Hyperrealistic cinematic moody editorial portrait of a young woman with long near-black sleek straight hair — clean center part, wispy curtain fringe feathered across the forehead and wind-displaced slightly right with individual strands falling across the left cheek, cool grey-blue surface sheen where overcast lake ambient grazes the top layer, each strand individually defined as a sharp dark vertical against the soft pale grey-green lake behind, moderate flyaways lifting at the crown from lakeside breeze as faint bright threads, left side falling forward over the chest, right side dropping behind the bare right shoulder — draped in an extremely oversized open-weave chunky knit cardigan in warm greige oatmeal, individual thick yarn loops and open-pore weave structure rendered at full tactile depth with micro-shadows cast between each knot, worn entirely off-shoulder as a loose wrap with the right shoulder fully bare exposing the thin cream spaghetti strap of a loose pale cream gathered slip camisole beneath, the warm greige textile reading as the single warmest element in an otherwise near-monochromatic cool world. She sits on a weathered wooden deck, body three-quarter left, head turned upward-right to meet the lens with a dreamy wistful upward gaze, lips parted 2–3mm in quiet contemplation, chin slightly lifted elongating the neck — the signature element: the entire scene exists as a composed collision of warmth and cold — the oatmeal cardigan against the desaturated grey-green teal of a glassy misty mountain lake, volumetric mist sitting low over the water surface and rising around the forested hillside behind, the dark grey-brown weathered wood railing cutting diagonally through the frame, muted ochre-olive autumn foliage dissolving into pale grey overcast sky at the horizon, the whole world rendered in a near-monochromatic filmic palette of cool mist, dark wood, and still water. Lighting is total overcast mountain-lake ambient at ~6000K — a giant natural octabox, completely shadow-free 360° wrap, the pale grey lake surface acting as a vast natural under-reflector bouncing cool-neutral fill upward onto the face from below, very large diffuse bilateral catchlights spanning the full 10–12 o'clock iris zone with a dreamy soft quality, no directional shadow anywhere; shot at 85mm equivalent, f/3.0, face, fringe strands, and individual cardigan yarn loops at absolute maximum sharpness, wooden railing partially readable, lake surface glassy and soft, mountain dissolving into atmospheric mist blur, slight visible film grain, natural vignette at frame corners, desaturated filmic grade with cool blue-grey shadow lift, portrait composition, 2:3 frame, ultra-detailed, 8K. If using a reference image: preserve all facial features exactly as shown — do not alter, idealize, or reimagine the face in any way; reproduce facial structure, eye spacing, nose geometry, lip proportions, and jawline with forensic accuracy.

Hyperrealistic cinematic moody editorial portrait of a young woman with long near-black sleek straight hair — clean center part, wispy curtain fringe feathered across the forehead and wind-displaced slightly right with individual strands falling across the left cheek, cool grey-blue surface sheen where overcast lake ambient grazes the top layer, each strand individually defined as a sharp dark vertical against the soft pale grey-green lake behind, moderate flyaways lifting at the crown from lakeside breeze as faint bright threads, left side falling forward over the chest, right side dropping behind the bare right shoulder — draped in an extremely oversized open-weave chunky knit cardigan in warm greige oatmeal, individual thick yarn loops and open-pore weave structure rendered at full tactile depth with micro-shadows cast between each knot, worn entirely off-shoulder as a loose wrap with the right shoulder fully bare exposing the thin cream spaghetti strap of a loose pale cream gathered slip camisole beneath, the warm greige textile reading as the single warmest element in an otherwise near-monochromatic cool world. She sits on a weathered wooden deck, body three-quarter left, head turned upward-right to meet the lens with a dreamy wistful upward gaze, lips parted 2–3mm in quiet contemplation, chin slightly lifted elongating the neck — the signature element: the entire scene exists as a composed collision of warmth and cold — the oatmeal cardigan against the desaturated grey-green teal of a glassy misty mountain lake, volumetric mist sitting low over the water surface and rising around the forested hillside behind, the dark grey-brown weathered wood railing cutting diagonally through the frame, muted ochre-olive autumn foliage dissolving into pale grey overcast sky at the horizon, the whole world rendered in a near-monochromatic filmic palette of cool mist, dark wood, and still water. Lighting is total overcast mountain-lake ambient at ~6000K — a giant natural octabox, completely shadow-free 360° wrap, the pale grey lake surface acting as a vast natural under-reflector bouncing cool-neutral fill upward onto the face from below, very large diffuse bilateral catchlights spanning the full 10–12 o'clock iris zone with a dreamy soft quality, no directional shadow anywhere; shot at 85mm equivalent, f/3.0, face, fringe strands, and individual cardigan yarn loops at absolute maximum sharpness, wooden railing partially readable, lake surface glassy and soft, mountain dissolving into atmospheric mist blur, slight visible film grain, natural vignette at frame corners, desaturated filmic grade with cool blue-grey shadow lift, portrait composition, 2:3 frame, ultra-detailed, 8K. If using a reference image: preserve all facial features exactly as shown — do not alter, idealize, or reimagine the face in any way; reproduce facial structure, eye spacing, nose geometry, lip proportions, and jawline with forensic accuracy.