Use the uploaded image as the primary reference. Generate a photorealistic surreal conceptual composite in 9:16 vertical format depicting a single male-presenting person seated inside an oversized white ceramic teacup floating on a rough open ocean, upper body visible above the cup rim, body angled slightly toward the left, face turned toward the left of the frame with gaze directed forward at approximately eye level, active upright posture with both hands gripping a giant metal spoon used as a rowing paddle. Preserve facial identity: rounded face shape with moderately defined cheekbones, medium-set dark brown eyes with defined dark brows of medium thickness, short faint mustache and minimal chin stubble, straight medium nose, neutral closed mouth with lips in a firm pressed position, rounded chin, soft jawline with minimal angular definition. Expression: orbicularis oris neutral and closed with corners neither raised nor pulled, zygomaticus major disengaged, frontalis flat, corrugator mildly engaged producing slight brow convergence toward center, levator palpebrae producing alert wide-open upper lids, mentalis relaxed, neck muscles engaged from active posture. Hair: dark near-black (hue 220°, saturation 15%, brightness 12%) short length styled backward from the forehead with a smooth groomed surface, no loose strands, hairline clearly defined, surface finish with slight sheen from grooming product. Skin: warm-medium base tone (hue 25°, saturation 38%, brightness 58%) with neutral undertone, smooth photographic skin rendering, soft frontal illumination producing highlight at forehead center and nasal bridge, shadow gradient at lateral jaw edges and neck underside, skin tone rendered brighter than the surrounding dark stormy environment creating strong subject-to-background separation, fine skin texture at nose and chin zones. Clothing: dark burgundy-maroon short-sleeve crew-neck t-shirt (hue 345°, saturation 60%, brightness 35%) plain design with no graphics or branding, soft cotton-like jersey fabric with minimal surface texture, sleeves ending at mid-upper-arm, shirt partially hidden below the teacup rim. Oversized teacup: enormous white ceramic teacup scaled to contain a full human body, person seated inside with upper body emerging above the rim, cup body smooth and cylindrical with a large curved D-handle on the left exterior side, gloss ceramic surface finish (hue 200°, saturation 8%, brightness 95%) with soft cool gray shadow areas on the underside and left-facing surfaces, subtle cool blue-teal reflections from surrounding ocean and sky playing across the curved lower surfaces, water line reaching approximately halfway up the exterior cup body, white foam and water splash rendered around the cup's waterline contact zone, cup appearing buoyant and stable despite rough ocean, cup interior walls white and smooth partially visible above the subject's torso. Giant spoon: oversized dining spoon scaled to paddle or oar proportions, long straight handle gripped by both hands — upper hand near the top of the handle, lower hand positioned approximately mid-shaft — spoon angled diagonally from upper-center toward the lower-left with the oval bowl end partially submerged in the ocean water, silver stainless-steel surface (hue 210°, saturation 10%, brightness 75%) with strong narrow specular highlight strips running along the handle length, dark teal and gray reflections from ocean and clouds mapped onto the concave bowl surface, bright highlight on the convex back of the bowl, metallic reflective quality throughout. Ocean surface: dark blue-teal choppy ocean (hue 195°, saturation 45%, brightness 30%) with irregular rolling waves of moderate height covering the entire upper water zone, white foam crests on wave peaks, water displacement and splash rendered around the teacup base and spoon entry point with fine mist droplets scattered in the immediate contact zone, wave surfaces showing directional movement with textured foam and wind-driven chop, ocean horizon positioned approximately at the vertical midpoint of the image partially obscured by atmospheric haze and wave height, strong wave texture throughout with cyan highlight reflections (hue 185°, saturation 55%, brightness 65%) on wave faces catching the diffused overhead light. Waterline split: clearly defined horizontal transition line dividing the above-water scene from the underwater zone, transition rendered with the optical distortion of a water surface photographed at eye level — slight curvature, overlapping wave edges crossing the boundary, above-water waves dipping partially into the frame creating a layered division rather than a perfectly flat cut, water surface acting as a refractive lens at the boundary. Underwater section occupying the lower third of the image: deep teal-turquoise water (hue 180°, saturation 55%, brightness 40%) becoming progressively darker toward the bottom of the frame, bright cyan illumination immediately beneath the water surface (hue 185°, saturation 60%, brightness 70%) fading to deep teal-navy at lower edge (hue 200°, saturation 50%, brightness 20%), numerous air bubbles scattered throughout — small 2–4mm bubbles distributed broadly, medium 8–15mm bubbles concentrated around the alarm clock, bubbles rendered as transparent hemispherical forms with bright white-silver rim highlight and internal refracted light, all bubbles rising vertically. Alarm clock: traditional analog twin-bell alarm clock fully submerged positioned lower-center of the underwater zone, slight tilt of approximately 10 degrees off vertical, round clock face with cream-white dial (hue 45°, saturation 15%, brightness 92%) and black Arabic numerals, black hour and minute hands showing approximately 10:10 position, black charcoal exterior casing (hue 210°, saturation 10%, brightness 15%) with two dome bells at the top, small hammer between the bells, thin metal carrying handle arching above, small support legs at the base, silver metallic details on bells and hardware catching cool cyan underwater light as narrow specular highlights, clock intact with no damage, surrounded by a dense cluster of rising air bubbles particularly at the bell tops. Sky: dramatic stormy overcast sky occupying the upper half of the image above the ocean horizon, dense layered storm clouds in dark blue-gray tones (hue 210°, saturation 20%, brightness 35%) with heavy atmospheric texture, cloud mass fully covering the sky with no visible sunlight or sun position, cloud edges showing slight brighter gray where thinner layers allow diffused light through, overall oppressive low-ceiling storm atmosphere, five to seven large soft bokeh circles scattered across the upper sky zone — pale cream-white (hue 40°, saturation 10%, brightness 90%) transparent circular forms of varying size from 60px to 140px diameter with extremely soft gradual edges, evenly distributed across the sky without clustering, adding a dreamlike surreal quality to the stormy atmosphere. Lighting: cinematic diffused cool illumination from an overhead position, no visible direct sun source, color temperature approximately 5200K slightly cool, subject and teacup rendered 25–30% brighter than the surrounding stormy background creating strong isolation, metallic spoon catching the strongest highlights as narrow specular strips, underwater zone lit by ambient cyan surface light falling off toward the bottom, clock illuminated sufficiently to read face detail, no rim light on subject, soft shadow under chin and at neck base, background storm clouds remaining dark and moody. Depth layering: foreground — ocean wave crests and spoon bowl entering water; midground — teacup with person and underwater alarm clock; background — ocean horizon, storm cloud sky, bokeh circles, and deep underwater darkness. Camera: 35mm focal length, f/8 aperture, 9:16 aspect ratio, grain level 3 out of 10, retouch level 2 out of 10, moderate depth of field with subject, teacup, and alarm clock all in sharp focus, distant ocean horizon and sky in slight atmospheric haze, post-processing style: cinematic surrealist composite with teal color grading throughout the water zones, desaturated cool sky tones, warm burgundy shirt preserved as the sole warm accent, lifted shadow floor in the underwater section, high-clarity rendering on all metallic and ceramic surfaces. Surreal scale: teacup enlarged to the scale of a small rowboat relative to the human subject, spoon enlarged to the scale of a canoe paddle, alarm clock retained at near-normal scale appearing proportionally small relative to the giant cup, scale distortion rendered with full photorealistic material and lighting consistency so all objects read as physically present in the same environment. Do not change facial identity. Do not change outfit color. Do not change the teacup or spoon design. Do not change the alarm clock design or position. Do not change the split-water composition. No extra people. No extra objects. No text. No watermark. No cartoon rendering. No motion blur. Ultra high resolution. Sharp subject and object detail. Photorealistic surrealism only.