ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar outdoor snapshot, complete head-to-toe framing with both shoes fully visible, the woman occupying approximately 55–60% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary human subject; preserve her identity 100%, exact facial features, facial structure, skin tone, height and natural body proportions; do not alter or beautify her into another woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Recreate the reference woman spending a quiet late afternoon in a peaceful Yangon lakeside park during the mid-1980s; make the scene feel like a candid personal photograph captured on ordinary colour film, emotionally warm and historically believable rather than a contemporary fashion production. | OUTFIT | Dress her in an ivory blouse with a broad rounded collar, modest puffed elbow-length sleeves and pearl-like buttons, tucked into a high-waisted rust-red calf-length pleated skirt with a slim dark-brown belt; add brown low-heeled Mary Jane shoes, a small woven shoulder bag, delicate gold stud earrings and a slim analogue wristwatch; graceful Western-influenced 1980s fashion. | POSE / ACTION | Capture her bending slightly and extending one open palm to feed several pigeons gathered near her feet, while her other hand holds a small plain paper packet angled away from the camera; she looks downward at the birds with a gentle joyful smile, skirt moving softly in the breeze, both feet remaining fully visible and naturally positioned. | FACE / HAIR | Preserve the reference face exactly; natural visible skin pores, moist eyes, softly powdered makeup, fine eyeliner, warm cheek colour and muted brick-red lipstick; hair arranged in a voluminous half-up style secured with a small rust-coloured bow, soft side fringe and curled ends. | CAMERA | Slight high-angle full-body environmental composition from above eye level, camera approximately 4.5 metres away, ordinary 45mm film-camera look, pigeons forming foreground interest, subject positioned slightly off-centre, moderate depth of field and subtle vintage softness. | LIGHTING | Gentle late-afternoon daylight filtered through large rain trees, restrained direct fill flash on the face, low contrast, mildly faded highlights and natural shadows without strong golden-orange colour grading. | BACKGROUND | Quiet period-appropriate Yangon lakeside park with mature rain trees, still water, an old wooden bench, simple grass and one vintage bicycle leaning against a tree; no skyline, modern buildings, advertisements, plastic furniture, signs or readable writing; slightly faded analogue colours, fine film grain, mild green-magenta shift and natural old-album print imperfections. | NEGATIVE | changed face, identity drift, modern hairstyle, contemporary outfit, miniskirt, Myanmar blouse, htamein, longyi, military clothing, smartphone, modern bicycle, city skyline, modern park equipment, large paper text, readable writing, random letters, logo, watermark, aggressive birds, excessive number of pigeons, cropped head, cropped feet, hidden shoes, malformed hands, extra fingers, extra limbs, cinematic lighting, extreme bokeh, hyper-sharp digital photograph, heavy sepia, tattoos, sunglasses.

ASPECT RATIO | 9:16 vertical, authentic full-body 1980s Myanmar outdoor snapshot, complete head-to-toe framing with both shoes fully visible, the woman occupying approximately 55–60% of the frame. | REFERENCE | Use the uploaded reference woman as the only primary human subject; preserve her identity 100%, exact facial features, facial structure, skin tone, height and natural body proportions; do not alter or beautify her into another woman; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Recreate the reference woman spending a quiet late afternoon in a peaceful Yangon lakeside park during the mid-1980s; make the scene feel like a candid personal photograph captured on ordinary colour film, emotionally warm and historically believable rather than a contemporary fashion production. | OUTFIT | Dress her in an ivory blouse with a broad rounded collar, modest puffed elbow-length sleeves and pearl-like buttons, tucked into a high-waisted rust-red calf-length pleated skirt with a slim dark-brown belt; add brown low-heeled Mary Jane shoes, a small woven shoulder bag, delicate gold stud earrings and a slim analogue wristwatch; graceful Western-influenced 1980s fashion. | POSE / ACTION | Capture her bending slightly and extending one open palm to feed several pigeons gathered near her feet, while her other hand holds a small plain paper packet angled away from the camera; she looks downward at the birds with a gentle joyful smile, skirt moving softly in the breeze, both feet remaining fully visible and naturally positioned. | FACE / HAIR | Preserve the reference face exactly; natural visible skin pores, moist eyes, softly powdered makeup, fine eyeliner, warm cheek colour and muted brick-red lipstick; hair arranged in a voluminous half-up style secured with a small rust-coloured bow, soft side fringe and curled ends. | CAMERA | Slight high-angle full-body environmental composition from above eye level, camera approximately 4.5 metres away, ordinary 45mm film-camera look, pigeons forming foreground interest, subject positioned slightly off-centre, moderate depth of field and subtle vintage softness. | LIGHTING | Gentle late-afternoon daylight filtered through large rain trees, restrained direct fill flash on the face, low contrast, mildly faded highlights and natural shadows without strong golden-orange colour grading. | BACKGROUND | Quiet period-appropriate Yangon lakeside park with mature rain trees, still water, an old wooden bench, simple grass and one vintage bicycle leaning against a tree; no skyline, modern buildings, advertisements, plastic furniture, signs or readable writing; slightly faded analogue colours, fine film grain, mild green-magenta shift and natural old-album print imperfections. | NEGATIVE | changed face, identity drift, modern hairstyle, contemporary outfit, miniskirt, Myanmar blouse, htamein, longyi, military clothing, smartphone, modern bicycle, city skyline, modern park equipment, large paper text, readable writing, random letters, logo, watermark, aggressive birds, excessive number of pigeons, cropped head, cropped feet, hidden shoes, malformed hands, extra fingers, extra limbs, cinematic lighting, extreme bokeh, hyper-sharp digital photograph, heavy sepia, tattoos, sunglasses.