact, a restrained closed-mouth half-smile and a subtle knowing quality around the eyes, as though she has just become the woman everyone in the room is watching but is completely comfortable with it, elegant rather than seductive, powerful rather than aggressive; use strong but believable directional 1988 studio lighting, with a large soft directional key light from one side creating sculpted facial definition and controlled shadows, gentle fill preventing the darker side from becoming harsh, natural highlights along the hair and blazer shoulders, and a subtle grounding shadow beneath her, avoiding modern cinematic rim lighting, excessive glow or hyper-polished beauty lighting; photograph her as though captured by an accomplished 1980s fashion photographer using a professional 35mm film camera and period portrait lens, with realistic optical perspective, moderate depth of field, crisp facial detail but gentle film softness, authentic lens falloff, subtle grain and the slightly imperfect tonal response of high-quality fashion photography from the period; reproduce genuine 1988 Kodak/Ektachrome-style print characteristics, with rich but restrained burgundy, warm ivory, natural skin tones, slightly warm highlights, modest contrast, fine film grain, subtle color separation, gentle halation around bright areas and a faint tactile magazine-print texture, making it feel like an actual photograph printed in a luxury fashion publication in 1988 rather than a modern image with a retro filter applied; compose the frame like a real vintage magazine cover, keeping her face prominent and immediately recognizable while allowing generous negative space around the upper portion for believable period typography, using fictional editorial typography elements such as a large elegant masthead reading “ELARA” near the top, small understated cover lines such as “THE NEW ELEGANCE,” “POWER • STYLE • POISE,” and “THE 1988 WOMAN,” with authentic late-1980s serif and refined geometric type treatments, slightly imperfect ink registration and subtle printed-paper texture, ensuring the typography feels physically printed onto the photograph rather than digitally overlaid; keep the cover design sophisticated and believable, with no real-world magazine logos, celebrity names, modern fonts, QR codes, social-media elements or contemporary branding; frame her from approximately mid-thigh upward, allowing the structured suit and posture to remain visually important while keeping her face large enough for immediate smartphone recognition, with a tiny natural camera imperfection and slightly imperfect vertical alignment characteristic of a photographed printed page rather than a digitally perfect composition; preserve realistic anatomy, natural hands and fingers, believable tailoring, subtle fabric wrinkles, authentic shoulder structure, natural skin pores, tiny facial asymmetry and realistic hair strands, with no extra fingers, warped jewelry, distorted clothing, artificial symmetry or digitally perfected body proportions; the overall photograph should feel like a genuine forgotten 1988 luxury fashion magazine cover, sophisticated enough to make someone pause and wonder whether an original vintage issue was discovered in an old family collection, with the unmistakable energy of “old money, big shoulders, and absolutely no explanation needed.” 😂 Keep the image stylish, mature in fashion but not sexually suggestive, elegant, tasteful and safe

Use the uploaded reference image for the woman’s face and identity. Keep the same woman from the reference image while following the scene below. Maintain her recognizable appearance throughout the image.

Create a photorealistic 9:16 vertical vintage fashion-magazine photograph from 1988, presenting the woman as the cover subject of a fictional upscale luxury fashion magazine, using the uploaded reference image exclusively for her exact facial identity and changing everything else; style her in an elegant deep burgundy structured power suit with pronounced but believable 1980s shoulders, a sharply tailored single-breasted blazer worn over a softly ivory silk camisole with a modest elegant neckline, high-waisted matching tailored trousers with a clean straight-leg silhouette, pointed black leather pumps, and restrained gold jewelry including bold sculptural geometric earrings, a slim gold watch, and one delicate bracelet, creating an old-money-meets-1980s-power-dressing impression without looking like costume clothing; add tasteful almond-shaped nails in a muted wine-red manicure with tiny understated gold detailing that complements the suit; give her a dramatic but authentic late-1980s sculpted feathered blowout, with substantial volume at the crown, softly swept layers framing the face, lifted roots and feathered ends extending around the shoulders, while retaining individual strands, slight flyaways and realistic hair movement so it looks like an actual professional salon hairstyle from 1988 rather than an exaggerated modern interpretation; use period-appropriate statement makeup with softly sculpted brows, warm taupe and muted plum eyeshadow, defined upper lashes, restrained eyeliner, softly flushed rose-bronze cheeks and a sophisticated muted berry-rose satin lipstick, keeping genuine skin pores and texture visible and avoiding contemporary contouring, glass skin or beauty-filter perfection; place her against a minimal warm ivory studio backdrop with a subtle tonal gradient and faint physical paper texture, accompanied only by understated period studio elements such as a barely visible neutral seamless-paper edge and a discreet shadow beneath her feet, keeping the background clean enough for an authentic magazine-cover composition; pose her in a strong, elegant, naturally commanding editorial stance, standing three-quarter toward the camera with one shoulder slightly forward, weight relaxed onto one leg, one hand resting naturally at her waist beneath the blazer line while the other lightly holds the opposite blazer lapel, creating confident posture without a rigid runway pose; her chin is subtly lifted and her shoulders are composed but relaxed, with a tiny natural asymmetry in her stance that makes the photograph feel human; give her a quietly confident, intelligent expression with direct eye contact, a restrained closed-mouth half-smile and a subtle knowing quality around the eyes, as though she has just become the woman everyone in the room is watching but is completely comfortable with it, elegant rather than seductive, powerful rather than aggressive; use strong but believable directional 1988 studio lighting, with a large soft directional key light from one side creating sculpted facial definition and controlled shadows, gentle fill preventing the darker side from becoming harsh, natural highlights along the hair and blazer shoulders, and a subtle grounding shadow beneath her, avoiding modern cinematic rim lighting, excessive glow or hyper-polished beauty lighting; photograph her as though captured by an accomplished 1980s fashion photographer using a professional 35mm film camera and period portrait lens, with realistic optical perspective, moderate depth of field, crisp facial detail but gentle film softness, authentic lens falloff, subtle grain and the slightly imperfect tonal response of high-quality fashion photography from the period; reproduce genuine 1988 Kodak/Ektachrome-style print characteristics, with rich but restrained burgundy, warm ivory, natural skin tones, slightly warm highlights, modest contrast, fine film grain, subtle color separation, gentle halation around bright areas and a faint tactile magazine-print texture, making it feel like an actual photograph printed in a luxury fashion publication in 1988 rather than a modern image with a retro filter applied; compose the frame like a real vintage magazine cover, keeping her face prominent and immediately recognizable while allowing generous negative space around the upper portion for believable period typography, using fictional editorial typography elements such as a large elegant masthead reading “ELARA” near the top, small understated cover lines such as “THE NEW ELEGANCE,” “POWER • STYLE • POISE,” and “THE 1988 WOMAN,” with authentic late-1980s serif and refined geometric type treatments, slightly imperfect ink registration and subtle printed-paper texture, ensuring the typography feels physically printed onto the photograph rather than digitally overlaid; keep the cover design sophisticated and believable, with no real-world magazine logos, celebrity names, modern fonts, QR codes, social-media elements or contemporary branding; frame her from approximately mid-thigh upward, allowing the structured suit and posture to remain visually important while keeping her face large enough for immediate smartphone recognition, with a tiny natural camera imperfection and slightly imperfect vertical alignment characteristic of a photographed printed page rather than a digitally perfect composition; preserve realistic anatomy, natural hands and fingers, believable tailoring, subtle fabric wrinkles, authentic shoulder structure, natural skin pores, tiny facial asymmetry and realistic hair strands, with no extra fingers, warped jewelry, distorted clothing, artificial symmetry or digitally perfected body proportions; the overall photograph should feel like a genuine forgotten 1988 luxury fashion magazine cover, sophisticated enough to make someone pause and wonder whether an original vintage issue was discovered in an old family collection, with the unmistakable energy of “old money, big shoulders, and absolutely no explanation needed.” 😂 Keep the image stylish, mature in fashion but not sexually suggestive, elegant, tasteful and safe