Use the uploaded image as the primary reference. Preserve the uploaded person's exact recognizable face, skin tone, eye shape and iris color, facial proportions, hair color, hair length, and all identifying personal features without alteration — transfer style only, zero identity change. Generate a tightly cropped vertical 2:3 editorial beauty portrait with the face centered and filling nearly the entire frame, subject photographed almost perfectly front-on, head upright and square to camera, top of hair cropped by the upper frame edge, shoulders and upper chest only partially visible at lower frame. One hand rises from the lower-right of the composition with the index finger held vertically and pressed against the center of the lips in a restrained silence-shh gesture, remaining three fingers and thumb curving naturally below and beside the chin and lower face rather than forming a rigid shape, hand rendered in the same monochrome treatment as the rest of the non-color zones, one prominent oxidized antique-silver statement ring with deeply engraved embossed ornamental scrollwork pattern worn on the ring finger of that hand — rendered in silver-gray tones consistent with the monochrome zones. Expression: orbicularis oris gently closed or barely parted around the resting fingertip with no smile, frontalis relaxed, corrugator absent, orbicularis oculi fully open with strong controlled direct gaze into camera lens, jaw relaxed, brows relaxed and groomed — expression is created through the direct gaze and the finger-to-lips gesture only. Both eyes fully open with direct lens-facing eye contact and subtle small soft catchlights — do not redirect or lower the gaze. Hair styling: wet editorial finish applied to the person's own natural hair color and length, loose separated strand texture, irregular strands crossing the forehead, temples, cheeks and portions of the face, slightly messy editorial placement rather than neatly brushed, dark wet-look fiber shading on all strands, some strands overlapping into the torn-paper color band zone — preserve the source person's own hair color and recognizable hair characteristics exactly. Clothing: simple black ribbed-knit crew-style high neckline top, visible chunky horizontal rib texture, no print, no logo, no buttons, no zipper, no decorative trim, functions as a dark tonal base — rendered in deep black in the monochrome zone. Skin retouching: 6/10; complexion smoothly polished with natural dimensional texture retained around eyelids, nose bridge, lips, under-eye zone and facial contours — do not render raw visible pore texture, do not render flat plastic skin. Refined smoky editorial eye makeup in the color strip zone: muted taupe rose-brown soft shading around the eyes, defined dark lash line, subtly groomed brows, restrained complexion coverage, muted natural-toned lips — preserve this deliberate made-up editorial treatment, do not render bare minimal makeup. Selective color and torn-paper composite treatment — this is the defining graphic element: render the majority of the entire image in neutral black-and-white conversion with controlled tonal contrast, strong dark surrounding hair and clothing providing deep tonal framing around the lighter illuminated face. Create one single horizontal band of subdued natural color across the eye and upper-nose region only, bounded above and below by two separate irregular bright-white torn-paper edges. Upper torn edge: crosses approximately through the brow and upper-eye region with a rough fibrous uneven asymmetric rip line angling diagonally across the full frame width, bright white paper fiber texture on the torn edge itself with a thin light-blue-white inner glow at the paper thickness, the paper above this upper tear is rendered in monochrome and shows the upper face, hair and background continuing in black-and-white. Lower torn edge: crosses approximately at the lower-eye to upper-nose region with a second separate rough fibrous uneven asymmetric rip line at a different angle from the upper tear, also bright white fibrous paper edge with thin light-blue-white inner glow at the paper thickness, the paper below this lower tear returns immediately to monochrome covering the lower nose, mouth, finger gesture, hand, ring, neckline and lower frame — all in black-and-white. Between the two torn edges: the narrow horizontal color reveal strip exposing subdued natural color — natural skin complexion tones at restrained saturation, cool-neutral iris color, muted taupe rose-brown smoky eye makeup in color, controlled color saturation throughout this strip rather than vivid, this color band becomes the sole visual focal point of the composition. The torn edges must appear physically realistic: rough, fibrous, asymmetric, uneven tear lines, bright white paper material visible at the torn thickness, slight curl or lift suggestion at tear edges, the illusion that a monochrome photographic print has been physically ripped open to expose a color photograph underneath. Background: no distinct environmental setting — dark wet hair, deep shadow zones, and close crop form the effective background, no furniture, no scenery, no text, no watermark, no graphic typography, no props. Lighting: soft diffused frontal to upper-front portrait lighting at approximately 5000–5400K, smooth falloff across facial planes, face evenly readable with gentle modeling around nose sides, cheek planes and eye sockets, no harsh cast shadows, dark wet hair creating strong tonal framing around the illuminated face, highlight shape on face is broad soft oval centered on forehead and upper cheeks, shadow under chin and sides of face transitioning smoothly to black. Camera: approximately 85mm close portrait equivalent, f/4.0–5.6, 2:3 aspect ratio, grain level 2/10, retouch level 6/10, post-processing style high-contrast editorial monochrome fashion-magazine grade with single selective-color eye strip, strong black-versus-light-face tonal contrast amplified by the monochrome conversion, bright torn-paper edges providing the strongest brightness accent in the composition. Do not change facial identity. Do not copy demographic, age-based, regional, ethnic, facial or body characteristics from the styling reference. Transfer style, pose, wet-hair treatment, torn-paper selective-color composition, clothing, ring, lighting and editorial grading only onto the uploaded person's preserved identity. No text. No watermark. No scenery. No extra props. Ultra high resolution. Sharp detail on torn-paper edges, wet hair strands, iris texture in the color band, and ring engraving. Photorealistic editorial composite only.

Use the uploaded image as the primary reference. Preserve the uploaded person's exact recognizable face, skin tone, eye shape and iris color, facial proportions, hair color, hair length, and all identifying personal features without alteration — transfer style only, zero identity change. Generate a tightly cropped vertical 2:3 editorial beauty portrait with the face centered and filling nearly the entire frame, subject photographed almost perfectly front-on, head upright and square to camera, top of hair cropped by the upper frame edge, shoulders and upper chest only partially visible at lower frame. One hand rises from the lower-right of the composition with the index finger held vertically and pressed against the center of the lips in a restrained silence-shh gesture, remaining three fingers and thumb curving naturally below and beside the chin and lower face rather than forming a rigid shape, hand rendered in the same monochrome treatment as the rest of the non-color zones, one prominent oxidized antique-silver statement ring with deeply engraved embossed ornamental scrollwork pattern worn on the ring finger of that hand — rendered in silver-gray tones consistent with the monochrome zones. Expression: orbicularis oris gently closed or barely parted around the resting fingertip with no smile, frontalis relaxed, corrugator absent, orbicularis oculi fully open with strong controlled direct gaze into camera lens, jaw relaxed, brows relaxed and groomed — expression is created through the direct gaze and the finger-to-lips gesture only. Both eyes fully open with direct lens-facing eye contact and subtle small soft catchlights — do not redirect or lower the gaze. Hair styling: wet editorial finish applied to the person's own natural hair color and length, loose separated strand texture, irregular strands crossing the forehead, temples, cheeks and portions of the face, slightly messy editorial placement rather than neatly brushed, dark wet-look fiber shading on all strands, some strands overlapping into the torn-paper color band zone — preserve the source person's own hair color and recognizable hair characteristics exactly. Clothing: simple black ribbed-knit crew-style high neckline top, visible chunky horizontal rib texture, no print, no logo, no buttons, no zipper, no decorative trim, functions as a dark tonal base — rendered in deep black in the monochrome zone. Skin retouching: 6/10; complexion smoothly polished with natural dimensional texture retained around eyelids, nose bridge, lips, under-eye zone and facial contours — do not render raw visible pore texture, do not render flat plastic skin. Refined smoky editorial eye makeup in the color strip zone: muted taupe rose-brown soft shading around the eyes, defined dark lash line, subtly groomed brows, restrained complexion coverage, muted natural-toned lips — preserve this deliberate made-up editorial treatment, do not render bare minimal makeup. Selective color and torn-paper composite treatment — this is the defining graphic element: render the majority of the entire image in neutral black-and-white conversion with controlled tonal contrast, strong dark surrounding hair and clothing providing deep tonal framing around the lighter illuminated face. Create one single horizontal band of subdued natural color across the eye and upper-nose region only, bounded above and below by two separate irregular bright-white torn-paper edges. Upper torn edge: crosses approximately through the brow and upper-eye region with a rough fibrous uneven asymmetric rip line angling diagonally across the full frame width, bright white paper fiber texture on the torn edge itself with a thin light-blue-white inner glow at the paper thickness, the paper above this upper tear is rendered in monochrome and shows the upper face, hair and background continuing in black-and-white. Lower torn edge: crosses approximately at the lower-eye to upper-nose region with a second separate rough fibrous uneven asymmetric rip line at a different angle from the upper tear, also bright white fibrous paper edge with thin light-blue-white inner glow at the paper thickness, the paper below this lower tear returns immediately to monochrome covering the lower nose, mouth, finger gesture, hand, ring, neckline and lower frame — all in black-and-white. Between the two torn edges: the narrow horizontal color reveal strip exposing subdued natural color — natural skin complexion tones at restrained saturation, cool-neutral iris color, muted taupe rose-brown smoky eye makeup in color, controlled color saturation throughout this strip rather than vivid, this color band becomes the sole visual focal point of the composition. The torn edges must appear physically realistic: rough, fibrous, asymmetric, uneven tear lines, bright white paper material visible at the torn thickness, slight curl or lift suggestion at tear edges, the illusion that a monochrome photographic print has been physically ripped open to expose a color photograph underneath. Background: no distinct environmental setting — dark wet hair, deep shadow zones, and close crop form the effective background, no furniture, no scenery, no text, no watermark, no graphic typography, no props. Lighting: soft diffused frontal to upper-front portrait lighting at approximately 5000–5400K, smooth falloff across facial planes, face evenly readable with gentle modeling around nose sides, cheek planes and eye sockets, no harsh cast shadows, dark wet hair creating strong tonal framing around the illuminated face, highlight shape on face is broad soft oval centered on forehead and upper cheeks, shadow under chin and sides of face transitioning smoothly to black. Camera: approximately 85mm close portrait equivalent, f/4.0–5.6, 2:3 aspect ratio, grain level 2/10, retouch level 6/10, post-processing style high-contrast editorial monochrome fashion-magazine grade with single selective-color eye strip, strong black-versus-light-face tonal contrast amplified by the monochrome conversion, bright torn-paper edges providing the strongest brightness accent in the composition. Do not change facial identity. Do not copy demographic, age-based, regional, ethnic, facial or body characteristics from the styling reference. Transfer style, pose, wet-hair treatment, torn-paper selective-color composition, clothing, ring, lighting and editorial grading only onto the uploaded person's preserved identity. No text. No watermark. No scenery. No extra props. Ultra high resolution. Sharp detail on torn-paper edges, wet hair strands, iris texture in the color band, and ring engraving. Photorealistic editorial composite only.