Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a single adult male, late teens to mid-20s, very light cool-neutral pale skin tone, medium warm brown hair with slight auburn-copper tinge at crown, wearing a complete three-piece dark navy-teal suit with white dress shirt, dark narrow tie, belt, and pocket square, standing full-body in a dark atmospheric studio filled with cool blue-teal illuminated smoke, in a 9:16 tall portrait aspect ratio composition. Subject is framed completely full-body — top of head through feet with shoes just within frame edge. Face occupies upper-center third of frame, body extends downward to lower frame, significant dark space on both sides. Keep everything close to the original uploaded image.

Torso is in three-quarter angle with right shoulder coming forward toward camera and left shoulder receding back, body facing approximately 30–40° off frontal toward camera-right. Shoulder line is level to very slight tilt. Head is turned more directly toward camera than the angled torso — slight head turn back toward lens, head more frontal than body. Head has very slight downward tilt of approximately 5–8° chin-down creating a slightly brooding looking-down-at-camera quality. Left hand is in left trouser pocket — left arm bent at approximately 100° with forearm disappearing into left jacket or trouser pocket at hip, hand not visible. Right hand is hanging at right side visible at lower-right of frame near thigh level — fingers hanging downward in a relaxed hang, loosely extended and slightly curled, palm facing inward toward thigh, not gripping anything. Legs are at approximately shoulder-width apart stance, weight evenly distributed or very slightly to left leg, both legs straight, feet pointing roughly forward with slight natural outward angle, both feet visible at very bottom of frame.

Preserve the same facial identity: oval-to-oblong face shape notably longer than wide, medium-wide forehead, face tapering to a moderately pointed chin with definition, elongated oval quality with longer-than-wide proportions. Jawline is defined and angular with a clear jaw angle, not rounded, tapering to a somewhat pointed chin with pronounced jaw edge. Cheekbones are present and create moderate structure and shadow beneath but not dramatically prominent or razor-sharp. Skin tone is very light, cool-neutral to slightly pink undertone — extremely pale base, no warm golden tones, natural very fair skin reading with cool blue cast throughout from the lighting environment. Skin finish is matte-to-normal — no dewiness, no sheen, controlled matte under cool light. Skin retouching at level 6–7 out of 10 — heavily smoothed near-poreless skin, forehead and cheeks very smooth, under-eye completely clean with no shadow or bags, some residual texture at lip edges and nostril crease, very smooth pale cool-toned skin — do not add warm tones or golden undertones, maintain the cool blue-cast pale complexion throughout, render skin appropriate to high-contrast dark atmospheric environment. Zero makeup — bare male skin with cool-toned pale complexion, natural brows with minimal grooming, no liner no eyeshadow no mascara no lip product, pale pink-neutral natural male lip color — do not add any cosmetic layer. Nose is straight and narrow with no bridge bump, narrow tip that is moderately pointed and refined, slightly elongated proportionate to longer face shape, medium-to-high bridge projection with defined straight bridge line, narrow nostril base, medium-to-long philtrum consistent with longer face proportion. Eyes are almond-shaped and slightly deep-set with moderately prominent brow bone creating shadow over upper lid, slight hooded quality from brow bone depth, medium eye size proportionate to face, standard spacing approximately one eye-width between. Iris color is light — blue or blue-gray — notably light colored iris, clearly NOT dark brown — light blue or blue-gray iris must be preserved, do not darken iris to brown. Moderate-to-dilated pupils consistent with low-light environment. Double-lidded with visible crease and moderate lid depth with slight hooding from brow bone. Natural male lash density without enhancement. Small round cool blue-white catchlight in both eyes at 12 o'clock position at top of iris — overhead light source confirmed by catchlight position at top of iris — do not alter catchlight position. Both eyes fully open — direct on-axis camera gaze with slight chin-down brooding quality, steady composed watchful intensity, not aggressive — the slight chin-down combined with fully open light-colored eyes and the cool overhead catchlight creates the classic editorial brooding male expression. Eyebrows are straight-to-very-slight arch running fairly horizontally with minimal arch and slightly angular at peak, medium thickness with standard male brow density, medium warm brown color visible with warmth against the cool-lit face, medium-to-close distance from upper lid contributing to brooding quality, minimal grooming with natural appearance and no fill product. Lips are thin-to-medium fullness on both upper and lower lips — both relatively thin compared to other subjects, similar fullness on upper and lower, cupid's bow present but subtle with gentle dip not dramatically defined peaks, corners resting neutral-flat, closed and resting together with no parting and no smile, pale pink-neutral natural cool-toned male lip color with no product, normal natural lip surface. Very slight inner brow tension — inner brows fractionally drawn together creating a very subtle concentration quality, not a full furrow. Hair is medium warm brown with slight reddish-copper warmth visible at crown where the cool light catches — not dark brown, not blonde, warm medium brown with slight auburn-copper tinge. Style is classic side-swept slicked-back — combed back and to subject's right from a left-side part, smooth and structured with no loose pieces, clean and polished, left-side part with defined clean division. Short on sides with scissor-cut taper — not a skin fade, tapered. Medium on top approximately 2–3 inches on crown. Product-applied with smooth surface and slight sheen under cool light, medium-shine pomade or gel product, holds swept-back shape firmly, not crunchy. Low-to-medium volume lying flat and swept back. Entirely swept back away from forehead, no hair falling onto forehead or ears, clean hairline fully exposed, right side has hair swept toward it from left part. No facial hair — bare chin, upper lip, and cheeks — male bare face.

Keep the same clothing: complete three-piece suit ensemble. Outer jacket is a fitted tailored dark navy blue or dark charcoal with blue undertone blazer — not oversized, sits on natural shoulders, chest fitted, single-breasted construction. Color reads as dark teal-blue in areas catching the cool light and near-black in shadow areas — underlying color is dark navy blue or dark charcoal with blue undertone, not a bright color. Fine matte woven wool or polyester suiting fabric with visible weave texture in lit areas and structured tailored construction. Narrow slim notched lapels consistent with modern slim-cut suit. Jacket worn closed or mostly closed — lapels visible with front appearing buttoned. Full-length sleeves extending to wrist with white dress shirt cuff visible below jacket right sleeve — approximately 0.5 to 1cm of white cuff showing, classic suit shirt-cuff exposure. White or pale light pocket square in left chest breast pocket on camera-right side of jacket — flat fold or very slight peak, subtle accessory detail. Matching dark waistcoat or vest visible beneath jacket at center chest between lapels — same dark navy-teal suiting fabric or slightly darker tone, small dark matching buttons in center button row approximately 4–5 buttons visible, three-piece suit construction. White to very light pale blue dress shirt underneath — most likely white, appearing with slight blue tint from cool lighting — smooth woven dress shirt fabric, fitted under vest and jacket, standard spread collar with collar points visible at neck, properly buttoned or very slight opening at neck. Narrow-to-medium width dark tie in dark navy, dark gray, or near-black — same tone as suit creating tonal monochromatic look, standard length in four-in-hand or simple knot sitting snugly at collar, matte silk or polyester finish, no visible pattern at this scale, appears solid dark. Matching dark navy-teal suit trousers — same dark suiting fabric as jacket, straight-to-slim cut not wide-leg, proportionate suit trouser with clean vertical fall, standard dark suit waistband. Dark or black leather belt at trouser waist visible at hip level with standard rectangular buckle adding waist definition line. Dark black oxford or dress shoe barely visible at very bottom of frame — dark leather-appearing toe box consistent with suit styling. Left hand in left pocket — accessories on left wrist and left hand not assessable. Small dark or silver stud earring on subject's right ear — single small subtle stud, right ear only, left ear not confirmed. No necklace — collar and tie cover neck area. Belt confirmed at waist with dark buckle.

The background should follow the uploaded image: dark studio space with atmospheric smoke or fog machine haze illuminated by a single cool blue-teal light source — no identifiable room features, pure dark studio. Left side of frame is near-pure black — deepest shadow, no light penetration. Upper-center and center-right have cool blue-teal illuminated smoke and fog — smoke lit from above-behind and slightly left creating volumetric light shafts through the haze, wisps and tendrils of smoke visible. Lower portion falls to near-pure black — subject lower body and legs significantly darker than upper body. Far right is deep shadow with smoke visible but dark. Floor is not distinguishable — dark floor merges with background shadow, undefined dark surface. Three depth layers: subject in sharp focus as layer one, slightly soft illuminated smoke as immediate background layer two, deep black far background with smoke thinning toward edges as layer three. No other people. No objects or props. No readable text or signage. No watermark. Subject face is the brightest element in the entire frame — upper body moderately lit, lower body falls toward background darkness, extreme vignette effect pulling all attention to face and upper torso.

Use the same lighting: single cool blue-teal gel light source from overhead-front at approximately 11 o'clock to 12 o'clock elevated position — overhead-front-slightly-left. Creates downward shadow under brow bone slightly hooding eyes, under nose, and under chin. Top of head and crown receive most light. Medium-hard quality — shadow edges on face moderately defined, under-nose shadow and under-chin shadow have fairly clear edges, more dramatic directional quality than a softbox setup, consistent with a fresnel or snoot or medium-distance modifier. Lit zones are top of head crown most brightly lit, forehead, nose bridge, cheekbone tops. Shadow zones are under brow creating slight eye shadow, under nose cast shadow, chin and neck in deep shadow, right jaw and right side of neck in shadow, left cheek marginally brighter suggesting slight camera-left lean to overhead position. Fill light is very low to none — shadows on face are deep and dramatic, under-chin and neck near-black, very minimal fill, high-contrast moody setup. Subtle cool rim light on right shoulder of jacket contributing to separation from smoke background. Small round cool blue-white catchlight at 12 o'clock at top of iris in both eyes — overhead source confirmed. Key light color is cool blue-teal approximately 7000–8000K — deeply cool, all skin tones read with blue-cool cast, no warm light anywhere in the frame. Ambient is essentially zero — fully controlled dark studio with single atmospheric cool light source, deep black background confirms no ambient contribution.

Render at maximum photorealistic quality. Follow the uploaded image as the primary reference. Preserve exact facial proportions, full-body pose, three-piece suit ensemble, accessories, lighting design, cool blue-teal monochromatic smoke atmosphere, and full-length framing. Do not change his identity. Do not make him look like a different person. Do not change the light-colored blue-gray iris to dark brown. Do not remove the teal-blue monochromatic atmospheric lighting — this is the central creative concept. Do not change the three-piece dark navy suit with tie and pocket square. Do not change the smoky dark studio background. Do not soften or redirect the direct brooding camera gaze. Do not add makeup or warm tones to skin. No extra people. No extra objects. No text. No watermark. No CGI look. No anatomical errors. No motion blur. No lens distortion. Ultra high resolution. Sharp facial detail on subject. Very smooth pale cool-toned skin at retouching level 6–7 out of 10 with no warm undertones. Photorealistic only. Render at 35–50mm equivalent focal length to capture full body, f/2.8 to f/4.0 aperture, moderate depth of field with sharpest focus on subject face and upper torso graduating to softer lower body and atmospheric smoke background, fine grain level 2 out of 10, retouching level 6–7 out of 10, monochromatic cool blue-teal single-hue grade with fully crushed blacks and no warm tones anywhere except natural hair color at crown, extreme tonal contrast with face as the brightest element, dark gothic cinematic atmospheric editorial quality.

Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a single adult male, late teens to mid-20s, very light cool-neutral pale skin tone, medium warm brown hair with slight auburn-copper tinge at crown, wearing a complete three-piece dark navy-teal suit with white dress shirt, dark narrow tie, belt, and pocket square, standing full-body in a dark atmospheric studio filled with cool blue-teal illuminated smoke, in a 9:16 tall portrait aspect ratio composition. Subject is framed completely full-body — top of head through feet with shoes just within frame edge. Face occupies upper-center third of frame, body extends downward to lower frame, significant dark space on both sides. Keep everything close to the original uploaded image.

Torso is in three-quarter angle with right shoulder coming forward toward camera and left shoulder receding back, body facing approximately 30–40° off frontal toward camera-right. Shoulder line is level to very slight tilt. Head is turned more directly toward camera than the angled torso — slight head turn back toward lens, head more frontal than body. Head has very slight downward tilt of approximately 5–8° chin-down creating a slightly brooding looking-down-at-camera quality. Left hand is in left trouser pocket — left arm bent at approximately 100° with forearm disappearing into left jacket or trouser pocket at hip, hand not visible. Right hand is hanging at right side visible at lower-right of frame near thigh level — fingers hanging downward in a relaxed hang, loosely extended and slightly curled, palm facing inward toward thigh, not gripping anything. Legs are at approximately shoulder-width apart stance, weight evenly distributed or very slightly to left leg, both legs straight, feet pointing roughly forward with slight natural outward angle, both feet visible at very bottom of frame.

Preserve the same facial identity: oval-to-oblong face shape notably longer than wide, medium-wide forehead, face tapering to a moderately pointed chin with definition, elongated oval quality with longer-than-wide proportions. Jawline is defined and angular with a clear jaw angle, not rounded, tapering to a somewhat pointed chin with pronounced jaw edge. Cheekbones are present and create moderate structure and shadow beneath but not dramatically prominent or razor-sharp. Skin tone is very light, cool-neutral to slightly pink undertone — extremely pale base, no warm golden tones, natural very fair skin reading with cool blue cast throughout from the lighting environment. Skin finish is matte-to-normal — no dewiness, no sheen, controlled matte under cool light. Skin retouching at level 6–7 out of 10 — heavily smoothed near-poreless skin, forehead and cheeks very smooth, under-eye completely clean with no shadow or bags, some residual texture at lip edges and nostril crease, very smooth pale cool-toned skin — do not add warm tones or golden undertones, maintain the cool blue-cast pale complexion throughout, render skin appropriate to high-contrast dark atmospheric environment. Zero makeup — bare male skin with cool-toned pale complexion, natural brows with minimal grooming, no liner no eyeshadow no mascara no lip product, pale pink-neutral natural male lip color — do not add any cosmetic layer. Nose is straight and narrow with no bridge bump, narrow tip that is moderately pointed and refined, slightly elongated proportionate to longer face shape, medium-to-high bridge projection with defined straight bridge line, narrow nostril base, medium-to-long philtrum consistent with longer face proportion. Eyes are almond-shaped and slightly deep-set with moderately prominent brow bone creating shadow over upper lid, slight hooded quality from brow bone depth, medium eye size proportionate to face, standard spacing approximately one eye-width between. Iris color is light — blue or blue-gray — notably light colored iris, clearly NOT dark brown — light blue or blue-gray iris must be preserved, do not darken iris to brown. Moderate-to-dilated pupils consistent with low-light environment. Double-lidded with visible crease and moderate lid depth with slight hooding from brow bone. Natural male lash density without enhancement. Small round cool blue-white catchlight in both eyes at 12 o'clock position at top of iris — overhead light source confirmed by catchlight position at top of iris — do not alter catchlight position. Both eyes fully open — direct on-axis camera gaze with slight chin-down brooding quality, steady composed watchful intensity, not aggressive — the slight chin-down combined with fully open light-colored eyes and the cool overhead catchlight creates the classic editorial brooding male expression. Eyebrows are straight-to-very-slight arch running fairly horizontally with minimal arch and slightly angular at peak, medium thickness with standard male brow density, medium warm brown color visible with warmth against the cool-lit face, medium-to-close distance from upper lid contributing to brooding quality, minimal grooming with natural appearance and no fill product. Lips are thin-to-medium fullness on both upper and lower lips — both relatively thin compared to other subjects, similar fullness on upper and lower, cupid's bow present but subtle with gentle dip not dramatically defined peaks, corners resting neutral-flat, closed and resting together with no parting and no smile, pale pink-neutral natural cool-toned male lip color with no product, normal natural lip surface. Very slight inner brow tension — inner brows fractionally drawn together creating a very subtle concentration quality, not a full furrow. Hair is medium warm brown with slight reddish-copper warmth visible at crown where the cool light catches — not dark brown, not blonde, warm medium brown with slight auburn-copper tinge. Style is classic side-swept slicked-back — combed back and to subject's right from a left-side part, smooth and structured with no loose pieces, clean and polished, left-side part with defined clean division. Short on sides with scissor-cut taper — not a skin fade, tapered. Medium on top approximately 2–3 inches on crown. Product-applied with smooth surface and slight sheen under cool light, medium-shine pomade or gel product, holds swept-back shape firmly, not crunchy. Low-to-medium volume lying flat and swept back. Entirely swept back away from forehead, no hair falling onto forehead or ears, clean hairline fully exposed, right side has hair swept toward it from left part. No facial hair — bare chin, upper lip, and cheeks — male bare face.

Keep the same clothing: complete three-piece suit ensemble. Outer jacket is a fitted tailored dark navy blue or dark charcoal with blue undertone blazer — not oversized, sits on natural shoulders, chest fitted, single-breasted construction. Color reads as dark teal-blue in areas catching the cool light and near-black in shadow areas — underlying color is dark navy blue or dark charcoal with blue undertone, not a bright color. Fine matte woven wool or polyester suiting fabric with visible weave texture in lit areas and structured tailored construction. Narrow slim notched lapels consistent with modern slim-cut suit. Jacket worn closed or mostly closed — lapels visible with front appearing buttoned. Full-length sleeves extending to wrist with white dress shirt cuff visible below jacket right sleeve — approximately 0.5 to 1cm of white cuff showing, classic suit shirt-cuff exposure. White or pale light pocket square in left chest breast pocket on camera-right side of jacket — flat fold or very slight peak, subtle accessory detail. Matching dark waistcoat or vest visible beneath jacket at center chest between lapels — same dark navy-teal suiting fabric or slightly darker tone, small dark matching buttons in center button row approximately 4–5 buttons visible, three-piece suit construction. White to very light pale blue dress shirt underneath — most likely white, appearing with slight blue tint from cool lighting — smooth woven dress shirt fabric, fitted under vest and jacket, standard spread collar with collar points visible at neck, properly buttoned or very slight opening at neck. Narrow-to-medium width dark tie in dark navy, dark gray, or near-black — same tone as suit creating tonal monochromatic look, standard length in four-in-hand or simple knot sitting snugly at collar, matte silk or polyester finish, no visible pattern at this scale, appears solid dark. Matching dark navy-teal suit trousers — same dark suiting fabric as jacket, straight-to-slim cut not wide-leg, proportionate suit trouser with clean vertical fall, standard dark suit waistband. Dark or black leather belt at trouser waist visible at hip level with standard rectangular buckle adding waist definition line. Dark black oxford or dress shoe barely visible at very bottom of frame — dark leather-appearing toe box consistent with suit styling. Left hand in left pocket — accessories on left wrist and left hand not assessable. Small dark or silver stud earring on subject's right ear — single small subtle stud, right ear only, left ear not confirmed. No necklace — collar and tie cover neck area. Belt confirmed at waist with dark buckle.

The background should follow the uploaded image: dark studio space with atmospheric smoke or fog machine haze illuminated by a single cool blue-teal light source — no identifiable room features, pure dark studio. Left side of frame is near-pure black — deepest shadow, no light penetration. Upper-center and center-right have cool blue-teal illuminated smoke and fog — smoke lit from above-behind and slightly left creating volumetric light shafts through the haze, wisps and tendrils of smoke visible. Lower portion falls to near-pure black — subject lower body and legs significantly darker than upper body. Far right is deep shadow with smoke visible but dark. Floor is not distinguishable — dark floor merges with background shadow, undefined dark surface. Three depth layers: subject in sharp focus as layer one, slightly soft illuminated smoke as immediate background layer two, deep black far background with smoke thinning toward edges as layer three. No other people. No objects or props. No readable text or signage. No watermark. Subject face is the brightest element in the entire frame — upper body moderately lit, lower body falls toward background darkness, extreme vignette effect pulling all attention to face and upper torso.

Use the same lighting: single cool blue-teal gel light source from overhead-front at approximately 11 o'clock to 12 o'clock elevated position — overhead-front-slightly-left. Creates downward shadow under brow bone slightly hooding eyes, under nose, and under chin. Top of head and crown receive most light. Medium-hard quality — shadow edges on face moderately defined, under-nose shadow and under-chin shadow have fairly clear edges, more dramatic directional quality than a softbox setup, consistent with a fresnel or snoot or medium-distance modifier. Lit zones are top of head crown most brightly lit, forehead, nose bridge, cheekbone tops. Shadow zones are under brow creating slight eye shadow, under nose cast shadow, chin and neck in deep shadow, right jaw and right side of neck in shadow, left cheek marginally brighter suggesting slight camera-left lean to overhead position. Fill light is very low to none — shadows on face are deep and dramatic, under-chin and neck near-black, very minimal fill, high-contrast moody setup. Subtle cool rim light on right shoulder of jacket contributing to separation from smoke background. Small round cool blue-white catchlight at 12 o'clock at top of iris in both eyes — overhead source confirmed. Key light color is cool blue-teal approximately 7000–8000K — deeply cool, all skin tones read with blue-cool cast, no warm light anywhere in the frame. Ambient is essentially zero — fully controlled dark studio with single atmospheric cool light source, deep black background confirms no ambient contribution.

Render at maximum photorealistic quality. Follow the uploaded image as the primary reference. Preserve exact facial proportions, full-body pose, three-piece suit ensemble, accessories, lighting design, cool blue-teal monochromatic smoke atmosphere, and full-length framing. Do not change his identity. Do not make him look like a different person. Do not change the light-colored blue-gray iris to dark brown. Do not remove the teal-blue monochromatic atmospheric lighting — this is the central creative concept. Do not change the three-piece dark navy suit with tie and pocket square. Do not change the smoky dark studio background. Do not soften or redirect the direct brooding camera gaze. Do not add makeup or warm tones to skin. No extra people. No extra objects. No text. No watermark. No CGI look. No anatomical errors. No motion blur. No lens distortion. Ultra high resolution. Sharp facial detail on subject. Very smooth pale cool-toned skin at retouching level 6–7 out of 10 with no warm undertones. Photorealistic only. Render at 35–50mm equivalent focal length to capture full body, f/2.8 to f/4.0 aperture, moderate depth of field with sharpest focus on subject face and upper torso graduating to softer lower body and atmospheric smoke background, fine grain level 2 out of 10, retouching level 6–7 out of 10, monochromatic cool blue-teal single-hue grade with fully crushed blacks and no warm tones anywhere except natural hair color at crown, extreme tonal contrast with face as the brightest element, dark gothic cinematic atmospheric editorial quality.