Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a young adult male, early-to-mid 20s, in a 2:3 vertical portrait composition. Subject framed head to upper thigh, centered in frame, head positioned slightly above vertical midpoint. Body is rotated approximately 45 degrees toward camera-right in a true diagonal stance — left shoulder is the closer shoulder to camera, right shoulder is pulled significantly back, torso line running from lower-left to upper-right across the frame. This is not a mild three-quarter turn — it is a near-profile diagonal body position with the face turning back toward camera-left. Keep everything close to the original uploaded image.

RIGHT ARM AND HAND: The subject's right arm is bent at the elbow and raised, with the right hand crossing the body diagonally upward toward the subject's own left shoulder and upper chest. The back of the right hand faces the camera. Fingers are gently curled with fingertips resting lightly against the left shoulder seam area. The right sleeve is black with the wide white French cuff fully visible and facing toward the camera, rectangular metallic cufflink clearly visible on the right cuff. LEFT ARM AND HAND: The subject's left hand reaches upward from below to grip the right forearm — specifically gripping the black sleeve fabric of the right arm just above the white French cuff. Left fingers wrap around and lightly clutch the black sleeve fabric, causing a subtle fabric gather or compression under the grip. The back of the left hand is partially visible. The left arm's white French cuff is visible lower in the frame, left arm angled downward. No held object. No rings on either hand. No watch visible.

Head turned toward camera-left, level with no side tilt, chin at neutral-to-slightly-raised position. Gaze directed distinctly off-camera toward camera-left, following the turned head. Both eyes fully open, no direct camera eye contact, small diffuse daylight catchlights positioned upper-center in both eyes.

Preserve the same facial identity: oval-to-rectangular face shape with tapered lower third, strong sharply defined jawline, moderately broad chin with subtly squared point, moderately prominent cheekbones. Skin tone light beige with neutral-to-warm peach undertones at H20–H30 S15–S25 B85–B92, retouching level 9/10 — highly smoothed forehead, cheeks, under-eyes, nose and jaw, almost no visible pores, minimal texture retained only at beard boundary and lip edges, slight controlled specular sheen on forehead and upper cheekbones only. Apply medium-to-full complexion evening, faint neutral-brown eyelid shading at H30 S20 B55, subtle warm-peach cheek color at H20 S25 B80, muted rose-peach satin lip finish at H355 S30 B72, precisely groomed softly darkened brows — no strong eyeliner, no mascara enhancement. Nose straight, narrow-to-medium width, medium-high sharply defined bridge, compact softly rounded tip. Eyes medium almond-shaped, neutral orientation with slightly raised outer corners, iris medium-to-dark brown at H25 S60 B35, medium pupils, mild upper hooding, lower lids relaxed. Eyebrows thick and straight-to-softly angled, deep brown-black at H25 S40 B15, highly defined lower edge, carefully shaped outer tails. Lips closed, lower lip slightly fuller than upper, soft cupid's bow, neutral level corners, muted rose-peach color. Facial expression: orbicularis oris gently closed and lightly pressed, frontalis fully relaxed, zero corrugator recruitment, orbicularis oculi open and focused, jaw relaxed, mentalis inactive — controlled, poised, contemplative. Short dense precisely shaped boxed beard, deep brown-black, uniform short length with slightly greater density at chin, sharp clean cheek line, carefully edged neckline, thin-to-medium neatly trimmed moustache connected to beard. Hair deep espresso brown H25 S55 B20 with warm-brown highlights at H30 S40 B45 tracing elevated quiff strands, high-volume swept-back pompadour quiff concentrated at front and upper crown, short faded sides, smooth thick sculpted fiber behavior, moderately glossy surface finish, specular highlight tracing elevated front quiff, no flyaways.

Keep the same clothing: outer layer is a Nehru-style sleeveless band-collar waistcoat in muted dusty rose-mauve at H350 S25 B72, fine woven suiting fabric with subtle surface texture, structured closely tailored silhouette with slight waist taper, short standing band collar with delicate gold floral embroidery along upper collar edge, single-breasted front closure with matching mauve ornamental buttons fastened, two horizontal welt pockets at lower front, faint upper chest pocket, straight front hem with side vent panels, smooth fabric with slight tension folds near waist, chest and button line. Inner layer deep neutral black kurta at H0 S0 B8, smooth satin-finish woven fabric, tailored fitted arms, full-length sleeves, soft diagonal fabric folds around elbows and forearms. Both cuffs crisp bright white at H0 S0 B97, wide French cuff style extending prominently beyond the black sleeves — right cuff fully facing camera with rectangular metallic cufflink showing engraved center detail, left cuff visible lower in frame. Metal tone silver-to-pale-gold. Lower garment deep black, upper portion only visible, moderately loose below waistcoat hem. No tie, no bow tie, no scarf, no rings, no watch, no bracelet, no earrings, no necklace, no glasses, no headwear, no tattoos.

The background must follow the uploaded image with heavy bokeh throughout every layer — shallow depth of field equivalent to f/1.4–f/1.8 separation applied from immediately behind the subject. Layer 1 is the subject in full sharp focus. Layer 2 is the cream stone balustrade immediately behind the subject — rendered with significant blur, form recognizable as a railing shape but no hard edge detail, warm cream tone at H40 S15 B88 dissolving into bokeh. Layer 3 is green lawn and dark-green hedge mass at H120 S45 B35, rendered as a pure soft bokeh color wash with no leaf or branch definition whatsoever. Layer 4 is a pale cream classical architectural dome or pavilion structure at H40 S10 B85, near-fully dissolved into the background with only a ghost silhouette remaining at heavy blur. No background people. No furniture. No text. No signage. Background overall brightness is softer and lighter than the black sleeves, creating clear subject separation. Every background layer is blurred — nothing behind the subject is sharp.

Use the same lighting: broad diffused daylight from approximately 10–11 o'clock camera-left-front, low contrast and soft quality, color temperature 5,400–5,800 K. Camera-left facial side slightly brighter across forehead, cheek and nose bridge. Camera-right side gently shaded but fully detailed. Shadow terminator very soft with heavily smoothed transition. Fill level high with substantial shadow detail. Subtle rim light along hair crown and camera-right shoulder from luminous background. Soft highlights tracing elevated quiff strands. No hard flash. No artificial strobe. Small diffuse upper-center catchlights in both eyes.

Render at maximum photorealistic quality. Focal length approximately 85mm equivalent. Aperture f/1.4–f/1.8. Grain level 1/10. Retouching level 9/10. Depth of field very shallow with focus plane locked to subject's face and eyes, all background layers aggressively softened from immediately behind the subject outward. Post-processing: warm-neutral outdoor editorial, muted pastel clothing tones, softened greens, creamy highlights at H40 S10 B95, neutral-warm shadow base, moderate saturation. No CGI look. No plastic skin. No anatomical errors. No beauty filter beyond specified retouching level. No motion blur. No lens distortion. No extra people. No extra objects. No text. No watermark. Ultra high resolution. Sharp facial detail on subject only. Photorealistic only.

Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a young adult male, early-to-mid 20s, in a 2:3 vertical portrait composition. Subject framed head to upper thigh, centered in frame, head positioned slightly above vertical midpoint. Body is rotated approximately 45 degrees toward camera-right in a true diagonal stance — left shoulder is the closer shoulder to camera, right shoulder is pulled significantly back, torso line running from lower-left to upper-right across the frame. This is not a mild three-quarter turn — it is a near-profile diagonal body position with the face turning back toward camera-left. Keep everything close to the original uploaded image.

RIGHT ARM AND HAND: The subject's right arm is bent at the elbow and raised, with the right hand crossing the body diagonally upward toward the subject's own left shoulder and upper chest. The back of the right hand faces the camera. Fingers are gently curled with fingertips resting lightly against the left shoulder seam area. The right sleeve is black with the wide white French cuff fully visible and facing toward the camera, rectangular metallic cufflink clearly visible on the right cuff. LEFT ARM AND HAND: The subject's left hand reaches upward from below to grip the right forearm — specifically gripping the black sleeve fabric of the right arm just above the white French cuff. Left fingers wrap around and lightly clutch the black sleeve fabric, causing a subtle fabric gather or compression under the grip. The back of the left hand is partially visible. The left arm's white French cuff is visible lower in the frame, left arm angled downward. No held object. No rings on either hand. No watch visible.

Head turned toward camera-left, level with no side tilt, chin at neutral-to-slightly-raised position. Gaze directed distinctly off-camera toward camera-left, following the turned head. Both eyes fully open, no direct camera eye contact, small diffuse daylight catchlights positioned upper-center in both eyes.

Preserve the same facial identity: oval-to-rectangular face shape with tapered lower third, strong sharply defined jawline, moderately broad chin with subtly squared point, moderately prominent cheekbones. Skin tone light beige with neutral-to-warm peach undertones at H20–H30 S15–S25 B85–B92, retouching level 9/10 — highly smoothed forehead, cheeks, under-eyes, nose and jaw, almost no visible pores, minimal texture retained only at beard boundary and lip edges, slight controlled specular sheen on forehead and upper cheekbones only. Apply medium-to-full complexion evening, faint neutral-brown eyelid shading at H30 S20 B55, subtle warm-peach cheek color at H20 S25 B80, muted rose-peach satin lip finish at H355 S30 B72, precisely groomed softly darkened brows — no strong eyeliner, no mascara enhancement. Nose straight, narrow-to-medium width, medium-high sharply defined bridge, compact softly rounded tip. Eyes medium almond-shaped, neutral orientation with slightly raised outer corners, iris medium-to-dark brown at H25 S60 B35, medium pupils, mild upper hooding, lower lids relaxed. Eyebrows thick and straight-to-softly angled, deep brown-black at H25 S40 B15, highly defined lower edge, carefully shaped outer tails. Lips closed, lower lip slightly fuller than upper, soft cupid's bow, neutral level corners, muted rose-peach color. Facial expression: orbicularis oris gently closed and lightly pressed, frontalis fully relaxed, zero corrugator recruitment, orbicularis oculi open and focused, jaw relaxed, mentalis inactive — controlled, poised, contemplative. Short dense precisely shaped boxed beard, deep brown-black, uniform short length with slightly greater density at chin, sharp clean cheek line, carefully edged neckline, thin-to-medium neatly trimmed moustache connected to beard. Hair deep espresso brown H25 S55 B20 with warm-brown highlights at H30 S40 B45 tracing elevated quiff strands, high-volume swept-back pompadour quiff concentrated at front and upper crown, short faded sides, smooth thick sculpted fiber behavior, moderately glossy surface finish, specular highlight tracing elevated front quiff, no flyaways.

Keep the same clothing: outer layer is a Nehru-style sleeveless band-collar waistcoat in muted dusty rose-mauve at H350 S25 B72, fine woven suiting fabric with subtle surface texture, structured closely tailored silhouette with slight waist taper, short standing band collar with delicate gold floral embroidery along upper collar edge, single-breasted front closure with matching mauve ornamental buttons fastened, two horizontal welt pockets at lower front, faint upper chest pocket, straight front hem with side vent panels, smooth fabric with slight tension folds near waist, chest and button line. Inner layer deep neutral black kurta at H0 S0 B8, smooth satin-finish woven fabric, tailored fitted arms, full-length sleeves, soft diagonal fabric folds around elbows and forearms. Both cuffs crisp bright white at H0 S0 B97, wide French cuff style extending prominently beyond the black sleeves — right cuff fully facing camera with rectangular metallic cufflink showing engraved center detail, left cuff visible lower in frame. Metal tone silver-to-pale-gold. Lower garment deep black, upper portion only visible, moderately loose below waistcoat hem. No tie, no bow tie, no scarf, no rings, no watch, no bracelet, no earrings, no necklace, no glasses, no headwear, no tattoos.

The background must follow the uploaded image with heavy bokeh throughout every layer — shallow depth of field equivalent to f/1.4–f/1.8 separation applied from immediately behind the subject. Layer 1 is the subject in full sharp focus. Layer 2 is the cream stone balustrade immediately behind the subject — rendered with significant blur, form recognizable as a railing shape but no hard edge detail, warm cream tone at H40 S15 B88 dissolving into bokeh. Layer 3 is green lawn and dark-green hedge mass at H120 S45 B35, rendered as a pure soft bokeh color wash with no leaf or branch definition whatsoever. Layer 4 is a pale cream classical architectural dome or pavilion structure at H40 S10 B85, near-fully dissolved into the background with only a ghost silhouette remaining at heavy blur. No background people. No furniture. No text. No signage. Background overall brightness is softer and lighter than the black sleeves, creating clear subject separation. Every background layer is blurred — nothing behind the subject is sharp.

Use the same lighting: broad diffused daylight from approximately 10–11 o'clock camera-left-front, low contrast and soft quality, color temperature 5,400–5,800 K. Camera-left facial side slightly brighter across forehead, cheek and nose bridge. Camera-right side gently shaded but fully detailed. Shadow terminator very soft with heavily smoothed transition. Fill level high with substantial shadow detail. Subtle rim light along hair crown and camera-right shoulder from luminous background. Soft highlights tracing elevated quiff strands. No hard flash. No artificial strobe. Small diffuse upper-center catchlights in both eyes.

Render at maximum photorealistic quality. Focal length approximately 85mm equivalent. Aperture f/1.4–f/1.8. Grain level 1/10. Retouching level 9/10. Depth of field very shallow with focus plane locked to subject's face and eyes, all background layers aggressively softened from immediately behind the subject outward. Post-processing: warm-neutral outdoor editorial, muted pastel clothing tones, softened greens, creamy highlights at H40 S10 B95, neutral-warm shadow base, moderate saturation. No CGI look. No plastic skin. No anatomical errors. No beauty filter beyond specified retouching level. No motion blur. No lens distortion. No extra people. No extra objects. No text. No watermark. Ultra high resolution. Sharp facial detail on subject only. Photorealistic only.