Use the uploaded image as the main visual reference. Recreate the same monumental fashion-editorial beauty advertising scene: one female-presenting fashion subject seated at gigantic scale on the corner ledge of an ornate multi-story stone building, holding a mascara wand near her face, with an oversized vertical mascara tube beside her. Preserve the same dense metropolitan street environment, architectural geometry, outfit, product placement, street traffic, pedestrians, framing, lighting, perspective, and warm luxury editorial atmosphere. Do not invent a new face, color scheme, background, pose, product design, or camera angle. Follow the uploaded image closely and apply only the specifications below.

Generate a maximum-photorealistic luxury cosmetics campaign composite in a vertical 9:16 composition. Use a full-body environmental portrait crop with the entire head, torso, arms, legs, and both shoes visible, while retaining a substantial dark-asphalt street foreground beneath the subject. Position the subject centrally across roughly 45–50% of the frame, head near the upper-middle, knees separated to form a broad inverted-V leg composition, with the oversized violet mascara tube vertically positioned along the right third. Use a strong street-level low-angle viewpoint looking upward. Maintain pronounced wide-angle architectural convergence, with the rounded building corner creating the main vertical spine behind the subject and diagonal façades receding upward toward the frame edges. Render the subject approximately four to five building stories tall relative to normally scaled pedestrians and cars. Keep the mascara tube approximately torso-length at the same surreal monumental scale.

Preserve the same facial identity and facial proportions from the uploaded image: softly elongated oval face, tapered jaw, moderately defined cheekbones, and a small-to-medium chin. Keep a light beige skin base centered around H 25–30° with low-to-moderate saturation and a warm-neutral peach undertone. Render lit skin around H 27°, S 24%, B 80–85%, and shadowed skin around H 20–25°, S 25–30%, B 50–60%. Maintain a satin-matte complexion with smooth tonal transitions, subtly visible nose and cheek variation, and retouching at approximately 7/10: controlled smoothing across cheeks, forehead, and jaw while preserving the structural definition of eyelids, nose, lips, and facial contours. Do not render raw unretouched skin and do not flatten the face into plastic or poreless filter texture.

Keep the same almond-shaped eyes with eyelids lowered and gaze directed downward and toward frame-left at the mascara wand, never toward the camera. Preserve the extremely small, subdued catchlights caused by the lowered eyelids and partial shadowing. Keep straight-to-soft-arched medium-thickness brows in deep brown, neatly groomed and moderately spaced above the eyes. Maintain relaxed frontalis and brow musculature, minimal orbicularis engagement, closed lips with slight downward compression, and relaxed mentalis activity. Do not introduce a smile, widened eyes, raised brows, or camera-facing gaze.

Preserve the same makeup configuration exactly: medium-to-full satin-finish foundation coverage; restrained taupe-brown eyeshadow concentrated around the upper lids; understated dark upper-lash definition without a dramatic wing; dark, separated upper lashes with mascara; minimal low-saturation warm-neutral blush; neatly groomed brows; and nude beige-rose lips around H 15–20° with a soft matte-to-satin finish. Keep the lower lip approximately 1.3 times fuller than the upper lip with a moderately defined cupid's bow. Do not add glossy lips, heavy contour, bright blush, dramatic eyeliner, false-lash styling, glitter, or any makeup not visible in the reference.

Preserve the same very dark brown hair approaching black, centered around H 20° with low saturation and subtle warm-brown reflections where sunlight strikes. Render the hair as very straight, highly strand-aligned fibers with smooth semi-gloss behavior, narrow coherent strand clumps, minimal flyaways, and controlled elongated specular reflections. Keep low-to-medium crown volume, long length extending below the chest, a full blunt fringe covering the forehead, and a near-center fall beneath the fringe. Do not alter the hair color, fringe structure, length, surface finish, or strand direction.

Preserve the same seated pose. Keep the torso mostly frontal with a slight three-quarter rotation toward frame-left. Turn the head slightly toward frame-left and tilt it downward approximately 15–20°. Maintain the mild shoulder slope created by the seated posture. Keep the hand on frame-left raised near chest height, palm inward, with thumb and index finger pinching the mascara handle and the remaining fingers gently curved. Keep the other hand hanging centrally between the thighs from a bent arm, fingers relaxed and slightly separated. Show exactly two hands. Keep short-to-medium nails with a natural nude finish. Maintain both knees bent near 90°, separated roughly shoulder-width to 1.3 times shoulder-width, with lower legs hanging vertically and both feet pointed slightly inward and downward.

Preserve the same oversized black blazer using a near-neutral H 20–30°, saturation below 10%, brightness approximately 8–12%, rendered as matte wool/suiting fabric with subtle woven texture. Keep exaggerated padded shoulders, long sleeves, a relaxed boxy body, partially visible lapels, and a hem extending to the upper thigh. Leave the blazer unfastened. Keep the inner chest garment largely obscured by the blazer and long hair without inventing a conspicuous new top.

Preserve the same high-waisted wide-leg tailored trousers in warm ivory around H 40°, S 8–12%, B 88–94%, using smooth woven suiting fabric with a matte finish. Maintain soft vertical folds at the hips, knees, and ankles. Preserve the same black pointed-toe high-heeled pumps in smooth matte-to-satin leather with narrow heel silhouettes. Clothing patterns and clothing logos are absent. Neckwear is absent. A visible necklace is absent or fully obscured. Clearly visible rings are absent. Keep the silver-tone wristwatch on the centrally lowered wrist, using a polished metallic bracelet and a round pale dial with crisp reflective hardware.

Preserve the mascara wand exactly: a saturated violet cylindrical handle connected to a black stem and black mascara brush, held approximately 10–15 cm visually from the face. Keep the brush oriented toward the subject's lowered gaze without touching the eye.

Preserve the hero mascara tube on frame-right as a tall slim cylinder with a slightly wider main body and a clearly defined cap-to-body seam. Render it as opaque molded plastic with a satin-to-semi-gloss finish, smooth surface, no knurling, no visible grain, and no embossing. Use saturated violet around H 270–280°, S 60–70%, B 60–70%. Preserve the large vertical white condensed sans-serif lettering visible on the tube reading “YUB.” Do not alter the cylinder proportions, seam position, surface material, violet value, lettering orientation, or white typography treatment.

Keep the same foreground and background depth structure. Layer 1: dark asphalt roadway filling approximately the lower 25–30% of the frame, centered around H 210°, S 8–12%, B 22–30%, with white zebra-crossing bands entering from the lower edge. Layer 2: a light-silver sedan on frame-left and a dark-gray sedan on frame-right near the intersection, both remaining normally scaled relative to the street. Layer 3: several small pedestrians distributed along the sidewalks, wearing predominantly neutral or dark outerwear, with sufficient definition to establish scale but without portrait-level facial detail. Layer 4: ground-floor illuminated retail façades and the towering ornate stone building behind the subject.

Preserve the historic/classical architectural façade with warm beige limestone/sandstone material centered around H 35°, S 20–25%, B 78–85%. Render the stone with a matte, subtly weathered finish. Maintain carved reliefs, decorative medallions, cornices, pilasters, framed windows, projecting window surrounds, deep horizontal ledges, and the rounded corner massing directly behind the subject. Keep the architecture comparatively detailed with low background blur; pedestrians may have mild softness. Do not create circular bokeh orbs. Keep storefront windows illuminated with cosmetics or fashion imagery, but do not generate reliably readable background signage or additional readable text.

Maintain the brightness hierarchy from the reference: face, ivory trousers, and sunlit stone are the brightest masses; blazer, hair, and asphalt form the deepest dark masses; the violet mascara tube remains the strongest saturated chromatic accent. Keep overall environmental saturation muted and controlled, with the violet product approximately two to three times more saturated than surrounding colors.

Use a broad directional sunlight key from upper frame-left at approximately the 10–11 o'clock position relative to the subject. Set the key around 4700–5000 K, with a warm late-day bias and moderately soft transitions. Illuminate the upper-left planes of the building, upper facial planes, raised hand, ivory trousers, and selected hair edges. Keep soft-to-medium shadows beneath the bangs, in the eye sockets, within the blazer, between the legs, and inside recessed architectural zones. Use mostly soft shadow edges on the subject with moderately defined architectural cast shadows. Maintain fill at approximately 45–55% relative to the key so shadow detail remains visible. Add only a subtle warm rim along frame-left hair and blazer contours. Preserve warm stone/environment bounce on the skin and trousers. Keep the lighting pattern as broad environmental side light rather than studio butterfly, loop, split, or Rembrandt lighting.

Use a warm luxury-editorial color grade with slightly golden highlights, neutral-charcoal to faintly cool-gray shadows, restrained skin saturation, and an overall visual temperature around 4800 K. Maintain the palette relationship of limestone beige H 35° / S 20–25% / B 78–85%, charcoal-black H 20–30° / S 5–15% / B 8–20%, ivory H 40° / S 8–12% / B 90–95%, violet H 275° / S 60–70% / B 60–70%, and asphalt H 210° / S 8–12% / B 22–30%.

Use a 24–28 mm full-frame-equivalent wide-angle lens feel with strong low-angle perspective and pronounced architectural convergence. Use approximately f/7.1–f/9 depth behavior, keeping both the monumental subject and architectural environment well defined. Maintain deep-to-moderate depth of field and allow the nearest legs and lower architectural masses to appear slightly enlarged through perspective. Keep digital grain at approximately 2/10. Apply post-processing/compositing at approximately 7/10 with strong tonal unification, controlled highlight shaping, seamless giant-scale integration, and clean but believable material rendering. Add only mild warm atmospheric haze or lens flare entering from the upper-left. Fog is otherwise absent. Rain is absent. Airborne particles are absent. Visible chromatic aberration is absent. Motion blur is absent.

Render at maximum photorealistic composite quality. Follow the uploaded image as the primary visual reference. Preserve the exact facial identity, facial proportions, downward eye state, pose, monumental scale relationship, clothing, hair, watch, mascara wand, product design, architectural setting, street layout, vehicle placement, pedestrian scale cues, lighting direction, color temperature, wide-angle perspective, and vertical framing.

Do not change the subject's identity. Do not make the subject look like a different person. Do not change the black blazer, ivory trousers, black pumps, violet product color, stone-façade palette, or metropolitan architectural setting. Do not alter the giant scale relationship. Do not move the mascara tube away from the right third. Do not change the seated pose or make the subject stand. Do not make the eyes open toward the camera. Do not add makeup beyond what is present.

No extra dominant people. No extra hero objects. No additional product packaging. No random accessories. No background text that is meant to be readable. No watermark. No cartoon look. No low-detail CGI appearance. No plastic skin. No anatomical errors. No extra fingers or limbs. No beauty-filter effect. No motion blur. No fisheye distortion. No excessive lens distortion beyond the intentional 24–28 mm low-angle perspective. Ultra-high resolution. Sharp detail on the subject and hero product. Accurate woven fabric texture, polished metal behavior, satin plastic response, stone relief detail, asphalt texture, realistic vehicle surfaces, and controlled natural skin material. Photorealistic luxury-fashion composite only.

Use the uploaded image as the main visual reference. Recreate the same monumental fashion-editorial beauty advertising scene: one female-presenting fashion subject seated at gigantic scale on the corner ledge of an ornate multi-story stone building, holding a mascara wand near her face, with an oversized vertical mascara tube beside her. Preserve the same dense metropolitan street environment, architectural geometry, outfit, product placement, street traffic, pedestrians, framing, lighting, perspective, and warm luxury editorial atmosphere. Do not invent a new face, color scheme, background, pose, product design, or camera angle. Follow the uploaded image closely and apply only the specifications below.

Generate a maximum-photorealistic luxury cosmetics campaign composite in a vertical 9:16 composition. Use a full-body environmental portrait crop with the entire head, torso, arms, legs, and both shoes visible, while retaining a substantial dark-asphalt street foreground beneath the subject. Position the subject centrally across roughly 45–50% of the frame, head near the upper-middle, knees separated to form a broad inverted-V leg composition, with the oversized violet mascara tube vertically positioned along the right third. Use a strong street-level low-angle viewpoint looking upward. Maintain pronounced wide-angle architectural convergence, with the rounded building corner creating the main vertical spine behind the subject and diagonal façades receding upward toward the frame edges. Render the subject approximately four to five building stories tall relative to normally scaled pedestrians and cars. Keep the mascara tube approximately torso-length at the same surreal monumental scale.

Preserve the same facial identity and facial proportions from the uploaded image: softly elongated oval face, tapered jaw, moderately defined cheekbones, and a small-to-medium chin. Keep a light beige skin base centered around H 25–30° with low-to-moderate saturation and a warm-neutral peach undertone. Render lit skin around H 27°, S 24%, B 80–85%, and shadowed skin around H 20–25°, S 25–30%, B 50–60%. Maintain a satin-matte complexion with smooth tonal transitions, subtly visible nose and cheek variation, and retouching at approximately 7/10: controlled smoothing across cheeks, forehead, and jaw while preserving the structural definition of eyelids, nose, lips, and facial contours. Do not render raw unretouched skin and do not flatten the face into plastic or poreless filter texture.

Keep the same almond-shaped eyes with eyelids lowered and gaze directed downward and toward frame-left at the mascara wand, never toward the camera. Preserve the extremely small, subdued catchlights caused by the lowered eyelids and partial shadowing. Keep straight-to-soft-arched medium-thickness brows in deep brown, neatly groomed and moderately spaced above the eyes. Maintain relaxed frontalis and brow musculature, minimal orbicularis engagement, closed lips with slight downward compression, and relaxed mentalis activity. Do not introduce a smile, widened eyes, raised brows, or camera-facing gaze.

Preserve the same makeup configuration exactly: medium-to-full satin-finish foundation coverage; restrained taupe-brown eyeshadow concentrated around the upper lids; understated dark upper-lash definition without a dramatic wing; dark, separated upper lashes with mascara; minimal low-saturation warm-neutral blush; neatly groomed brows; and nude beige-rose lips around H 15–20° with a soft matte-to-satin finish. Keep the lower lip approximately 1.3 times fuller than the upper lip with a moderately defined cupid's bow. Do not add glossy lips, heavy contour, bright blush, dramatic eyeliner, false-lash styling, glitter, or any makeup not visible in the reference.

Preserve the same very dark brown hair approaching black, centered around H 20° with low saturation and subtle warm-brown reflections where sunlight strikes. Render the hair as very straight, highly strand-aligned fibers with smooth semi-gloss behavior, narrow coherent strand clumps, minimal flyaways, and controlled elongated specular reflections. Keep low-to-medium crown volume, long length extending below the chest, a full blunt fringe covering the forehead, and a near-center fall beneath the fringe. Do not alter the hair color, fringe structure, length, surface finish, or strand direction.

Preserve the same seated pose. Keep the torso mostly frontal with a slight three-quarter rotation toward frame-left. Turn the head slightly toward frame-left and tilt it downward approximately 15–20°. Maintain the mild shoulder slope created by the seated posture. Keep the hand on frame-left raised near chest height, palm inward, with thumb and index finger pinching the mascara handle and the remaining fingers gently curved. Keep the other hand hanging centrally between the thighs from a bent arm, fingers relaxed and slightly separated. Show exactly two hands. Keep short-to-medium nails with a natural nude finish. Maintain both knees bent near 90°, separated roughly shoulder-width to 1.3 times shoulder-width, with lower legs hanging vertically and both feet pointed slightly inward and downward.

Preserve the same oversized black blazer using a near-neutral H 20–30°, saturation below 10%, brightness approximately 8–12%, rendered as matte wool/suiting fabric with subtle woven texture. Keep exaggerated padded shoulders, long sleeves, a relaxed boxy body, partially visible lapels, and a hem extending to the upper thigh. Leave the blazer unfastened. Keep the inner chest garment largely obscured by the blazer and long hair without inventing a conspicuous new top.

Preserve the same high-waisted wide-leg tailored trousers in warm ivory around H 40°, S 8–12%, B 88–94%, using smooth woven suiting fabric with a matte finish. Maintain soft vertical folds at the hips, knees, and ankles. Preserve the same black pointed-toe high-heeled pumps in smooth matte-to-satin leather with narrow heel silhouettes. Clothing patterns and clothing logos are absent. Neckwear is absent. A visible necklace is absent or fully obscured. Clearly visible rings are absent. Keep the silver-tone wristwatch on the centrally lowered wrist, using a polished metallic bracelet and a round pale dial with crisp reflective hardware.

Preserve the mascara wand exactly: a saturated violet cylindrical handle connected to a black stem and black mascara brush, held approximately 10–15 cm visually from the face. Keep the brush oriented toward the subject's lowered gaze without touching the eye.

Preserve the hero mascara tube on frame-right as a tall slim cylinder with a slightly wider main body and a clearly defined cap-to-body seam. Render it as opaque molded plastic with a satin-to-semi-gloss finish, smooth surface, no knurling, no visible grain, and no embossing. Use saturated violet around H 270–280°, S 60–70%, B 60–70%. Preserve the large vertical white condensed sans-serif lettering visible on the tube reading “YUB.” Do not alter the cylinder proportions, seam position, surface material, violet value, lettering orientation, or white typography treatment.

Keep the same foreground and background depth structure. Layer 1: dark asphalt roadway filling approximately the lower 25–30% of the frame, centered around H 210°, S 8–12%, B 22–30%, with white zebra-crossing bands entering from the lower edge. Layer 2: a light-silver sedan on frame-left and a dark-gray sedan on frame-right near the intersection, both remaining normally scaled relative to the street. Layer 3: several small pedestrians distributed along the sidewalks, wearing predominantly neutral or dark outerwear, with sufficient definition to establish scale but without portrait-level facial detail. Layer 4: ground-floor illuminated retail façades and the towering ornate stone building behind the subject.

Preserve the historic/classical architectural façade with warm beige limestone/sandstone material centered around H 35°, S 20–25%, B 78–85%. Render the stone with a matte, subtly weathered finish. Maintain carved reliefs, decorative medallions, cornices, pilasters, framed windows, projecting window surrounds, deep horizontal ledges, and the rounded corner massing directly behind the subject. Keep the architecture comparatively detailed with low background blur; pedestrians may have mild softness. Do not create circular bokeh orbs. Keep storefront windows illuminated with cosmetics or fashion imagery, but do not generate reliably readable background signage or additional readable text.

Maintain the brightness hierarchy from the reference: face, ivory trousers, and sunlit stone are the brightest masses; blazer, hair, and asphalt form the deepest dark masses; the violet mascara tube remains the strongest saturated chromatic accent. Keep overall environmental saturation muted and controlled, with the violet product approximately two to three times more saturated than surrounding colors.

Use a broad directional sunlight key from upper frame-left at approximately the 10–11 o'clock position relative to the subject. Set the key around 4700–5000 K, with a warm late-day bias and moderately soft transitions. Illuminate the upper-left planes of the building, upper facial planes, raised hand, ivory trousers, and selected hair edges. Keep soft-to-medium shadows beneath the bangs, in the eye sockets, within the blazer, between the legs, and inside recessed architectural zones. Use mostly soft shadow edges on the subject with moderately defined architectural cast shadows. Maintain fill at approximately 45–55% relative to the key so shadow detail remains visible. Add only a subtle warm rim along frame-left hair and blazer contours. Preserve warm stone/environment bounce on the skin and trousers. Keep the lighting pattern as broad environmental side light rather than studio butterfly, loop, split, or Rembrandt lighting.

Use a warm luxury-editorial color grade with slightly golden highlights, neutral-charcoal to faintly cool-gray shadows, restrained skin saturation, and an overall visual temperature around 4800 K. Maintain the palette relationship of limestone beige H 35° / S 20–25% / B 78–85%, charcoal-black H 20–30° / S 5–15% / B 8–20%, ivory H 40° / S 8–12% / B 90–95%, violet H 275° / S 60–70% / B 60–70%, and asphalt H 210° / S 8–12% / B 22–30%.

Use a 24–28 mm full-frame-equivalent wide-angle lens feel with strong low-angle perspective and pronounced architectural convergence. Use approximately f/7.1–f/9 depth behavior, keeping both the monumental subject and architectural environment well defined. Maintain deep-to-moderate depth of field and allow the nearest legs and lower architectural masses to appear slightly enlarged through perspective. Keep digital grain at approximately 2/10. Apply post-processing/compositing at approximately 7/10 with strong tonal unification, controlled highlight shaping, seamless giant-scale integration, and clean but believable material rendering. Add only mild warm atmospheric haze or lens flare entering from the upper-left. Fog is otherwise absent. Rain is absent. Airborne particles are absent. Visible chromatic aberration is absent. Motion blur is absent.

Render at maximum photorealistic composite quality. Follow the uploaded image as the primary visual reference. Preserve the exact facial identity, facial proportions, downward eye state, pose, monumental scale relationship, clothing, hair, watch, mascara wand, product design, architectural setting, street layout, vehicle placement, pedestrian scale cues, lighting direction, color temperature, wide-angle perspective, and vertical framing.

Do not change the subject's identity. Do not make the subject look like a different person. Do not change the black blazer, ivory trousers, black pumps, violet product color, stone-façade palette, or metropolitan architectural setting. Do not alter the giant scale relationship. Do not move the mascara tube away from the right third. Do not change the seated pose or make the subject stand. Do not make the eyes open toward the camera. Do not add makeup beyond what is present.

No extra dominant people. No extra hero objects. No additional product packaging. No random accessories. No background text that is meant to be readable. No watermark. No cartoon look. No low-detail CGI appearance. No plastic skin. No anatomical errors. No extra fingers or limbs. No beauty-filter effect. No motion blur. No fisheye distortion. No excessive lens distortion beyond the intentional 24–28 mm low-angle perspective. Ultra-high resolution. Sharp detail on the subject and hero product. Accurate woven fabric texture, polished metal behavior, satin plastic response, stone relief detail, asphalt texture, realistic vehicle surfaces, and controlled natural skin material. Photorealistic luxury-fashion composite only.