Hyperrealistic cinematic late-afternoon urban street fashion portrait of a single subject walking away and turning strongly back over the shoulder toward the camera, framed head-to-upper-thigh with the subject positioned on the right third while the road opens behind the left shoulder into layered storefronts, parked vehicles, utility poles, signage, trees, pedestrians, and a yellow road line receding through the city. Preserve the softly tapered oval face, moderate cheekbone projection, smooth curved jaw, compact rounded chin, almond-shaped deep-brown eyes looking directly toward camera with small bright upper catchlights, slender nose, lightly parted muted rose-pink satin lips, exact low gathered bun with loose face-framing strands and natural flyaways, fitted near-white cropped crew-neck T-shirt, high-waisted pale cyan-blue denim, tiny metallic stud earring, and the original rear three-quarter turn-back pose with one relaxed visible hand and the opposite arm remaining partially concealed rather than invented. Use a slightly lowered camera position with a 65–75 mm full-frame lens at roughly f/2.2–f/2.8, moving the late-day sun lower behind frame-right around 3–4 o’clock so a thin amber rim traces the crown, 6–10 fine flyaways, cheek edge, shoulder, waist, and forearm while broad neutral-soft reflected fill from camera-left around 5000K keeps both eyes luminous and the face roughly 0.3–0.5 stop brighter than surrounding street midtones; protect detail in the white shirt, cheek, and arm, introduce controlled warm highlights on parked-car glass and metal, subtle diagonal architectural shadows across the road without touching the face, and a faint 5% backlit particulate glow only in the distant street. Build three deliberate depth planes—critically sharp subject, moderately softened parked-car/storefront layer, and strongly softened distant pedestrians/signage—while retaining recognizable city texture, adding one subtle out-of-focus dark architectural edge at the extreme frame-left, keeping amber sunlight against slightly cooler street shadows, natural restrained saturation, grain 3/10, subtle highlight halation 1–2/10, vignette 1/10, no HDR halos or oversized flare. Preserve the subject’s facial identity and physical appearance exactly as shown—same bone structure, eye shape and spacing, nose geometry, lip proportions, jawline, skin tone, hair structure, and every physical feature; do not alter, idealize, blend, average, or reimagine the face—while maintaining natural 5/10 skin retouching with visible pores and micro-relief, portrait composition, 4:5 frame, ultra-detailed, 8K.

Hyperrealistic cinematic late-afternoon urban street fashion portrait of a single subject walking away and turning strongly back over the shoulder toward the camera, framed head-to-upper-thigh with the subject positioned on the right third while the road opens behind the left shoulder into layered storefronts, parked vehicles, utility poles, signage, trees, pedestrians, and a yellow road line receding through the city. Preserve the softly tapered oval face, moderate cheekbone projection, smooth curved jaw, compact rounded chin, almond-shaped deep-brown eyes looking directly toward camera with small bright upper catchlights, slender nose, lightly parted muted rose-pink satin lips, exact low gathered bun with loose face-framing strands and natural flyaways, fitted near-white cropped crew-neck T-shirt, high-waisted pale cyan-blue denim, tiny metallic stud earring, and the original rear three-quarter turn-back pose with one relaxed visible hand and the opposite arm remaining partially concealed rather than invented. Use a slightly lowered camera position with a 65–75 mm full-frame lens at roughly f/2.2–f/2.8, moving the late-day sun lower behind frame-right around 3–4 o’clock so a thin amber rim traces the crown, 6–10 fine flyaways, cheek edge, shoulder, waist, and forearm while broad neutral-soft reflected fill from camera-left around 5000K keeps both eyes luminous and the face roughly 0.3–0.5 stop brighter than surrounding street midtones; protect detail in the white shirt, cheek, and arm, introduce controlled warm highlights on parked-car glass and metal, subtle diagonal architectural shadows across the road without touching the face, and a faint 5% backlit particulate glow only in the distant street. Build three deliberate depth planes—critically sharp subject, moderately softened parked-car/storefront layer, and strongly softened distant pedestrians/signage—while retaining recognizable city texture, adding one subtle out-of-focus dark architectural edge at the extreme frame-left, keeping amber sunlight against slightly cooler street shadows, natural restrained saturation, grain 3/10, subtle highlight halation 1–2/10, vignette 1/10, no HDR halos or oversized flare. Preserve the subject’s facial identity and physical appearance exactly as shown—same bone structure, eye shape and spacing, nose geometry, lip proportions, jawline, skin tone, hair structure, and every physical feature; do not alter, idealize, blend, average, or reimagine the face—while maintaining natural 5/10 skin retouching with visible pores and micro-relief, portrait composition, 4:5 frame, ultra-detailed, 8K.