Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a single adult male subject, early to late 20s, in a tall vertical portrait composition approximately 4:7 in aspect ratio, close to 9:16. The subject is framed as a complete full-body shot with both shoes entirely visible and a narrow strip of pavement beneath them, and moderate background space above the head. Subject is precisely centered on the vertical axis. Camera height is approximately waist-to-chest level producing a slight low-angle impression. Mild portrait lens compression with softly blurred background. Keep everything close to the original uploaded image.

Preserve the same facial identity precisely. Face shape is a long oval with a gently tapered lower face. Jawline is defined but not extremely broad. Chin is medium-width with a softly rounded-square contour. Cheekbones are moderately prominent. Nose is straight and narrow-to-medium width, moderately high bridge, compact softly rounded tip, medium-narrow nostril width, medium philtrum length. Lips have a slightly fuller lower lip, subtle cupid's bow on the upper lip, corners remaining neutral with zero upward pull, natural pale rose-brown color, smooth matte surface texture, zero gloss. Mouth is fully closed. Lip line remains nearly horizontal. Brows are relaxed with zero corrugator engagement. Eyes remain steadily focused with no squinting. Jaw is relaxed with slight controlled tension around the mouth. No smile, no smirk, no expression movement beyond neutral composure.

Render the skin as light-to-medium beige with neutral-warm olive undertones. Lit zones — forehead, nose bridge, upper cheeks — carry a warm neutral tone at approximately hue 28°, saturation 22%, brightness 83%. Shadow zones — camera-right cheek, beneath the jaw, under the nose, beneath the hair — shift to approximately hue 25°, saturation 18%, brightness 55%. Skin finish is smooth matte-satin with minimal shine. Retouching level is 7.5 out of 10: strong smoothing across the forehead, cheeks, under-eye area and jaw, pores and minor lines substantially reduced, limited natural texture retained around the nose, lips and faint beard stubble zone, restrained specular sheen on the nose bridge, upper cheeks and forehead center only. The result must read as digitally perfected without becoming completely plastic or poreless.

Both eyes are fully open and unobstructed — no glasses, no hair covering. Eyes are almond-shaped, medium-sized, evenly spaced. Iris color is dark brown. Pupils are medium-sized. Defined upper eyelid creases. Small soft diffused catchlights visible near the upper-central portions of both dark-brown irises. Lashes are natural, dark and medium-density, unenhanced. Gaze is directed straight into the camera lens with steady symmetrical direct eye contact. No averted gaze. No unfocused softness.

Eyebrows are dark brown, thick and dense, mostly straight with a soft outer arch, neatly groomed, positioned relatively close to the eyes, no laminated or heavily drawn appearance.

Hair is dark brown with subtle warm chestnut highlights. Medium length. Thick and voluminous. Swept upward and toward the subject's left. Soft side part positioned toward the subject's right. Slightly wavy through the top section. Shorter and controlled around the ears. Matte-satin finish with mild shine. Volume concentrated at the front and crown. Specular highlight sits as a diffused band across the upper front sweep. No frizz, no flyaways.

Facial hair is very light short stubble or shadow around the jaw, chin and upper lip. Dark brown. Low density compared with a full beard. Neatly maintained with no sharply groomed edges. Not a boxed beard — shadow-density stubble only.

Render no cosmetic makeup of any kind. No eyeliner, no eyeshadow, no blush, no lipstick, no visible foundation. Complexion evenness comes from retouching only. Brows are natural. Lip color is the subject's own pale rose-brown.

Keep the exact clothing. Outer garment is a black leather biker jacket in deep black with cool charcoal reflections at approximately hue 210°, saturation 5%, brightness 10–15% in lit zones rising to 25% along specular highlights. Smooth leather or coated faux leather. Glossy surface along folds, seams and shoulders. Slim structured close-fitting silhouette. Wide asymmetrical biker lapels. Diagonal silver zipper running from the upper-left chest to the lower-right waist, jacket worn open. Full-length sleeves with narrow cuffs carrying zipper or seam details. Quilted or stitched panel lines across the upper shoulders. Multiple silver-tone snaps and zipper pulls as hardware throughout. Diagonal zipped chest pocket on the subject's left chest. Zipped or welted pockets on both lower sides. Small snap-fastened tab detail near the lower camera-right side. No logo, no monogram. Pronounced leather fold and crease map around the elbows, waist and pocketed hands — leather creases are three-dimensional and catch specular highlights along their peaks.

Inner garment is a black crew-neck T-shirt in neutral matte black at approximately hue 0°, saturation 0%, brightness 6–8%. Smooth cotton or cotton-blend jersey. Slim close fit. Round crew neckline. Sleeves mostly concealed beneath the jacket. No fasteners, no pattern, no logo. Minor folds around the waist.

Lower garment is black tailored trousers in deep black smooth matte woven fabric at approximately hue 0°, saturation 0%, brightness 8–12%. Slim through the hips and legs. Mid-rise. Flat-front construction. Both front pockets contain the subject's hands. Concealed waistband and fly closure. No pattern, no logo. Natural crease map around the hips, knees, crossed shins and ankles — compression folds at the knee and cross-leg zone are clearly present.

Footwear is a pair of black low-top sneakers. Matte black upper in leather or synthetic leather. Black laces. Thick white or pale-grey rubber soles — the soles are the strongest highlight element in the lower frame and must be rendered clearly. Rounded toe shape. No readable branding. No clearly visible socks — a narrow section of bare ankle is visible above the left shoe.

Legs cross at the lower shin and ankle. The subject's left leg crosses in front of the right leg. Weight is supported mainly by the subject's right leg. Right foot is more directly beneath the body. Left foot angles outward toward camera-right. Stance is relaxed rather than wide. Lower back or hips rest lightly against the front hood of the car.

Both arms descend toward the trouser pockets with elbows bent slightly outward. Neither arm crosses the torso. Subject's right hand is inserted into the right front trouser pocket on camera-left: palm and fingers fully concealed, thumb partly exposed near the pocket opening, no ring or bracelet visible, right forearm angling downward. Subject's left hand is inserted into the left front trouser pocket on camera-right: palm and most fingers concealed, a small portion of the thumb or outer hand visible beside the jacket hem, no watch, ring or bracelet visible, left forearm angling downward.

Background follows the uploaded image exactly across four depth layers. Foreground layer: dark grey paved road or parking surface beneath the subject's shoes, extending to the lower frame edge. A small four-point white sparkle graphic is present in the bottom-right corner — render it as a simple clean four-point star shape, small, white, no glow, positioned at the very lower-right of the frame. Subject layer: man stands centrally and remains the sharpest element in the frame. Midground layer: a glossy black luxury sports car positioned directly behind the subject, low aerodynamic hood at approximately hip-to-chest height on the subject, broad curved windshield, dark headlight housings on both sides, large lower grille and sculpted front bumper, highly reflective deep black paint carrying large soft rectangular reflections of the surrounding grey architecture — the car extends beyond both side frame edges. Rear layer: modern building façade with large dark glass or metal panels and soft grey structural sections, strongly defocused with no readable architectural detail. Background brightness is slightly darker than the subject's face but similar in tone to the black clothing and car body. Background blur is strong throughout. No other people. No readable text. No licence plate visible. No additional graphic overlays beyond the confirmed sparkle icon.

Lighting setup: soft diffused frontal daylight from approximately 10 to 11 o'clock camera-left. Overcast or heavily softened quality with no hard shadow edges anywhere. Forehead, nose bridge and upper cheeks are evenly illuminated. Camera-right side of the face is marginally darker. Shadows beneath the nose, jaw and hair are soft with gradual falloff. Body illumination: broad highlights define the leather jacket shoulders, lapels and sleeve surfaces — the glossy leather catches the diffused light as elongated soft specular bands along shoulder seams and elbow peaks. Silver hardware — snaps, zipper pulls, diagonal zipper — produces small bright sharp reflections. Matte T-shirt and trousers remain darker than the glossy jacket with minimal surface reflection. White shoe soles create the strongest highlight area in the lower frame. Fill level is high enough to preserve tonal detail inside the black jacket, black shirt, black trousers and black car — nothing collapses into a featureless black void. Shadow depth is deep but fully readable. Subtle cool edge separation around the hair and outer shoulders separates the subject from the car and building behind. Large soft rectangular reflections of the grey architecture appear across the car hood and windshield surface. Small soft catchlights in both eyes from the overcast sky. Key light color temperature approximately 5,000 to 5,500 K neutral-to-slightly-cool. Ambient temperature is cool grey from the building and reflective car surfaces.

Color grade: dominant palette is deep black, charcoal grey, cool steel grey, warm beige skin and white-pale-grey shoe soles. Saturation is low-to-moderate and restrained throughout. Highlights carry a neutral to cool tone. Shadows are deep blue-black and charcoal. Cool monochromatic treatment with subtly warmer skin preserved against the cool environment. Strong tonal contrast between the subject's face and the surrounding black clothing. Material contrast is critical: glossy leather and reflective car paint must read as distinctly different surfaces from the matte trousers, matte shirt and matte pavement. Overall color temperature feel approximately 4,500 to 5,000 K with cool grey ambient push. Blacks are deepened. Skin is preserved slightly warmer than the environment.

Camera: focal length approximately 50 to 70mm equivalent for full-body coverage. Aperture approximately f/2.8 to f/3.5. Depth of field moderate — sharp focus on the entire subject from head to shoes, background strongly blurred. Grain level 1 out of 10. Retouching level 7.5 out of 10. Post-processing style is premium dark automotive fashion editorial — cool monochromatic grade, deepened blacks, controlled tonal contrast, glossy leather surface rendering, reflective car paint with architectural bounce.

Render at maximum photorealistic quality. Preserve exact facial proportions, direct camera gaze, crossed-leg stance, hands-in-pockets pose, car-leaning posture, complete outfit from jacket to shoe soles, lighting, color temperature, car and building environment, and full-body portrait framing including both shoes. Do not change his identity. Do not make him look like a different person. Do not change the black leather jacket. Do not change the black outfit. Do not change the black sports car. Do not redirect gaze away from the camera. Do not expose concealed hands or fingers. Do not add cosmetic makeup. Do not remove the sparkle graphic from the bottom-right corner. No extra people. No extra objects. No readable text. No licence plate. No watermark beyond the confirmed sparkle. No CGI look. No plastic skin. No anatomical errors. No beauty filter. No motion blur. No lens distortion. Ultra high resolution. Sharp detail from face to shoe soles. Natural retouched skin. Photorealistic only.

Use the uploaded image as the main visual reference. Recreate the same subject, same setting, same outfit, same objects, same framing, and same atmosphere. Do not invent a new face, new outfit, new background, or new camera angle. Follow the uploaded image closely and apply only the corrections below.

Generate a photorealistic image of a single adult male subject, early to late 20s, in a tall vertical portrait composition approximately 4:7 in aspect ratio, close to 9:16. The subject is framed as a complete full-body shot with both shoes entirely visible and a narrow strip of pavement beneath them, and moderate background space above the head. Subject is precisely centered on the vertical axis. Camera height is approximately waist-to-chest level producing a slight low-angle impression. Mild portrait lens compression with softly blurred background. Keep everything close to the original uploaded image.

Preserve the same facial identity precisely. Face shape is a long oval with a gently tapered lower face. Jawline is defined but not extremely broad. Chin is medium-width with a softly rounded-square contour. Cheekbones are moderately prominent. Nose is straight and narrow-to-medium width, moderately high bridge, compact softly rounded tip, medium-narrow nostril width, medium philtrum length. Lips have a slightly fuller lower lip, subtle cupid's bow on the upper lip, corners remaining neutral with zero upward pull, natural pale rose-brown color, smooth matte surface texture, zero gloss. Mouth is fully closed. Lip line remains nearly horizontal. Brows are relaxed with zero corrugator engagement. Eyes remain steadily focused with no squinting. Jaw is relaxed with slight controlled tension around the mouth. No smile, no smirk, no expression movement beyond neutral composure.

Render the skin as light-to-medium beige with neutral-warm olive undertones. Lit zones — forehead, nose bridge, upper cheeks — carry a warm neutral tone at approximately hue 28°, saturation 22%, brightness 83%. Shadow zones — camera-right cheek, beneath the jaw, under the nose, beneath the hair — shift to approximately hue 25°, saturation 18%, brightness 55%. Skin finish is smooth matte-satin with minimal shine. Retouching level is 7.5 out of 10: strong smoothing across the forehead, cheeks, under-eye area and jaw, pores and minor lines substantially reduced, limited natural texture retained around the nose, lips and faint beard stubble zone, restrained specular sheen on the nose bridge, upper cheeks and forehead center only. The result must read as digitally perfected without becoming completely plastic or poreless.

Both eyes are fully open and unobstructed — no glasses, no hair covering. Eyes are almond-shaped, medium-sized, evenly spaced. Iris color is dark brown. Pupils are medium-sized. Defined upper eyelid creases. Small soft diffused catchlights visible near the upper-central portions of both dark-brown irises. Lashes are natural, dark and medium-density, unenhanced. Gaze is directed straight into the camera lens with steady symmetrical direct eye contact. No averted gaze. No unfocused softness.

Eyebrows are dark brown, thick and dense, mostly straight with a soft outer arch, neatly groomed, positioned relatively close to the eyes, no laminated or heavily drawn appearance.

Hair is dark brown with subtle warm chestnut highlights. Medium length. Thick and voluminous. Swept upward and toward the subject's left. Soft side part positioned toward the subject's right. Slightly wavy through the top section. Shorter and controlled around the ears. Matte-satin finish with mild shine. Volume concentrated at the front and crown. Specular highlight sits as a diffused band across the upper front sweep. No frizz, no flyaways.

Facial hair is very light short stubble or shadow around the jaw, chin and upper lip. Dark brown. Low density compared with a full beard. Neatly maintained with no sharply groomed edges. Not a boxed beard — shadow-density stubble only.

Render no cosmetic makeup of any kind. No eyeliner, no eyeshadow, no blush, no lipstick, no visible foundation. Complexion evenness comes from retouching only. Brows are natural. Lip color is the subject's own pale rose-brown.

Keep the exact clothing. Outer garment is a black leather biker jacket in deep black with cool charcoal reflections at approximately hue 210°, saturation 5%, brightness 10–15% in lit zones rising to 25% along specular highlights. Smooth leather or coated faux leather. Glossy surface along folds, seams and shoulders. Slim structured close-fitting silhouette. Wide asymmetrical biker lapels. Diagonal silver zipper running from the upper-left chest to the lower-right waist, jacket worn open. Full-length sleeves with narrow cuffs carrying zipper or seam details. Quilted or stitched panel lines across the upper shoulders. Multiple silver-tone snaps and zipper pulls as hardware throughout. Diagonal zipped chest pocket on the subject's left chest. Zipped or welted pockets on both lower sides. Small snap-fastened tab detail near the lower camera-right side. No logo, no monogram. Pronounced leather fold and crease map around the elbows, waist and pocketed hands — leather creases are three-dimensional and catch specular highlights along their peaks.

Inner garment is a black crew-neck T-shirt in neutral matte black at approximately hue 0°, saturation 0%, brightness 6–8%. Smooth cotton or cotton-blend jersey. Slim close fit. Round crew neckline. Sleeves mostly concealed beneath the jacket. No fasteners, no pattern, no logo. Minor folds around the waist.

Lower garment is black tailored trousers in deep black smooth matte woven fabric at approximately hue 0°, saturation 0%, brightness 8–12%. Slim through the hips and legs. Mid-rise. Flat-front construction. Both front pockets contain the subject's hands. Concealed waistband and fly closure. No pattern, no logo. Natural crease map around the hips, knees, crossed shins and ankles — compression folds at the knee and cross-leg zone are clearly present.

Footwear is a pair of black low-top sneakers. Matte black upper in leather or synthetic leather. Black laces. Thick white or pale-grey rubber soles — the soles are the strongest highlight element in the lower frame and must be rendered clearly. Rounded toe shape. No readable branding. No clearly visible socks — a narrow section of bare ankle is visible above the left shoe.

Legs cross at the lower shin and ankle. The subject's left leg crosses in front of the right leg. Weight is supported mainly by the subject's right leg. Right foot is more directly beneath the body. Left foot angles outward toward camera-right. Stance is relaxed rather than wide. Lower back or hips rest lightly against the front hood of the car.

Both arms descend toward the trouser pockets with elbows bent slightly outward. Neither arm crosses the torso. Subject's right hand is inserted into the right front trouser pocket on camera-left: palm and fingers fully concealed, thumb partly exposed near the pocket opening, no ring or bracelet visible, right forearm angling downward. Subject's left hand is inserted into the left front trouser pocket on camera-right: palm and most fingers concealed, a small portion of the thumb or outer hand visible beside the jacket hem, no watch, ring or bracelet visible, left forearm angling downward.

Background follows the uploaded image exactly across four depth layers. Foreground layer: dark grey paved road or parking surface beneath the subject's shoes, extending to the lower frame edge. A small four-point white sparkle graphic is present in the bottom-right corner — render it as a simple clean four-point star shape, small, white, no glow, positioned at the very lower-right of the frame. Subject layer: man stands centrally and remains the sharpest element in the frame. Midground layer: a glossy black luxury sports car positioned directly behind the subject, low aerodynamic hood at approximately hip-to-chest height on the subject, broad curved windshield, dark headlight housings on both sides, large lower grille and sculpted front bumper, highly reflective deep black paint carrying large soft rectangular reflections of the surrounding grey architecture — the car extends beyond both side frame edges. Rear layer: modern building façade with large dark glass or metal panels and soft grey structural sections, strongly defocused with no readable architectural detail. Background brightness is slightly darker than the subject's face but similar in tone to the black clothing and car body. Background blur is strong throughout. No other people. No readable text. No licence plate visible. No additional graphic overlays beyond the confirmed sparkle icon.

Lighting setup: soft diffused frontal daylight from approximately 10 to 11 o'clock camera-left. Overcast or heavily softened quality with no hard shadow edges anywhere. Forehead, nose bridge and upper cheeks are evenly illuminated. Camera-right side of the face is marginally darker. Shadows beneath the nose, jaw and hair are soft with gradual falloff. Body illumination: broad highlights define the leather jacket shoulders, lapels and sleeve surfaces — the glossy leather catches the diffused light as elongated soft specular bands along shoulder seams and elbow peaks. Silver hardware — snaps, zipper pulls, diagonal zipper — produces small bright sharp reflections. Matte T-shirt and trousers remain darker than the glossy jacket with minimal surface reflection. White shoe soles create the strongest highlight area in the lower frame. Fill level is high enough to preserve tonal detail inside the black jacket, black shirt, black trousers and black car — nothing collapses into a featureless black void. Shadow depth is deep but fully readable. Subtle cool edge separation around the hair and outer shoulders separates the subject from the car and building behind. Large soft rectangular reflections of the grey architecture appear across the car hood and windshield surface. Small soft catchlights in both eyes from the overcast sky. Key light color temperature approximately 5,000 to 5,500 K neutral-to-slightly-cool. Ambient temperature is cool grey from the building and reflective car surfaces.

Color grade: dominant palette is deep black, charcoal grey, cool steel grey, warm beige skin and white-pale-grey shoe soles. Saturation is low-to-moderate and restrained throughout. Highlights carry a neutral to cool tone. Shadows are deep blue-black and charcoal. Cool monochromatic treatment with subtly warmer skin preserved against the cool environment. Strong tonal contrast between the subject's face and the surrounding black clothing. Material contrast is critical: glossy leather and reflective car paint must read as distinctly different surfaces from the matte trousers, matte shirt and matte pavement. Overall color temperature feel approximately 4,500 to 5,000 K with cool grey ambient push. Blacks are deepened. Skin is preserved slightly warmer than the environment.

Camera: focal length approximately 50 to 70mm equivalent for full-body coverage. Aperture approximately f/2.8 to f/3.5. Depth of field moderate — sharp focus on the entire subject from head to shoes, background strongly blurred. Grain level 1 out of 10. Retouching level 7.5 out of 10. Post-processing style is premium dark automotive fashion editorial — cool monochromatic grade, deepened blacks, controlled tonal contrast, glossy leather surface rendering, reflective car paint with architectural bounce.

Render at maximum photorealistic quality. Preserve exact facial proportions, direct camera gaze, crossed-leg stance, hands-in-pockets pose, car-leaning posture, complete outfit from jacket to shoe soles, lighting, color temperature, car and building environment, and full-body portrait framing including both shoes. Do not change his identity. Do not make him look like a different person. Do not change the black leather jacket. Do not change the black outfit. Do not change the black sports car. Do not redirect gaze away from the camera. Do not expose concealed hands or fingers. Do not add cosmetic makeup. Do not remove the sparkle graphic from the bottom-right corner. No extra people. No extra objects. No readable text. No licence plate. No watermark beyond the confirmed sparkle. No CGI look. No plastic skin. No anatomical errors. No beauty filter. No motion blur. No lens distortion. Ultra high resolution. Sharp detail from face to shoe soles. Natural retouched skin. Photorealistic only.