9:16 vertical, full-body cinematic 1980s Myanmar café portrait using the uploaded woman as the sole identity reference; maintain her face exactly without beautification-related identity changes, preserving her facial proportions, natural skin tone and body shape with maximum identity lock.

She stands beside the glass entrance of a charming old Yangon café, body turned slightly three-quarter toward the camera, gently adjusting one glove while a small burgundy clutch bag rests beneath her other arm. Dress her in an elegant navy-blue midi dress with tiny cream polka dots, a modest sweetheart neckline, softly puffed short sleeves, a fitted waist and a flowing calf-length skirt. Add a narrow burgundy waist belt, cream low-heeled pumps, delicate pearl earrings and thin cream wrist gloves for a refined 1980s city-lady appearance.

Her hair is styled in glossy shoulder-length curls with a softly lifted crown and side-swept fringe. Apply restrained period makeup with thin eyeliner, light blush, classic red lipstick and natural realistic skin pores.

Create an authentic period café exterior with wooden-framed windows, lace curtains, bentwood chairs, small round tables, potted plants, an old tabletop radio visible through the window and a faded striped awning. Include no modern coffee machines, laptops, plastic furniture, digital signs or contemporary branded objects.

Slight high-angle full-body composition from just above eye level, camera approximately 4.5 metres away, 50mm lens look, delicate foreground leaves creating depth, subject occupying 60–65% of the vertical frame, both cream shoes fully visible and anatomically correct. Use soft late-afternoon daylight mixed with gentle tungsten window light, muted navy, cream and burgundy colour harmony, subtle film halation, fine analogue grain and clean restored 1980s magazine-photograph quality.

Negative: changed face, identity drift, Myanmar traditional outfit, htamein, longyi, military clothing, modern mini dress, revealing neckline, contemporary high heels, modern handbag, modern café, neon LED lights, smartphone, excessive jewellery, sunglasses, orange colour cast, heavy sepia, scratches, cropped legs, cropped shoes, malformed hands, extra limbs, doll-like skin, text, logo, watermark.

9:16 vertical, full-body cinematic 1980s Myanmar café portrait using the uploaded woman as the sole identity reference; maintain her face exactly without beautification-related identity changes, preserving her facial proportions, natural skin tone and body shape with maximum identity lock.

She stands beside the glass entrance of a charming old Yangon café, body turned slightly three-quarter toward the camera, gently adjusting one glove while a small burgundy clutch bag rests beneath her other arm. Dress her in an elegant navy-blue midi dress with tiny cream polka dots, a modest sweetheart neckline, softly puffed short sleeves, a fitted waist and a flowing calf-length skirt. Add a narrow burgundy waist belt, cream low-heeled pumps, delicate pearl earrings and thin cream wrist gloves for a refined 1980s city-lady appearance.

Her hair is styled in glossy shoulder-length curls with a softly lifted crown and side-swept fringe. Apply restrained period makeup with thin eyeliner, light blush, classic red lipstick and natural realistic skin pores.

Create an authentic period café exterior with wooden-framed windows, lace curtains, bentwood chairs, small round tables, potted plants, an old tabletop radio visible through the window and a faded striped awning. Include no modern coffee machines, laptops, plastic furniture, digital signs or contemporary branded objects.

Slight high-angle full-body composition from just above eye level, camera approximately 4.5 metres away, 50mm lens look, delicate foreground leaves creating depth, subject occupying 60–65% of the vertical frame, both cream shoes fully visible and anatomically correct. Use soft late-afternoon daylight mixed with gentle tungsten window light, muted navy, cream and burgundy colour harmony, subtle film halation, fine analogue grain and clean restored 1980s magazine-photograph quality.

Negative: changed face, identity drift, Myanmar traditional outfit, htamein, longyi, military clothing, modern mini dress, revealing neckline, contemporary high heels, modern handbag, modern café, neon LED lights, smartphone, excessive jewellery, sunglasses, orange colour cast, heavy sepia, scratches, cropped legs, cropped shoes, malformed hands, extra limbs, doll-like skin, text, logo, watermark.