ASPECT RATIO | 9:16 vertical, authentic full-body late-1980s Myanmar home photograph, complete head-to-toe framing with both bare feet fully visible, subject occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial structure, recognizable expression, skin tone, height and natural body proportions; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Recreate the reference woman tidying freshly sewn fabric inside a modest Yangon family sitting room in the late 1980s while listening to an old radio; make the image feel like a genuine informal family snapshot with authentic period details and natural film imperfections rather than a polished modern editorial. | OUTFIT | Dress her in a fitted muted-teal silk Myanmar blouse with a modest square neckline, small pearl-like buttons, softly puffed short sleeves and delicate seam shaping, paired with a rich rust-brown traditional Myanmar htamein featuring restrained dark-teal woven bands near the lower hem; correctly wrapped htamein with natural folds, not a skirt; add small circular gold earrings and a slim analogue wristwatch; she is naturally barefoot inside the home, with no shoes, sandals, slippers or socks; no shawl and no excessive jewellery. | POSE / ACTION | She stands barefoot beside a dark wooden radio cabinet, gently folding a freshly sewn cream floral fabric with both hands while tilting her head slightly toward the radio as if listening to a favourite song; one bare foot placed naturally forward, body angled three-quarter toward the cabinet and face turning toward the camera with a peaceful smile; both bare feet fully visible and resting naturally on the floor, believable fabric folds and anatomically correct hands and feet. | FACE / HAIR | Preserve the exact reference face with realistic pores, moist eyes, softly powdered makeup, fine eyeliner and muted terracotta lipstick; style her hair in soft shoulder-length late-1980s waves with a natural side part, modest crown volume and gently curled ends, avoiding exaggerated Hollywood styling. | CAMERA | Eye-level full-body family snapshot, camera approximately 3.8 metres away, ordinary 50mm consumer film-camera perspective, radio cabinet forming a strong side element, moderate environmental clarity, slightly imperfect framing and mild vintage lens softness. | LIGHTING | Natural side-window daylight mixed with a gentle frontal camera flash, brighter face, soft wall shadow, low contrast, mildly washed highlights and imperfect analogue colour balance. | BACKGROUND | Modest late-1980s Yangon sitting room with cream walls, dark polished wooden radio cabinet, old tabletop radio, floral curtains, lace-covered side table, woven floor mat and neatly folded fabrics; radio dial and fabric patterns contain no legible words, letters, numbers or logos; no modern television, smartphone, air conditioner, LED light or plastic furniture; slightly faded consumer-film colour, fine grain, minor dust and authentic printed-photo softness. | NEGATIVE | changed face, identity drift, modern model, plastic skin, modern hairstyle, western blouse, skirt, trousers, incorrect htamein, Thai clothing, military outfit, shawl, excessive jewellery, shoes, sandals, slippers, socks, any footwear indoors, modern speaker, Bluetooth device, smartphone, flat-screen television, readable radio label, text, letters, numbers, caption, logo, watermark, cinematic fashion lighting, extreme bokeh, HDR, hyper-sharp digital image, heavy sepia, strong orange cast, cropped head, cropped feet, hidden feet, malformed feet, fused toes, extra toes, malformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses.

ASPECT RATIO | 9:16 vertical, authentic full-body late-1980s Myanmar home photograph, complete head-to-toe framing with both bare feet fully visible, subject occupying approximately 60–65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial structure, recognizable expression, skin tone, height and natural body proportions; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Recreate the reference woman tidying freshly sewn fabric inside a modest Yangon family sitting room in the late 1980s while listening to an old radio; make the image feel like a genuine informal family snapshot with authentic period details and natural film imperfections rather than a polished modern editorial. | OUTFIT | Dress her in a fitted muted-teal silk Myanmar blouse with a modest square neckline, small pearl-like buttons, softly puffed short sleeves and delicate seam shaping, paired with a rich rust-brown traditional Myanmar htamein featuring restrained dark-teal woven bands near the lower hem; correctly wrapped htamein with natural folds, not a skirt; add small circular gold earrings and a slim analogue wristwatch; she is naturally barefoot inside the home, with no shoes, sandals, slippers or socks; no shawl and no excessive jewellery. | POSE / ACTION | She stands barefoot beside a dark wooden radio cabinet, gently folding a freshly sewn cream floral fabric with both hands while tilting her head slightly toward the radio as if listening to a favourite song; one bare foot placed naturally forward, body angled three-quarter toward the cabinet and face turning toward the camera with a peaceful smile; both bare feet fully visible and resting naturally on the floor, believable fabric folds and anatomically correct hands and feet. | FACE / HAIR | Preserve the exact reference face with realistic pores, moist eyes, softly powdered makeup, fine eyeliner and muted terracotta lipstick; style her hair in soft shoulder-length late-1980s waves with a natural side part, modest crown volume and gently curled ends, avoiding exaggerated Hollywood styling. | CAMERA | Eye-level full-body family snapshot, camera approximately 3.8 metres away, ordinary 50mm consumer film-camera perspective, radio cabinet forming a strong side element, moderate environmental clarity, slightly imperfect framing and mild vintage lens softness. | LIGHTING | Natural side-window daylight mixed with a gentle frontal camera flash, brighter face, soft wall shadow, low contrast, mildly washed highlights and imperfect analogue colour balance. | BACKGROUND | Modest late-1980s Yangon sitting room with cream walls, dark polished wooden radio cabinet, old tabletop radio, floral curtains, lace-covered side table, woven floor mat and neatly folded fabrics; radio dial and fabric patterns contain no legible words, letters, numbers or logos; no modern television, smartphone, air conditioner, LED light or plastic furniture; slightly faded consumer-film colour, fine grain, minor dust and authentic printed-photo softness. | NEGATIVE | changed face, identity drift, modern model, plastic skin, modern hairstyle, western blouse, skirt, trousers, incorrect htamein, Thai clothing, military outfit, shawl, excessive jewellery, shoes, sandals, slippers, socks, any footwear indoors, modern speaker, Bluetooth device, smartphone, flat-screen television, readable radio label, text, letters, numbers, caption, logo, watermark, cinematic fashion lighting, extreme bokeh, HDR, hyper-sharp digital image, heavy sepia, strong orange cast, cropped head, cropped feet, hidden feet, malformed feet, fused toes, extra toes, malformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses.