Use the uploaded image as the main visual reference. Recreate the same subject, same eyewear, same selective-color treatment, same hair arrangement, same clothing, same lighting, and same blurred indoor background. Do not invent a new face, new frame color, new shirt color, or introduce any color outside the golden yellow. Follow the uploaded image closely.

Generate a photorealistic editorial portrait of the same subject in a 2:3 vertical composition. Subject framed from top of hair through upper chest, torso nearly frontal, head rotated gently toward viewer-left, chin neutral to slightly lowered, neck upright, shoulders relaxed and largely filling the lower frame. Face occupies the dominant portion of the image. No hands visible. No held objects.

Preserve the same facial identity: soft oval face with tapered jawline, small rounded chin, smooth cheek transitions, subtly defined cheekbones through tonal shading, straight narrow nose bridge with soft rounded tip and minimal nostril flare, medium-to-full lips with lower lip marginally fuller, clearly defined cupid's bow, mouth fully closed with lip corners at neutral to a very slight soft lift. Both eyes fully open, large clear irises rendered in grayscale with dark pupils, small bright catchlights visible through clear lenses, gaze directed straight and directly into the camera with strong composed eye contact. Upper lash line dark and strongly defined, long enhanced upper lashes, lower lashes fine but present. Dark full groomed brows with soft arch, dense inner body, sharper outer tail, sitting clearly above the upper frame edge.

Orbicularis oris fully closed with minimal tension, mentalis at rest, zygomaticus neutral, frontalis flat, corrugator released, orbicularis oculi open and non-squinted — producing a calm composed editorial expression with no animation.

Skin rendered entirely in grayscale at approximately 9/10 retouching level: ultra-smooth luminous matte finish, fine pore texture almost entirely suppressed across all facial zones, dimensional tonal shading fully preserved with soft highlight concentration on forehead center, nose bridge, nose tip, upper cheek planes and chin, shadow gradients remain dimensional along jaw, cheek sides and neck, no flat plastic rendering, no coarse raw texture.

Keep the same dark hair: dark brown to near-black rendered in grayscale, hair pulled back and upward into a tied or updo arrangement, crown area smooth and swept cleanly backward, hairline clearly visible across the forehead, fine short baby hairs present along the frontal hairline, one prominent loose strand descending along the viewer-left side of the face from hairline toward jawline, one fine loose strand near the viewer-right temple, hair has soft directional surface texture with moderate sheen, no bright color preserved in hair.

Keep the same eyewear as the primary visual element: oversized thick-rimmed eyeglasses in fully saturated vivid golden yellow (approximately 45° hue, saturation 100%, brightness 95%), rounded-rectangular lens shape with soft squarish corners, thick glossy rigid-plastic frame construction, broad slightly curved bridge sitting across the nose, yellow temples extending outward toward both ears, small silver metallic hinge rivets visible at the outer upper corners of each lens, lenses fully clear and transparent with no tint, frames positioned so full brows remain visible above the upper rim, eyes remain fully readable through clear lenses. The eyeglass frame is the strongest single graphic element in the composition.

Keep the same clothing: bright saturated golden yellow crew-neck top (same hue, saturation and brightness as the frames — approximately 45° hue, saturation 100%, brightness 90%), smooth matte knit or cotton-like fabric, loose-to-regular fit, simple rounded neckline with no print, no logo, no buttons, no zipper, shirt fills the lower portion of the frame and functions as the second selective-color mass.

Keep the small dark tattoo or ink mark at the lower viewer-right side of the neck, partially obscured by the shirt neckline, rendered as a small dark graphic shape without overdetailing the specific symbol.

Small metallic stud or minimal hoop earring visible at the viewer-right side near the ear, rendered in grayscale, not a dominant element.

Selective-color post-processing is the defining technical treatment: the entire image — skin, hair, lips, eyes, earrings, background — rendered in black, white and full grayscale with zero chroma. Only the eyeglass frames and the shirt preserve vivid saturated golden yellow. No secondary colors. No partially desaturated tones. No yellow bleeding into adjacent grayscale zones. No color in lips, no color in irises, no color in hair, no color in background. Yellow saturation crisp and fully saturated against the neutral monochrome environment.

Background follows the uploaded image: indoor setting, fully grayscale, strongly blurred with soft bokeh transitions, large circular blurred dark mass toward upper viewer-left suggesting interior furniture or decor, no readable text, no identifiable architectural detail, background functions purely as a neutral dark-to-mid-gray tonal field that allows the yellow frames and shirt to dominate the graphic hierarchy.

Lighting is soft frontal beauty diffusion: main source from front-left to upper-front, diffused and even across the facial plane, forehead, nose, cheeks and chin evenly illuminated, shadow side remains visible with smooth gradients, soft jaw and cheek shading, no dramatic rim light, no hard directional shadows, very controlled editorial light character, tonal contrast derived from grayscale processing rather than harsh source placement, approximate color temperature neutral (rendered moot by monochrome treatment).

Depth of field shallow: primary focus plane locked on the eyes, glasses frames and immediate facial contour, eyeglass rims carrying the sharpest local detail, shirt and upper chest remaining mostly sharp, background dropping rapidly into blurred grayscale abstraction, no focus on background elements.

Color system: black (~0%, 0%, 5%), white (~0%, 0%, 95%), mid-gray range occupying all skin, hair, lip and background tones, golden yellow (45° hue, saturation 100%, brightness 92%) appearing only on frames and shirt, small silver-gray metallic accents on frame hinges. Extremely limited palette. Graphic focal hierarchy: yellow frames first, yellow shirt second, grayscale face third, blurred grayscale background last.

Render at maximum photorealistic quality. Sharp facial anatomy, defined lash fiber detail, glossy rigid plastic eyeglass frame surface, clean clear lens with no distortion artifacts, smooth matte knit fabric texture on shirt, soft luminous grayscale skin, fine loose hair strand definition, dimensional tonal shading — all simultaneously present. No color contamination in grayscale zones. No CGI glow. No motion blur. No extra objects. No text. No watermark. No anatomical errors. Ultra high resolution. Photorealistic editorial quality only.

Use the uploaded image as the main visual reference. Recreate the same subject, same eyewear, same selective-color treatment, same hair arrangement, same clothing, same lighting, and same blurred indoor background. Do not invent a new face, new frame color, new shirt color, or introduce any color outside the golden yellow. Follow the uploaded image closely.

Generate a photorealistic editorial portrait of the same subject in a 2:3 vertical composition. Subject framed from top of hair through upper chest, torso nearly frontal, head rotated gently toward viewer-left, chin neutral to slightly lowered, neck upright, shoulders relaxed and largely filling the lower frame. Face occupies the dominant portion of the image. No hands visible. No held objects.

Preserve the same facial identity: soft oval face with tapered jawline, small rounded chin, smooth cheek transitions, subtly defined cheekbones through tonal shading, straight narrow nose bridge with soft rounded tip and minimal nostril flare, medium-to-full lips with lower lip marginally fuller, clearly defined cupid's bow, mouth fully closed with lip corners at neutral to a very slight soft lift. Both eyes fully open, large clear irises rendered in grayscale with dark pupils, small bright catchlights visible through clear lenses, gaze directed straight and directly into the camera with strong composed eye contact. Upper lash line dark and strongly defined, long enhanced upper lashes, lower lashes fine but present. Dark full groomed brows with soft arch, dense inner body, sharper outer tail, sitting clearly above the upper frame edge.

Orbicularis oris fully closed with minimal tension, mentalis at rest, zygomaticus neutral, frontalis flat, corrugator released, orbicularis oculi open and non-squinted — producing a calm composed editorial expression with no animation.

Skin rendered entirely in grayscale at approximately 9/10 retouching level: ultra-smooth luminous matte finish, fine pore texture almost entirely suppressed across all facial zones, dimensional tonal shading fully preserved with soft highlight concentration on forehead center, nose bridge, nose tip, upper cheek planes and chin, shadow gradients remain dimensional along jaw, cheek sides and neck, no flat plastic rendering, no coarse raw texture.

Keep the same dark hair: dark brown to near-black rendered in grayscale, hair pulled back and upward into a tied or updo arrangement, crown area smooth and swept cleanly backward, hairline clearly visible across the forehead, fine short baby hairs present along the frontal hairline, one prominent loose strand descending along the viewer-left side of the face from hairline toward jawline, one fine loose strand near the viewer-right temple, hair has soft directional surface texture with moderate sheen, no bright color preserved in hair.

Keep the same eyewear as the primary visual element: oversized thick-rimmed eyeglasses in fully saturated vivid golden yellow (approximately 45° hue, saturation 100%, brightness 95%), rounded-rectangular lens shape with soft squarish corners, thick glossy rigid-plastic frame construction, broad slightly curved bridge sitting across the nose, yellow temples extending outward toward both ears, small silver metallic hinge rivets visible at the outer upper corners of each lens, lenses fully clear and transparent with no tint, frames positioned so full brows remain visible above the upper rim, eyes remain fully readable through clear lenses. The eyeglass frame is the strongest single graphic element in the composition.

Keep the same clothing: bright saturated golden yellow crew-neck top (same hue, saturation and brightness as the frames — approximately 45° hue, saturation 100%, brightness 90%), smooth matte knit or cotton-like fabric, loose-to-regular fit, simple rounded neckline with no print, no logo, no buttons, no zipper, shirt fills the lower portion of the frame and functions as the second selective-color mass.

Keep the small dark tattoo or ink mark at the lower viewer-right side of the neck, partially obscured by the shirt neckline, rendered as a small dark graphic shape without overdetailing the specific symbol.

Small metallic stud or minimal hoop earring visible at the viewer-right side near the ear, rendered in grayscale, not a dominant element.

Selective-color post-processing is the defining technical treatment: the entire image — skin, hair, lips, eyes, earrings, background — rendered in black, white and full grayscale with zero chroma. Only the eyeglass frames and the shirt preserve vivid saturated golden yellow. No secondary colors. No partially desaturated tones. No yellow bleeding into adjacent grayscale zones. No color in lips, no color in irises, no color in hair, no color in background. Yellow saturation crisp and fully saturated against the neutral monochrome environment.

Background follows the uploaded image: indoor setting, fully grayscale, strongly blurred with soft bokeh transitions, large circular blurred dark mass toward upper viewer-left suggesting interior furniture or decor, no readable text, no identifiable architectural detail, background functions purely as a neutral dark-to-mid-gray tonal field that allows the yellow frames and shirt to dominate the graphic hierarchy.

Lighting is soft frontal beauty diffusion: main source from front-left to upper-front, diffused and even across the facial plane, forehead, nose, cheeks and chin evenly illuminated, shadow side remains visible with smooth gradients, soft jaw and cheek shading, no dramatic rim light, no hard directional shadows, very controlled editorial light character, tonal contrast derived from grayscale processing rather than harsh source placement, approximate color temperature neutral (rendered moot by monochrome treatment).

Depth of field shallow: primary focus plane locked on the eyes, glasses frames and immediate facial contour, eyeglass rims carrying the sharpest local detail, shirt and upper chest remaining mostly sharp, background dropping rapidly into blurred grayscale abstraction, no focus on background elements.

Color system: black (~0%, 0%, 5%), white (~0%, 0%, 95%), mid-gray range occupying all skin, hair, lip and background tones, golden yellow (45° hue, saturation 100%, brightness 92%) appearing only on frames and shirt, small silver-gray metallic accents on frame hinges. Extremely limited palette. Graphic focal hierarchy: yellow frames first, yellow shirt second, grayscale face third, blurred grayscale background last.

Render at maximum photorealistic quality. Sharp facial anatomy, defined lash fiber detail, glossy rigid plastic eyeglass frame surface, clean clear lens with no distortion artifacts, smooth matte knit fabric texture on shirt, soft luminous grayscale skin, fine loose hair strand definition, dimensional tonal shading — all simultaneously present. No color contamination in grayscale zones. No CGI glow. No motion blur. No extra objects. No text. No watermark. No anatomical errors. Ultra high resolution. Photorealistic editorial quality only.