ASPECT RATIO | 9:16 vertical, full-body warm 1980s family-album portrait, complete head-to-toe framing with both shoes visible, subject occupying approximately 65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial features, facial structure, skin tone, natural height and body proportions; retain her genuine recognizable appearance and do not transform her into a different person; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a fashionable young Myanmar woman posing inside a modest middle-class Yangon family home in the late 1980s; make the result feel like an authentic colour photograph taken by a relative during a special family occasion, affectionate, ordinary and slightly imperfect rather than staged as a modern fashion production. | OUTFIT | Dress her in a mustard-yellow calf-length Western-style dress with small dark-brown polka dots, modest puffed short sleeves, a softly squared neckline, fitted waist, narrow dark-brown belt and gently pleated skirt; add dark-brown low-heeled pumps, a small matching clutch bag, pearl-like stud earrings, one delicate bracelet and a simple vintage wristwatch; charming 1980s city-lady fashion without modern luxury styling. | POSE / ACTION | She stands near an old wooden radio cabinet, body facing the camera with one foot slightly forward, holding the small clutch gently with both hands at waist level; shoulders relaxed, elbows naturally close to the body, direct eye contact and a warm restrained smile with the slightly formal pose commonly seen in old family photographs. | FACE / HAIR | Keep her reference face exactly unchanged; realistic pores, natural moist eyes, lightly powdered complexion, subtle cheek colour, fine eyeliner and brick-red lipstick; glossy shoulder-length curls with a deep side part, softly lifted crown and rounded curled ends typical of the late 1980s. | CAMERA | Straight-on eye-level full-body family snapshot, camera approximately 3.5 metres from the subject, ordinary 50mm consumer film-camera appearance, simple centred framing, deeper focus than a modern portrait, mild lens softness, slightly tilted horizon and natural print imperfections. | LIGHTING | Warm household tungsten light mixed with direct on-camera flash, brighter facial exposure, gentle hard-edged shadow on the wall, mild red-eye-like catchlight without actual red eyes, uneven but believable exposure and no cinematic lighting setup. | BACKGROUND | Modest late-1980s Yangon sitting room with dark polished wooden furniture, lace-covered side table, old tabletop radio, floral curtains, framed landscape print without readable text, simple patterned floor mat and a small vase of artificial flowers; no television screen, air conditioner, smartphone, modern appliance, LED light or contemporary furniture; warm faded consumer-film colours, visible fine grain, slight colour cast, mildly washed shadows, tiny dust marks and authentic printed-photo softness. | NEGATIVE | different face, altered facial structure, identity loss, modern glamour portrait, contemporary designer dress, Myanmar traditional blouse, htamein, longyi, military uniform, army elements, modern jewellery, stilettos, sneakers, smartphone, flat-screen television, modern interior, LED lighting, luxury mansion, cinematic lighting, professional fashion pose, shallow creamy bokeh, hyper-detailed digital sharpness, perfect colour grading, excessive sepia, extreme orange cast, heavily damaged photo, torn edges, cropped head, cropped feet, hidden shoes, deformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses, text, logo, watermark.

ASPECT RATIO | 9:16 vertical, full-body warm 1980s family-album portrait, complete head-to-toe framing with both shoes visible, subject occupying approximately 65% of the frame. | REFERENCE | Use the uploaded reference woman as the only subject; preserve her identity 100%, including her exact facial features, facial structure, skin tone, natural height and body proportions; retain her genuine recognizable appearance and do not transform her into a different person; identitylock=maximum, facialstructurelock=verystrict, bodyproportionlock=true, donotchange_face. | MAIN PROMPT | Reimagine the reference woman as a fashionable young Myanmar woman posing inside a modest middle-class Yangon family home in the late 1980s; make the result feel like an authentic colour photograph taken by a relative during a special family occasion, affectionate, ordinary and slightly imperfect rather than staged as a modern fashion production. | OUTFIT | Dress her in a mustard-yellow calf-length Western-style dress with small dark-brown polka dots, modest puffed short sleeves, a softly squared neckline, fitted waist, narrow dark-brown belt and gently pleated skirt; add dark-brown low-heeled pumps, a small matching clutch bag, pearl-like stud earrings, one delicate bracelet and a simple vintage wristwatch; charming 1980s city-lady fashion without modern luxury styling. | POSE / ACTION | She stands near an old wooden radio cabinet, body facing the camera with one foot slightly forward, holding the small clutch gently with both hands at waist level; shoulders relaxed, elbows naturally close to the body, direct eye contact and a warm restrained smile with the slightly formal pose commonly seen in old family photographs. | FACE / HAIR | Keep her reference face exactly unchanged; realistic pores, natural moist eyes, lightly powdered complexion, subtle cheek colour, fine eyeliner and brick-red lipstick; glossy shoulder-length curls with a deep side part, softly lifted crown and rounded curled ends typical of the late 1980s. | CAMERA | Straight-on eye-level full-body family snapshot, camera approximately 3.5 metres from the subject, ordinary 50mm consumer film-camera appearance, simple centred framing, deeper focus than a modern portrait, mild lens softness, slightly tilted horizon and natural print imperfections. | LIGHTING | Warm household tungsten light mixed with direct on-camera flash, brighter facial exposure, gentle hard-edged shadow on the wall, mild red-eye-like catchlight without actual red eyes, uneven but believable exposure and no cinematic lighting setup. | BACKGROUND | Modest late-1980s Yangon sitting room with dark polished wooden furniture, lace-covered side table, old tabletop radio, floral curtains, framed landscape print without readable text, simple patterned floor mat and a small vase of artificial flowers; no television screen, air conditioner, smartphone, modern appliance, LED light or contemporary furniture; warm faded consumer-film colours, visible fine grain, slight colour cast, mildly washed shadows, tiny dust marks and authentic printed-photo softness. | NEGATIVE | different face, altered facial structure, identity loss, modern glamour portrait, contemporary designer dress, Myanmar traditional blouse, htamein, longyi, military uniform, army elements, modern jewellery, stilettos, sneakers, smartphone, flat-screen television, modern interior, LED lighting, luxury mansion, cinematic lighting, professional fashion pose, shallow creamy bokeh, hyper-detailed digital sharpness, perfect colour grading, excessive sepia, extreme orange cast, heavily damaged photo, torn edges, cropped head, cropped feet, hidden shoes, deformed hands, extra fingers, extra limbs, duplicate subject, background people, tattoos, sunglasses, text, logo, watermark.