ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Yangon street snapshot, complete head-to-toe view with both shoes fully visible, subject occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary subject; preserve her identity and recognizable facial appearance 100%, including her exact eyes, nose, lips, jawline, skin tone, natural height and body proportions; do not change or idealize her face; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Transform the reference woman into a fashionable young Myanmar city woman photographed casually on a Yangon street during the mid-1980s; create the feeling of a spontaneous personal snapshot taken by a friend with an ordinary colour-film camera, naturally nostalgic, slightly imperfect and historically believable rather than polished or cinematic. | OUTFIT | Dress her in an ivory satin blouse with a broad pointed collar, softly padded shoulders, rolled three-quarter sleeves and small pearl-like buttons, tucked into high-waisted chocolate-brown flared trousers secured with a slim tan leather belt; add brown leather loafers, a rectangular shoulder bag, a small vintage wristwatch and simple gold hoop earrings; authentic Western-influenced 1980s urban fashion, not a contemporary retro costume. | POSE / ACTION | Capture her walking naturally toward the camera in a gentle mid-step, one hand holding the shoulder-bag strap while the other swings softly beside her, turning her face toward the camera with a spontaneous cheerful smile; relaxed everyday posture with subtle motion in the trouser hems and hair. | FACE / HAIR | Keep the reference face completely unchanged; realistic pores, moist eyes, natural cheek texture, fine eyeliner, light blush and muted terracotta lipstick; feathered shoulder-length hair with a side-swept fringe, softly flipped ends and natural 1980s volume, no modern salon styling. | CAMERA | Eye-level candid full-body composition, photographer standing approximately 4.5 metres away, ordinary 40mm film-camera look, slightly off-centre framing, mild perspective distortion, moderate background clarity, a trace of natural motion softness and imperfect snapshot composition. | LIGHTING | Bright but soft overcast daytime light with a subtle direct-camera fill-flash effect on the face, low contrast, slightly uneven colour balance and natural shadows beneath the shoes; avoid cinematic rim lighting and modern glossy illumination. | BACKGROUND | Quiet period-accurate downtown Yangon pavement with weathered colonial façades, old wooden shopfronts, faded Burmese signboards without readable text, a parked vintage bicycle, a distant period bus and leafy roadside trees; no modern cars, smartphones, digital displays, modern advertisements or contemporary street furniture; faded consumer colour-film palette, gentle green and magenta shift, mild print grain, slightly washed highlights and authentic old-photo softness. | NEGATIVE | different identity, changed face, reconstructed face, modern model appearance, flawless digital skin, modern hairstyle, contemporary power suit, skinny trousers, ripped jeans, crop top, Myanmar traditional clothing, htamein, longyi, military uniform, army styling, modern handbag, modern sneakers, smartphone, new vehicle, LED sign, futuristic city, cinematic teal-orange grading, luxury editorial lighting, extreme bokeh, hyperreal sharpness, excessive sepia, severe photo damage, cropped head, cropped feet, hidden shoes, unnatural walking pose, malformed hands, extra fingers, extra limbs, duplicate subject, prominent background people, tattoos, sunglasses, text, logo, watermark.

ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Yangon street snapshot, complete head-to-toe view with both shoes fully visible, subject occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary subject; preserve her identity and recognizable facial appearance 100%, including her exact eyes, nose, lips, jawline, skin tone, natural height and body proportions; do not change or idealize her face; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Transform the reference woman into a fashionable young Myanmar city woman photographed casually on a Yangon street during the mid-1980s; create the feeling of a spontaneous personal snapshot taken by a friend with an ordinary colour-film camera, naturally nostalgic, slightly imperfect and historically believable rather than polished or cinematic. | OUTFIT | Dress her in an ivory satin blouse with a broad pointed collar, softly padded shoulders, rolled three-quarter sleeves and small pearl-like buttons, tucked into high-waisted chocolate-brown flared trousers secured with a slim tan leather belt; add brown leather loafers, a rectangular shoulder bag, a small vintage wristwatch and simple gold hoop earrings; authentic Western-influenced 1980s urban fashion, not a contemporary retro costume. | POSE / ACTION | Capture her walking naturally toward the camera in a gentle mid-step, one hand holding the shoulder-bag strap while the other swings softly beside her, turning her face toward the camera with a spontaneous cheerful smile; relaxed everyday posture with subtle motion in the trouser hems and hair. | FACE / HAIR | Keep the reference face completely unchanged; realistic pores, moist eyes, natural cheek texture, fine eyeliner, light blush and muted terracotta lipstick; feathered shoulder-length hair with a side-swept fringe, softly flipped ends and natural 1980s volume, no modern salon styling. | CAMERA | Eye-level candid full-body composition, photographer standing approximately 4.5 metres away, ordinary 40mm film-camera look, slightly off-centre framing, mild perspective distortion, moderate background clarity, a trace of natural motion softness and imperfect snapshot composition. | LIGHTING | Bright but soft overcast daytime light with a subtle direct-camera fill-flash effect on the face, low contrast, slightly uneven colour balance and natural shadows beneath the shoes; avoid cinematic rim lighting and modern glossy illumination. | BACKGROUND | Quiet period-accurate downtown Yangon pavement with weathered colonial façades, old wooden shopfronts, faded Burmese signboards without readable text, a parked vintage bicycle, a distant period bus and leafy roadside trees; no modern cars, smartphones, digital displays, modern advertisements or contemporary street furniture; faded consumer colour-film palette, gentle green and magenta shift, mild print grain, slightly washed highlights and authentic old-photo softness. | NEGATIVE | different identity, changed face, reconstructed face, modern model appearance, flawless digital skin, modern hairstyle, contemporary power suit, skinny trousers, ripped jeans, crop top, Myanmar traditional clothing, htamein, longyi, military uniform, army styling, modern handbag, modern sneakers, smartphone, new vehicle, LED sign, futuristic city, cinematic teal-orange grading, luxury editorial lighting, extreme bokeh, hyperreal sharpness, excessive sepia, severe photo damage, cropped head, cropped feet, hidden shoes, unnatural walking pose, malformed hands, extra fingers, extra limbs, duplicate subject, prominent background people, tattoos, sunglasses, text, logo, watermark.