ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar family-album photograph, complete head-to-toe framing with both shoes clearly visible, the woman occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial structure, eyes, nose, lips, jawline, recognizable appearance, natural skin tone, height and body proportions; do not replace, reinterpret or beautify her into a different woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a fashionable young Yangon woman spending a peaceful late afternoon in the front garden of her family home during the mid-1980s; create the feeling of a genuine spontaneous photograph taken by a relative using an ordinary colour-film camera, naturally beautiful, intimate and slightly imperfect rather than a modern cinematic fashion editorial. | OUTFIT | Dress her in a rich cobalt-blue satin blouse with a broad softly rounded collar, modest puffed short sleeves, pearl-like front buttons and a flattering fitted waist, neatly tucked into high-waisted cream pleated wide-leg trousers; add a slim burgundy leather belt, matching burgundy low-heeled pumps, medium-sized gold hoop earrings and a small rectangular analogue wristwatch; attractive Western-influenced 1980s city-lady fashion with a graceful feminine silhouette, not contemporary fashion and not traditional Myanmar clothing. | POSE / ACTION | Capture her standing naturally beside a blooming rose bush, body turned gently three-quarter toward the garden; she holds a small vintage metal watering can lowered beside one thigh with one hand while the fingertips of her other hand gently touch a newly opened rose; one foot rests slightly forward, her face turning back toward the camera with a warm spontaneous smile as though a family member has called her name; natural relaxed posture, believable hands and subtle movement in her hair and trouser hems. | FACE / HAIR | Preserve the uploaded reference face exactly; realistic natural skin pores, moist expressive eyes, softly powdered complexion, fine eyeliner, subtle cheek highlights and muted berry-red lipstick; glossy shoulder-length feathered hair with a deep side part, softly lifted crown and gently curled ends, authentic 1980s volume without modern salon perfection. | CAMERA | Eye-level full-body candid composition, camera approximately 4 metres away, ordinary 50mm consumer film-camera perspective, slightly off-centre framing, foreground leaves entering one corner, the rose bush forming a natural frame around the subject, moderate depth of field with the house and garden still recognizable, slightly soft focus and mild vintage lens softness. | LIGHTING | Soft late-afternoon daylight filtered through leafy trees, gentle frontal on-camera fill flash illuminating the face, low contrast, natural shadows beneath the shoes, mildly washed highlights and slightly uneven analogue exposure; warm-neutral skin without excessive golden or orange colour cast. | BACKGROUND | Modest period-accurate 1980s Yangon bungalow front garden with a cream-coloured house wall, dark wooden windows, a small shaded veranda, clay flowerpots, blooming red and pale-pink roses, jasmine shrubs, tropical greenery, a weathered wooden garden chair and a coiled natural rubber watering hose; no signboards, no visible writing, no modern buildings, no plastic garden furniture, no smartphones, no air-conditioning units, no LED lights and no contemporary objects; slightly faded consumer colour-film palette, fine analogue grain, subtle green-magenta colour shift, tiny dust specks and authentic old printed-photo softness. | NEGATIVE | different woman, changed face, identity drift, face redesign, modern influencer face, plastic skin, contemporary outfit, skinny trousers, jeans, crop top, Myanmar blouse, htamein, longyi, traditional costume, military uniform, excessive jewellery, modern high heels, sneakers, plastic watering can, modern garden tools, luxury mansion, modern architecture, air conditioner, smartphone, modern vehicle, readable text, Burmese writing, English writing, random letters, numbers, signboard, caption, logo, watermark, cinematic teal-orange colour grading, dramatic sunset, extreme bokeh, hyper-sharp digital quality, heavy sepia, severe photograph damage, cropped head, cropped legs, cropped feet, hidden shoes, malformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses.

ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar family-album photograph, complete head-to-toe framing with both shoes clearly visible, the woman occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial structure, eyes, nose, lips, jawline, recognizable appearance, natural skin tone, height and body proportions; do not replace, reinterpret or beautify her into a different woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a fashionable young Yangon woman spending a peaceful late afternoon in the front garden of her family home during the mid-1980s; create the feeling of a genuine spontaneous photograph taken by a relative using an ordinary colour-film camera, naturally beautiful, intimate and slightly imperfect rather than a modern cinematic fashion editorial. | OUTFIT | Dress her in a rich cobalt-blue satin blouse with a broad softly rounded collar, modest puffed short sleeves, pearl-like front buttons and a flattering fitted waist, neatly tucked into high-waisted cream pleated wide-leg trousers; add a slim burgundy leather belt, matching burgundy low-heeled pumps, medium-sized gold hoop earrings and a small rectangular analogue wristwatch; attractive Western-influenced 1980s city-lady fashion with a graceful feminine silhouette, not contemporary fashion and not traditional Myanmar clothing. | POSE / ACTION | Capture her standing naturally beside a blooming rose bush, body turned gently three-quarter toward the garden; she holds a small vintage metal watering can lowered beside one thigh with one hand while the fingertips of her other hand gently touch a newly opened rose; one foot rests slightly forward, her face turning back toward the camera with a warm spontaneous smile as though a family member has called her name; natural relaxed posture, believable hands and subtle movement in her hair and trouser hems. | FACE / HAIR | Preserve the uploaded reference face exactly; realistic natural skin pores, moist expressive eyes, softly powdered complexion, fine eyeliner, subtle cheek highlights and muted berry-red lipstick; glossy shoulder-length feathered hair with a deep side part, softly lifted crown and gently curled ends, authentic 1980s volume without modern salon perfection. | CAMERA | Eye-level full-body candid composition, camera approximately 4 metres away, ordinary 50mm consumer film-camera perspective, slightly off-centre framing, foreground leaves entering one corner, the rose bush forming a natural frame around the subject, moderate depth of field with the house and garden still recognizable, slightly soft focus and mild vintage lens softness. | LIGHTING | Soft late-afternoon daylight filtered through leafy trees, gentle frontal on-camera fill flash illuminating the face, low contrast, natural shadows beneath the shoes, mildly washed highlights and slightly uneven analogue exposure; warm-neutral skin without excessive golden or orange colour cast. | BACKGROUND | Modest period-accurate 1980s Yangon bungalow front garden with a cream-coloured house wall, dark wooden windows, a small shaded veranda, clay flowerpots, blooming red and pale-pink roses, jasmine shrubs, tropical greenery, a weathered wooden garden chair and a coiled natural rubber watering hose; no signboards, no visible writing, no modern buildings, no plastic garden furniture, no smartphones, no air-conditioning units, no LED lights and no contemporary objects; slightly faded consumer colour-film palette, fine analogue grain, subtle green-magenta colour shift, tiny dust specks and authentic old printed-photo softness. | NEGATIVE | different woman, changed face, identity drift, face redesign, modern influencer face, plastic skin, contemporary outfit, skinny trousers, jeans, crop top, Myanmar blouse, htamein, longyi, traditional costume, military uniform, excessive jewellery, modern high heels, sneakers, plastic watering can, modern garden tools, luxury mansion, modern architecture, air conditioner, smartphone, modern vehicle, readable text, Burmese writing, English writing, random letters, numbers, signboard, caption, logo, watermark, cinematic teal-orange colour grading, dramatic sunset, extreme bokeh, hyper-sharp digital quality, heavy sepia, severe photograph damage, cropped head, cropped legs, cropped feet, hidden shoes, malformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses.