Use the uploaded image as the main visual reference. Recreate the same luxury cosmetic advertising scene: one open crimson lipstick suspended above a dark reflective surface, surrounded by glossy red cherries, transparent crimson liquid droplets, and a large frozen crown-like red splash wrapping around the lipstick base. Preserve the same product geometry, diagonal orientation, cherry distribution, splash behavior, depth structure, wine-red background, lighting direction, camera perspective, and high-speed frozen-action appearance. Do not invent a different lipstick design, additional cosmetics, branding, packaging, props, or a new color scheme.

Generate an ultra-photorealistic high-end beauty campaign / high-speed commercial product photograph in a 9:16 vertical composition.

COMPOSITION — LOCK THIS FIRST

Place the lipstick slightly right of center and suspend it around the middle of the frame rather than resting it directly on the surface. Rotate its central axis approximately 15–20° clockwise from vertical, creating a clean diagonal rising from lower-left toward upper-right.

The complete visible lipstick assembly should occupy approximately 47–52% of the frame height.

Use a nearly frontal product view with a very subtle top-down component so the flattened upper face of the lipstick bullet remains visible.

Maintain this depth sequence:

large foreground cherries → central suspended splash and lipstick → midground cherries and droplets → dark wine-red background.

Keep irregular negative space between cherries and droplets. Do not distribute objects symmetrically or evenly.

LIPSTICK BULLET

Preserve a conventional twist-up lipstick with a tall tapered cylindrical bullet leaning upper-right.

Shape the bullet with:

gradually narrowing upper profile;

smooth sharply defined side edges;

a rounded/slanted cosmetic tip;

a mostly flattened elliptical top surface visible to camera.

Render the lipstick material as a finely micro-textured satin-to-soft-matte cosmetic solid, not glossy wax.

Use saturated crimson/cherry red around H 350–355°, S 80–95%, B 55–75% in illuminated regions.

Reveal dense microscopic granular cosmetic texture across the bullet surface. Keep the texture extremely fine and realistic rather than rough or grainy.

Use a broad diffused highlight running along the viewer-left/front surface while keeping the viewer-right side darker red.

Keep the bullet pristine:

no wear marks, no cracks, no smearing, no fingerprints, no embossed pattern, no engraved logo, no printed lettering and no wet gloss.

MIRROR-GOLD INNER TUBE

Place the bullet inside a straight cylindrical metallic sleeve.

Construct the sleeve from smooth mirror-polished warm champagne/yellow gold around H 38–46°, with high brightness and realistic environmental reflections.

Create:

an intense vertical white-gold reflection along viewer-left/front;

warm champagne transitions through the center;

darker burgundy/red reflected environment toward viewer-right;

extremely smooth mirror-metal behavior.

No brushing.

No engraving.

No texture.

No logo.

No typography.

Keep the metallic tube clearly visible between the lipstick bullet and burgundy lower casing.

LOWER CASING

Preserve the cylindrical lower housing in deep burgundy/crimson lacquer around H 350–355°, S 70–90%.

Use a perfectly smooth high-gloss enamel/lacquer finish.

Place an elongated white-red vertical reflection on its viewer-left/front region while letting viewer-right transition into dark wine-red.

Keep the casing rigid and clean while its bottom portion becomes partially obscured by the surrounding liquid splash.

Do not add a lipstick cap anywhere in the composition.

FROZEN CRIMSON LIQUID SPLASH

Create one major transparent-to-translucent crimson splash erupting radially around the lower casing.

Use liquid around H 350–360°, with extremely glossy wet optical behavior, moderate transparency and strong surface tension.

The liquid should behave like low-to-medium-viscosity water photographed at very high shutter speed.

Form a crown-like radial splash around the base.

Preserve the directional structure:

viewer-left: taller branching liquid sheet with several thin upward spikes;

center: dense darker crimson liquid wrapping the lower casing;

viewer-right: wider irregular liquid sheet extending outward;

underneath: a curved translucent liquid bowl/ring supporting the central splash structure.

Allow the tallest spikes to rise approximately to the lower portion of the metallic gold tube, but never cover the majority of the gold tube or the lipstick bullet.

Keep thin splash edges semi-transparent and luminous while thicker liquid masses become darker ruby-red.

Resolve microscopic beads and irregular liquid fragments along the edges.

Freeze everything perfectly in time.

Zero motion blur.

SUSPENDED DROPLETS

Distribute dozens of crimson droplets throughout the scene.

Vary them naturally from tiny pinpoints to larger spheres approximately 3–5% of a large cherry diameter.

Most droplets should remain spherical from surface tension, with a smaller number of irregular liquid fragments close to the main splash.

Make the droplets medium-to-high transparency with tiny razor-sharp white specular points.

Concentrate the densest cluster in the upper-right and central-right region around the lipstick bullet, with multiple bright glass-like red spheres at different depths.

Scatter fewer droplets through the left-middle and lower portions.

Do not create a uniform particle field.

Some droplets must remain sharply focused near the lipstick plane while others become progressively softer with depth.

CHERRIES

Include approximately 8–9 clearly visible or partially visible glossy cherries, with several additional partial fruit forms allowed only where consistent with the reference crop.

Render every cherry with smooth wet-look scarlet/cherry skin around H 350–5°, S 85–100%.

Use rounded-to-heart-like forms with shallow depressions where stems connect.

Skin should be extremely smooth with nearly invisible pores and broad soft rectangular/oval studio reflections.

Use stems in restrained olive/yellow-green around H 65–85°, S 45–65%, B 45–65%, with matte-to-satin surfaces.

Preserve the major placement hierarchy:

Upper-left:

One large suspended cherry close to the upper-left corner. Keep most of the fruit visible. Attach a long green stem entering from the top edge. Make this fruit sharp-to-moderately sharp with a large bright softbox reflection on its upper-left/front surface.

Left-middle edge:

One large cherry partially cropped by the left frame boundary, showing roughly half to two-thirds of its body. Keep it softer than the lipstick.

Upper/mid-right:

One smaller suspended cherry toward the right side, with a short green stem angled upward-right. Keep moderately soft.

Lower-left midground:

A smaller cherry positioned left of the central splash in the lower half, with a visible green stem and moderate softness.

Far-right midground:

A larger cherry close to the right edge, partially clipped, with a curving green stem.

Bottom-center region:

A medium cherry close to the glossy supporting surface with a longer green stem angled upward. Allow a dark crimson reflection beneath it.

Bottom-left foreground:

A very large cherry strongly cropped by both the left and bottom edges. Keep it softer due to extreme foreground placement.

Bottom-right foreground:

A very large glossy cherry close to the camera, slightly cropped near the bottom/right, with a long curved green stem extending diagonally upward-left. Give it a broad bright white reflection.

Keep cherry scales irregular. The arrangement must feel naturally suspended and layered rather than evenly spaced or decorative.

SUPPORTING SURFACE

Show a dark reflective tabletop only across approximately the lowest 10–15% of the frame.

Use near-black burgundy mirror-gloss material.

Keep it smooth but slightly irregular from scattered liquid residue.

Add:

subtle blurred crimson reflections beneath lower cherries;

partial red/gold reflection from the suspended lipstick and splash;

tiny scattered red liquid beads;

a thin wet reflective patch around the lower-center cherry.

Keep the surface horizon extremely dark, soft and nearly invisible.

BACKGROUND

Create a seamless studio gradient in blackened wine-red / deep burgundy around H 345–355°, S 55–75%, B 12–28%.

The background should be:

dark maroon toward the upper section;

fractionally brighter behind the central lipstick;

progressively darker toward the corners;

especially deep toward the upper-right edge.

No architecture.

No room details.

No furniture.

No background text.

No decorative graphics.

Only the cherries and liquid droplets should occupy the background depth.

Allow distant cherries and droplets to become soft crimson circular forms through natural defocus rather than artificial bokeh effects.

LIGHTING

Use low-key commercial beauty lighting.

Place a large soft key source at approximately 10–11 o’clock/front-left, around 5000–5500 K.

The key should produce:

a broad diffuse vertical highlight on the lipstick bullet;

an intense narrow vertical white-gold reflection on the metallic tube;

an elongated bright white-red reflection on the lacquer casing;

broad soft rectangular/oval highlights on glossy cherries;

crisp high-intensity reflections along thin liquid edges.

Maintain approximately 30–40% fill light.

Keep the viewer-right side significantly darker while retaining enough burgundy information to reveal form.

Add weak-to-moderate back/side illumination behind the splash and droplets so thin liquid sections become transparent ruby red.

Introduce subtle red-white rim highlights along selected cherries, splash spikes and droplets.

Avoid hard cast shadows. Most solid-object shadows should remain soft.

SURFACE-SPECIFIC HIGHLIGHT MODEL

Lipstick bullet → broad diffuse vertical oval highlight.

Mirror-gold tube → narrow intense white-gold vertical strip.

Burgundy casing → elongated white/crimson lacquer reflection.

Cherry skin → broad rectangular/oval softbox reflections.

Droplets → tiny sharp white point highlights.

Splash → extremely thin high-intensity edge reflections and tiny wet micro-speculars.

Do not flatten these material differences.

COLOR SYSTEM

Lock the palette to:

lipstick, cherries and liquid: saturated crimson/cherry red around H 350–5°;

deep environment and shadows: burgundy/wine around H 345–355°;

metallic sleeve: champagne/yellow gold around H 38–46°;

stems: restrained olive-green around H 65–85°.

Use a monochromatic crimson/burgundy luxury beauty grade with champagne-gold contrast.

Keep shadows wine-red rather than neutral gray-black.

Use neutral white highlights on cherries and liquid, while metallic highlights remain slightly warm champagne.

Do not shift the lipstick toward pink, orange, purple, magenta, brown or black.

CAMERA / DEPTH

Simulate approximately an 85–105 mm macro/product lens at approximately f/4–f/5.6.

Use moderately shallow selective depth of field.

Sharpest:

lipstick bullet;

mirror-gold tube;

burgundy lower casing;

primary splash edges.

Moderately sharp:

liquid droplets immediately surrounding the lipstick;

selected nearby cherries.

Softer:

peripheral midground cherries.

Softest:

extreme foreground cropped fruit and the most distant background cherries/droplets.

Keep the focus plane locked to the central lipstick assembly.

Simulate high-speed flash photography with extremely fast shutter behavior so liquid sheets, droplets and splash fragments appear completely frozen.

IMAGE FINISH

Render at maximum commercial cosmetic-advertising quality.

Use:

grain approximately 1/10;

retouching/post-processing approximately 9/10;

high contrast;

deep burgundy black point while preserving red tonal information;

mild natural corner vignette;

almost no bloom;

no lens flare;

no chromatic aberration;

absolutely no motion blur.

Maintain this visual hierarchy:

crimson lipstick bullet → mirror-gold tube → frozen crown splash → large upper-left cherry → glass-like suspended droplets → large foreground cherries → deep burgundy background.

Maintain the material contrast:

micro-textured soft-matte lipstick → mirror metal → glossy lacquer → transparent wet liquid → glossy cherry skin.

Maintain the motion contrast:

rigid sharply defined lipstick surrounded by liquid frozen at maximum radial expansion.

STRICT PRESERVATION RULES

Do not alter the lipstick orientation.

Do not center it perfectly vertically.

Do not make the lipstick bullet glossy.

Do not smooth away its fine cosmetic microtexture.

Do not change the gold tube to silver, copper or rose gold.

Do not make the burgundy casing matte.

Do not add a lipstick cap.

Do not add another cosmetic product.

Do not cover the lipstick bullet or gold tube with the splash.

Do not turn the splash into smoke, powder or gel.

Do not reduce the splash to a simple puddle.

Do not make the droplets uniformly sized.

Do not arrange droplets into a pattern.

Do not arrange cherries symmetrically.

Do not make every cherry equally sharp.

Do not remove the cropped foreground cherries.

Do not replace cherries with berries, strawberries or other fruit.

Do not oversaturate the olive-green stems.

Do not brighten the wine-red background.

Do not introduce unrelated props.

No brand logo. No invented brand name. No label. No engraving. No typography. No packaging. No watermark. No extra cosmetics. No people. No hands. No smoke. No fog. No dust particles. No glitter particles. No lens flare. No motion blur.

Ultra-high resolution. Razor-sharp lipstick and splash detail. Physically accurate mirror metal, cosmetic microtexture, glossy lacquer, wet cherry skin, transparent liquid refraction, high-speed droplet behavior and realistic depth separation.

Photorealistic luxury beauty product photography only.